Theodore Dreiser
Acclaimed American journalist and fiction writer penned a number of noteworthy classics in his day, including Sister Carrie and An American Tragedy. His 1912 novel The Financier was the first in a trilogy of works following the life and career of Frank Cowperwood, a Philadelphia-born entrepreneur whose rising fortunes and intermittent disasters are emblematic of many of those who populated nineteenth-century America.
4) The Titan
In this sequel to Dreiser's novel The Financier, the author continues his exploration of the social and economic forces at play in the rise of the new class of super-rich capitalists in early twentieth-century America. Protagonist Frank Cowperwood attempts to leave his shameful past behind and settles in Chicago with his new wife. Will this quintessentially American act of self-reinvention succeed?
Dive into a gripping historical romance from master of naturalism Theodore Dreiser. Things appear to be looking up for downtrodden maid Jennie Gerhardt when she meets and falls in love with a dashing senator. However, soon after their romance blossoms, her new lover is ripped away, leaving Jennie destitute and pregnant. How will she make it in the world all alone?
6) The "Genius"
Heavily influenced by Dreiser's own life and experiences, this roman a clef was regarded as shockingly frank in its treatment of sexuality, particularly the sensual nature and intimate conquests of female protagonist Eugene Witla, an up-and-coming artist. As a result of the novel's titillating subject matter, Dreiser encountered a great deal of difficulty when it came to finding a willing publisher, and the book has been banned often in the ensuing
...7) Twelve Men
Best remembered for being one of the leading figures in the school of fiction writing known as naturalism, American author Theodore Dreiser got his professional start as a journalist, and he brings his love of research and detail to this collection of biographical essays celebrating the lives and contributions of 12 people who influenced him.