Lutz Dammbeck
Publisher
DEFA Film Library
Pub. Date
1984.
Language
English
Description
In fall 1984, Lutz Dammbeck and five other young Leipzig artists secretly organized the sensational exhibition they called 1. Leipziger Herbstsalon (FIRST LEIPZIG AUTUMN SALON) in protest of official art exhibitions and failed reforms in the East German art market. The private exhibition lasted almost a month and challenged the authority of cultural officials. This film shows original footage, shot by cinematographer Thomas Plenert, of the artists...
Publisher
DEFA Film Library
Pub. Date
1988.
Language
Deutsch
Description
In 1986, after suffering many obstacles and interference in his work, Lutz Dammbeck moved to Hamburg, West Germany. Two years later, in an attempt to start anew, he explores his decision and tries to sort out his past as an artist. In the process, he interviews artists Cornelia Schleime, Hans-Hendrik Grimmling and Hans Scheib, who had been core members of the alternative art scene in East Germany. They had all worked together in the 8mm-scene and...
3) The Net
Publisher
DEFA Film Library
Pub. Date
2003.
Language
English
Description
In 1996, the FBI captured American domestic terrorist and former mathematics professor and anarchist author Ted Kaczynski (aka: The Unabomber) who understood himself to be battling the increasing technologization of the world. In the mid-20th century, a host of intellectual developments-including cybernetics and systems theory, multimedia art, new concepts of psychology and military research-came to the fore and became relevant in influencing and...
4) Overgames
Publisher
DEFA Film Library
Pub. Date
2015.
Language
English
Description
While channel surfing in 2004, Lutz Dammbeck saw West German TV game show host Joachim Fuchsberger explain that he had based his successful early-1960s game show, *Nur nicht nervös werden* (*Just Don't Get Nervous*), on an American show called *Beat the Clock*, which made use of games developed for use in psychiatric therapy. When asked how many patients had watched his show, Fuchsberger answered: "A nation! A crazy... mentally disturbed nation."...
Publisher
DEFA Film Library
Pub. Date
1998.
Language
Deutsch
Description
At the Vienna Art Academy in 1994, an unidentified person painted over 27 works by Austrian painter Arnulf Rainer in black. Rainer had become world-famous for his abstract art and, in particular, for his over-layering of photographs and overpainting of his own and other artists' works. But who painted over the "overpainter"? Speculation rages: Did he attack his works himself? A year later, an unsigned letter surfaces claiming responsibility for the...
Publisher
DEFA Film Library
Pub. Date
1992.
Language
Deutsch
Description
While working on his Hercules Concept, director Lutz Dammbeck began to study the life and work of the German sculptor Arno Breker (1900-91). How could a highly talented sculptor who had met French avant-garde artists in Paris in the 1920s, and whose works were first labeled as "degenerate art" become one of Adolf Hitler's and Albert Speer's preferred sculptors and protégé? In trying to find an answer, Dammbeck met with contemporaries and friends...
7) Duke Ernest
Publisher
DEFA Film Library
Pub. Date
1984.
Language
Deutsch
Description
Young DUKE ERNEST wants to become a good knight, but circumstances are not in his favor. The Emperor-who wants to claim the Duke's castle and marry his mother-has Ernest wrongfully accused of murder and jailed. The only way to escape death is to enlist and go in search of the legendary Carbuncle Stone. Along the way, Ernest encounters carnivorous rocks, magnetic mountains, the giant bird Roc and many fantastical adventures. Dammbeck worked on this...
Publisher
DEFA Film Library
Pub. Date
1996.
Language
Deutsch
Description
A 1961 painting by Harry Blume is at the center of this film: beside the painter himself, artists Werner Tübke, Bernhard Heisig, Heinrich Witz and Hans Mayer-Foreyt appear in the painting. All five members of the first postwar generation to study art at the Leipzig Academy for Graphic and Book Design when it reopened in 1947. Some of them went on to become professors at the academy. Director Lutz Dammbeck, himself an alumnus of the academy, presents...
Publisher
DEFA Film Library
Pub. Date
1983.
Language
Deutsch
Description
After Dammbeck's original film project Herakles (Hercules) was rejected by the East German DEFA Studios in 1983-84, the artist was still fascinated by the Hercules story. He started experimenting with different media combinations, including overpainting, photography, film clips, collage, painting and movement. These experiments resulted in groundbreaking multi-media collaborations and in the film THE CAVE OF HERCULES, in which Dammbeck explores a...
Publisher
DEFA Film Library
Pub. Date
1981.
Language
Deutsch
Description
In this experimental short, Lutz Dammbeck relocates his Leipzig-based artists' circle, known as the Herbstsalon (Autumn Salon), to La Sarraz Palace in Switzerland. In 1929, La Sarraz was the site of a legendary congress held by leading European avant-garde filmmakers-including Sergei Eisenstein, Béla Balázs, Ivor Montagu, Hans Richter and Walter Ruttmann-who wished to create an independent cinema as a forum for discussing issues such as elitist...
11) Metamorphoses I
Publisher
DEFA Film Library
Pub. Date
1978.
Language
English
Description
For the 1977 intermedia exhibition Tangenten I (Tangents I), Dammbeck and co-organizer, sculptor and painter Frieder Heinze had planned to collaborate on a film that would combine non-camera animation with 35mm footage of a train ride between the two Dresden districts of Radebeul and Pieschen. When Tangents I was banned, Heinze turned to other projects, but Dammbeck continued working on the film by himself. METAMORPHOSES I-the first experimental film...
12) REALFilm
Publisher
DEFA Film Library
Pub. Date
1986.
Language
Deutsch
Description
This multimedia collage, which includes performances by pantomime artist and dancer Fine Kwiatkowski, painter and filmmaker Lutz Dammbeck and musician Robert Linke, is a reflection on the medium of film and its elements: sound, light and movement. Dammbeck's goal is to cleanse these elements of ideology and then commerce and compose a new film out of them. The process is played out in the space in real time. Recorded in Leipzig on May 14, 1986, this...
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