Mothertime.
Published
[San Francisco, California, USA] : Women Make Movies, 2018., Kanopy Streaming, 2021.
Status
Available Online
Description
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More Details
Format
Language
English
Notes
General Note
Title from title frames.
General Note
Film
General Note
In Process Record.
Date/Time and Place of Event
Originally produced by Women Make Movies in 2018.
Description
MOTHERTIME is a personal video diary that takes us on a corporeal journey in parenting via a small portable Go-Pro camera. Worn by both mother and child, or left on any surface and turned on and off remotely, the camera over the period of a year and a half captures a real-time, sensorial journey spanning the frenetic to mundane. Set primarily amidst scenes at home, the film explores the whimsical, ordinary, sometimes claustrophobic repeating loops of work and play in daily domestic life. The audience is drawn into the raw and messy reality of the mother-daughter relationship as the markers of toddlerhood become the turning points of the film itself. Early mobility, language acquisition and increasing child independence provide an intimate perspective of the mother-child relationship, intentionally blurring where the mother ends and the child begins. Like the fictional film, Jeanne Dielman, 23 Commerce Quay, MOTHERTIME explores the boundaries of time and home to invite the viewer to see the labor of motherhood as neither romanticized nor banal, while it plays in the physical and emotional space between mother and child.
System Details
Mode of access: World Wide Web.
Language
In English
Also in this Series
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Citations
APA Citation, 7th Edition (style guide)
Guevara-Flanagan, K. (2018). Mothertime . Women Make Movies.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Guevara-Flanagan, Kristy. 2018. Mothertime. [San Francisco, California, USA]: Women Make Movies.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Guevara-Flanagan, Kristy. Mothertime [San Francisco, California, USA]: Women Make Movies, 2018.
Harvard Citation (style guide)Guevara-Flanagan, K. (2018). Mothertime. [San Francisco, California, USA]: Women Make Movies.
MLA Citation, 9th Edition (style guide)Guevara-Flanagan, Kristy. Mothertime Women Make Movies, 2018.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
be51c07d-eb4c-07af-881c-740137f4bdaf-eng
Grouping Information
| Grouped Work ID | be51c07d-eb4c-07af-881c-740137f4bdaf-eng |
|---|---|
| Full title | mothertime |
| Author | women make movies |
| Grouping Category | movie |
| Last Update | 2024-10-08 10:55:34AM |
| Last Indexed | 2024-12-03 03:28:26AM |
Book Cover Information
| Image Source | default |
|---|---|
| First Loaded | Sep 12, 2024 |
| Last Used | Nov 10, 2024 |
Marc Record
| First Detected | Apr 25, 2023 01:56:23 PM |
|---|---|
| Last File Modification Time | Apr 25, 2023 01:56:23 PM |
| Suppressed | Record had no items |
MARC Record
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| 500 | |a Title from title frames. | ||
| 500 | |a Film | ||
| 500 | |a In Process Record. | ||
| 518 | |a Originally produced by Women Make Movies in 2018. | ||
| 520 | |a MOTHERTIME is a personal video diary that takes us on a corporeal journey in parenting via a small portable Go-Pro camera. Worn by both mother and child, or left on any surface and turned on and off remotely, the camera over the period of a year and a half captures a real-time, sensorial journey spanning the frenetic to mundane. Set primarily amidst scenes at home, the film explores the whimsical, ordinary, sometimes claustrophobic repeating loops of work and play in daily domestic life. The audience is drawn into the raw and messy reality of the mother-daughter relationship as the markers of toddlerhood become the turning points of the film itself. Early mobility, language acquisition and increasing child independence provide an intimate perspective of the mother-child relationship, intentionally blurring where the mother ends and the child begins. Like the fictional film, Jeanne Dielman, 23 Commerce Quay, MOTHERTIME explores the boundaries of time and home to invite the viewer to see the labor of motherhood as neither romanticized nor banal, while it plays in the physical and emotional space between mother and child. | ||
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| 546 | |a In English | ||
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