Reclaiming our space: how Black feminists are changing the world from the tweets to the streets
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9780807055380
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Publisher's Weekly Review
Feminist activist and writer Jones thoroughly explores how black women are carving out digital niches, building community among like-minded people, and fighting back against racism and misogyny. She looks at some of the most successful hashtags of "Black Twitter," including her own #YouOKSis, which spread awareness about street harassment. Jones also interviews other influential people and activists, including CaShawn Thompson, founder of the Black Girl Magic movement, which draws attention to black women's achievements, and Glynda Carr, founder of Higher Heights for America, which supports black women in politics. She astutely analyzes the nuances of black female identity and argues it is embattled and erased on two fronts, as feminism writ large is viewed as a white woman's space, and racial politics are monopolized by men: "Where all the women are white and all the blacks are men, we are not white enough to be women and too womanly to be black." Another section uses the lens of slavery and colonization to examine the lack of positive representations of black sexuality. Jones encourages other marginalized people to speak out, using "personal branding, activism, and innovative marketing strategies" such as hashtags and evidence-presenting tweet threads to amplify their messages. Part memoir, part tactical guide to internet activism, Jones's entertaining book advises black women on how to make their voices heard and everyone else on best practices for being an ally. (Jan.) © Copyright PWxyz, LLC. All rights reserved.
Library Journal Review
Part memoir, part manifesto, this work by social worker and activist Jones begins with the premise that social change needs to start with black people because, as the author explains, "without focused work to eradicate the insidious permeation of these oppressions, we will only get as far as our internalized hatred permits." By providing insights into how she has used social media to ignite change, Jones details how she has engaged in movements that have radically transformed culture. There's a beautiful optimism about the power of social media throughout various chapters. Her focus is on Twitter, and rightly so, as she's actively used hashtags such as #BlackLivesMatter, #SayHerName, #YouOKSis, and #BlackGirlMagic. Jones carefully designed this book so that readers would see first the small sites and signs of privilege before moving into an understanding of the larger implications of what it means to have privilege in America. The work aims to engender discomfort, which is what many of us need right now if we are going to play a role in creating systemic change. VERDICT Recommended for university-level courses on gender studies and new media studies as well as for general readers interested in the intersections of pop culture, feminist theory, racial justice, and activism.-Emily Bowles, Univ. of Wisconsin, Madison © Copyright 2019. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Book Review
A feminist writer/community activist offers insights into what she sees as the defining practices of 21st-century black feminism.For Philadelphia-based social worker and activist Jones, black feminism is "the key to Black liberation." One tool that the author believes that black feminists have used successfully in their ongoing struggle for social justice is Twitter. She argues that hashtags, which help Twitter users find "specific topics and associated social media posts," have become vital mechanisms to grow communities that extend far beyond the narrow confines of academia. Some, like #FridayNightHorror (which focuses on black women in the horror film genre) and #BlackGirlsAreMagic (which focuses on the accomplishments of black women), are social, educational, and/or inspirational in nature. Others, like #BlackLivesMatter, have become the foundation for worldwide political movements. Jones believes that Twitter has become such a successful tool for black feminists/activists because the "forum [is] rooted in the African call-and-response tradition," wherein participants aid in the development of a message while also influencing its direction. She also suggests that Twitter has become a way that black feminists like herself have been able to build followings that have allowed them to continue much-needed conversations elsewhere. Tweets on sex-positive feminism, for example, led Jones to create a widely read blog and, later, articles for Ebony.com. While the author concedes that what exists online "can be negative and harmful to [black] progress," she also suggests that continued sharing of ideas among black feminists "will strengthen and improve the way the next generation interacts with each other." Sharp and provocative, the narrative is most powerful in its implication that, unless born to privilege, all Americans, regardless of race or gender, now "feel something akin to what Black people...have always experienced." Understanding black (female) struggles is therefore critical for everyone.Smart, savvy, and unapologetically fierce. Copyright Kirkus Reviews, used with permission.
Library Journal Reviews
Part memoir, part manifesto, this work by social worker and activist Jones begins with the premise that social change needs to start with black people because, as the author explains, "without focused work to eradicate the insidious permeation of these oppressions, we will only get as far as our internalized hatred permits." By providing insights into how she has used social media to ignite change, Jones details how she has engaged in movements that have radically transformed culture. There's a beautiful optimism about the power of social media throughout various chapters. Her focus is on Twitter, and rightly so, as she's actively used hashtags such as #BlackLivesMatter, #SayHerName, #YouOKSis, and #BlackGirlMagic. Jones carefully designed this book so that readers would see first the small sites and signs of privilege before moving into an understanding of the larger implications of what it means to have privilege in America. The work aims to engender discomfort, which is what many of us need right now if we are going to play a role in creating systemic change. VERDICT Recommended for university-level courses on gender studies and new media studies as well as for general readers interested in the intersections of pop culture, feminist theory, racial justice, and activism.—Emily Bowles, Univ. of Wisconsin, Madison
Copyright 2018 Library Journal.PW Annex Reviews
Feminist activist and writer Jones thoroughly explores how black women are carving out digital niches, building community among like-minded people, and fighting back against racism and misogyny. She looks at some of the most successful hashtags of "Black Twitter," including her own #YouOKSis, which spread awareness about street harassment. Jones also interviews other influential people and activists, including CaShawn Thompson, founder of the Black Girl Magic movement, which draws attention to black women's achievements, and Glynda Carr, founder of Higher Heights for America, which supports black women in politics. She astutely analyzes the nuances of black female identity and argues it is embattled and erased on two fronts, as feminism writ large is viewed as a white woman's space, and racial politics are monopolized by men: "Where all the women are white and all the blacks are men, we are not white enough to be women and too womanly to be black." Another section uses the lens of slavery and colonization to examine the lack of positive representations of black sexuality. Jones encourages other marginalized people to speak out, using "personal branding, activism, and innovative marketing strategies" such as hashtags and evidence-presenting tweet threads to amplify their messages. Part memoir, part tactical guide to internet activism, Jones's entertaining book advises black women on how to make their voices heard and everyone else on best practices for being an ally. (Jan.)
Copyright 2018 Publishers Weekly Annex.