Der blaue engel = Blue angel.
Published
[San Francisco, California, USA] : Kino Lorber Edu, 1930., Kanopy Streaming, 2017.
Status
Available Online
Description
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More Details
Format
Language
German
Notes
General Note
Title from title frames.
Date/Time and Place of Event
Originally produced by Kino Lorber Edu in 1930.
Description
Emil Jannings (The Last Laugh, Faust, Othello), the quintessential German expressionist actor, stars as Professor Rath, the sexually-repressed instructor of a boys' prep school. After learning of the pupils' infatuation with French postcards depicting a local nightclub songstress, he decides to personally investigate the source of such indecency. But as soon as he enters the shadowy Blue Angel nightclub and steals one glimpse of the smoldering Lola-Lola (Marlene Dietrich), commanding the stage in top hat, stockings, and bare thighs, Rath's self-righteous piety is crushed. He finds himself fatefully seduced by the throaty voice of the vulgar siren, singing "Falling In Love Again." Consumed by desire and tormented by his rigid propriety, Professor Rath allows himself to be dragged down a path of personal degradation. Lola's unrestrained sexuality was a revelation to turn-of-the-decade moviegoers, thrusting Dietrich to the forefront of the sultry international leading ladies, such as Greta Garbo, who were challenging the limits of screen sexuality.
System Details
Mode of access: World Wide Web.
Also in this Series
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Citations
APA Citation, 7th Edition (style guide)
von Sternberg, J. (1930). Der blaue engel =: Blue angel . Kino Lorber Edu.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)von Sternberg, Josef, 1894-1969. 1930. Der Blaue Engel =: Blue Angel. [San Francisco, California, USA]: Kino Lorber Edu.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)von Sternberg, Josef, 1894-1969. Der Blaue Engel =: Blue Angel [San Francisco, California, USA]: Kino Lorber Edu, 1930.
Harvard Citation (style guide)von Sternberg, J. (1930). Der blaue engel =: blue angel. [San Francisco, California, USA]: Kino Lorber Edu.
MLA Citation, 9th Edition (style guide)von Sternberg, Josef. Der Blaue Engel =: Blue Angel Kino Lorber Edu, 1930.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
34f23211-f1a3-5528-5ecb-6e542120297f-ger
Grouping Information
| Grouped Work ID | 34f23211-f1a3-5528-5ecb-6e542120297f-ger |
|---|---|
| Full title | der blaue engel blue angel |
| Author | kino lorber edu |
| Grouping Category | movie |
| Last Update | 2024-10-08 10:55:34AM |
| Last Indexed | 2024-12-03 03:08:29AM |
Book Cover Information
| Image Source | default |
|---|---|
| First Loaded | Sep 20, 2024 |
| Last Used | Nov 27, 2024 |
Marc Record
| First Detected | Apr 25, 2023 01:05:36 PM |
|---|---|
| Last File Modification Time | Apr 25, 2023 01:05:36 PM |
| Suppressed | Record had no items |
MARC Record
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| 520 | |a Emil Jannings (The Last Laugh, Faust, Othello), the quintessential German expressionist actor, stars as Professor Rath, the sexually-repressed instructor of a boys' prep school. After learning of the pupils' infatuation with French postcards depicting a local nightclub songstress, he decides to personally investigate the source of such indecency. But as soon as he enters the shadowy Blue Angel nightclub and steals one glimpse of the smoldering Lola-Lola (Marlene Dietrich), commanding the stage in top hat, stockings, and bare thighs, Rath's self-righteous piety is crushed. He finds himself fatefully seduced by the throaty voice of the vulgar siren, singing "Falling In Love Again." Consumed by desire and tormented by his rigid propriety, Professor Rath allows himself to be dragged down a path of personal degradation. Lola's unrestrained sexuality was a revelation to turn-of-the-decade moviegoers, thrusting Dietrich to the forefront of the sultry international leading ladies, such as Greta Garbo, who were challenging the limits of screen sexuality. | ||
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