Düerer's Heirs.
Published
[San Francisco, California, USA] : DEFA Film Library, 1996., Kanopy Streaming, 2019.
Status
Available Online
Description
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More Details
Format
Language
German
Notes
General Note
Title from title frames.
General Note
Film
General Note
In Process Record.
Date/Time and Place of Event
Originally produced by DEFA Film Library in 1996.
Description
A 1961 painting by Harry Blume is at the center of this film: beside the painter himself, artists Werner Tübke, Bernhard Heisig, Heinrich Witz and Hans Mayer-Foreyt appear in the painting. All five members of the first postwar generation to study art at the Leipzig Academy for Graphic and Book Design when it reopened in 1947. Some of them went on to become professors at the academy. Director Lutz Dammbeck, himself an alumnus of the academy, presents the origins of the new German realism developed by the so-called Leipzig School, which took place in the context of socialist-realist dogma in the GDR before the Wall was built in 1961. After the Wall came down in 1989, what happened to the major Leipzig School painters Werner Tübke and Bernhard Heisig, who had been called "Dürer's red heirs" by West German journalists in the 1970s? In the film, Tübke, Heisig and former GDR officials who were involved with culture in Leipzig at the time talk about modernism, conformism, political pressure, party discipline, personal claims and fading memory. The documentary paints an insightful, often critical picture of early East German art history.
System Details
Mode of access: World Wide Web.
Language
In English
Also in this Series
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Citations
APA Citation, 7th Edition (style guide)
Dammbeck, L. (1996). Düerer's Heirs . DEFA Film Library.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Dammbeck, Lutz. 1996. Düerer's Heirs. [San Francisco, California, USA]: DEFA Film Library.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Dammbeck, Lutz. Düerer's Heirs [San Francisco, California, USA]: DEFA Film Library, 1996.
Harvard Citation (style guide)Dammbeck, L. (1996). Düerer's heirs. [San Francisco, California, USA]: DEFA Film Library.
MLA Citation, 9th Edition (style guide)Dammbeck, Lutz. Düerer's Heirs DEFA Film Library, 1996.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
cb7cb8d6-bad2-1753-ca2d-43ec8f1f83c0-ger
Grouping Information
| Grouped Work ID | cb7cb8d6-bad2-1753-ca2d-43ec8f1f83c0-ger |
|---|---|
| Full title | düerers heirs |
| Author | defa film library |
| Grouping Category | movie |
| Last Update | 2024-10-08 10:55:34AM |
| Last Indexed | 2024-12-03 03:30:13AM |
Book Cover Information
| Image Source | default |
|---|---|
| First Loaded | Jun 10, 2024 |
| Last Used | Dec 17, 2024 |
Marc Record
| First Detected | Apr 25, 2023 01:35:55 PM |
|---|---|
| Last File Modification Time | Apr 25, 2023 01:35:55 PM |
| Suppressed | Record had no items |
MARC Record
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| 520 | |a A 1961 painting by Harry Blume is at the center of this film: beside the painter himself, artists Werner Tübke, Bernhard Heisig, Heinrich Witz and Hans Mayer-Foreyt appear in the painting. All five members of the first postwar generation to study art at the Leipzig Academy for Graphic and Book Design when it reopened in 1947. Some of them went on to become professors at the academy. Director Lutz Dammbeck, himself an alumnus of the academy, presents the origins of the new German realism developed by the so-called Leipzig School, which took place in the context of socialist-realist dogma in the GDR before the Wall was built in 1961. After the Wall came down in 1989, what happened to the major Leipzig School painters Werner Tübke and Bernhard Heisig, who had been called "Dürer's red heirs" by West German journalists in the 1970s? In the film, Tübke, Heisig and former GDR officials who were involved with culture in Leipzig at the time talk about modernism, conformism, political pressure, party discipline, personal claims and fading memory. The documentary paints an insightful, often critical picture of early East German art history. | ||
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