Jasper Johns: Decoy.
Published
[San Francisco, California, USA] : Michael Blackwood Productions, 1972., Kanopy Streaming, 2019.
Status
Available Online
Description
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More Details
Format
Language
English
Notes
General Note
Title from title frames.
General Note
Film
General Note
In Process Record.
Participants/Performers
Jasper Johns, Tatyana Grosman
Date/Time and Place of Event
Originally produced by Michael Blackwood Productions in 1972.
Description
Jasper Johns's Decoy is rooted inside the notions of reproduction, transformation and memory. Believing that an image gains new meaning each time it is presented, Johns boldly confronts his own past work, most notably Ale Cans (1964), and uses Decoy as a method of metamorphosis. The repetition of certain motifs allows Johns to confront the change an image goes through when approached from a different angle or placed in a new artistic context. As he notes the film, "each time a motif is used and reused additional memories accrue, new layers of meaning, and the image itself begins to acquire its own history." It is through Johns's reimagining that the items he features in his work take on new life and grow from object to art, thus redirecting society's interpretation.
System Details
Mode of access: World Wide Web.
Language
In English
Also in this Series
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Citations
APA Citation, 7th Edition (style guide)
Blackwood, M., Johns, J., & Grosman, T. (1972). Jasper Johns: Decoy . Michael Blackwood Productions.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Blackwood, Michael, Jasper, Johns and Tatyana, Grosman. 1972. Jasper Johns: Decoy. Michael Blackwood Productions.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Blackwood, Michael, Jasper, Johns and Tatyana, Grosman. Jasper Johns: Decoy Michael Blackwood Productions, 1972.
MLA Citation, 9th Edition (style guide)Blackwood, Michael,, Jasper Johns, and Tatyana Grosman. Jasper Johns: Decoy Michael Blackwood Productions, 1972.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
9db57154-8d28-bee3-0d8b-785ffa0c9d44-eng
Grouping Information
| Grouped Work ID | 9db57154-8d28-bee3-0d8b-785ffa0c9d44-eng |
|---|---|
| Full title | jasper johns decoy |
| Author | michael blackwood productions |
| Grouping Category | movie |
| Last Update | 2024-10-08 10:55:34AM |
| Last Indexed | 2024-12-03 03:23:56AM |
Book Cover Information
| Image Source | default |
|---|---|
| First Loaded | Aug 13, 2023 |
| Last Used | Sep 21, 2024 |
Marc Record
| First Detected | Apr 25, 2023 01:25:53 PM |
|---|---|
| Last File Modification Time | Apr 25, 2023 01:25:53 PM |
| Suppressed | Record had no items |
MARC Record
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| 518 | |a Originally produced by Michael Blackwood Productions in 1972. | ||
| 520 | |a Jasper Johns's Decoy is rooted inside the notions of reproduction, transformation and memory. Believing that an image gains new meaning each time it is presented, Johns boldly confronts his own past work, most notably Ale Cans (1964), and uses Decoy as a method of metamorphosis. The repetition of certain motifs allows Johns to confront the change an image goes through when approached from a different angle or placed in a new artistic context. As he notes the film, "each time a motif is used and reused additional memories accrue, new layers of meaning, and the image itself begins to acquire its own history." It is through Johns's reimagining that the items he features in his work take on new life and grow from object to art, thus redirecting society's interpretation. | ||
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