The stand

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#1 BESTSELLER • NOW A PARAMOUNT+ LIMITED SERIES • Stephen King’s apocalyptic vision of a world blasted by plague and tangled in an elemental struggle between good and evil remains as riveting—and eerily plausible—as when it was first published.One of The Atlantic’s Great American Novels of the Past 100 Years! This edition includes all of the new and restored material first published in The Stand: The Complete and Uncut Edition.A patient escapes from a biological testing facility, unknowingly carrying a deadly weapon: a mutated strain of super-flu that will wipe out 99 percent of the world’s population within a few weeks. Those who remain are scared, bewildered, and in need of a leader. Two emerge—Mother Abagail, the benevolent 108-year-old woman who urges them to build a peaceful community in Boulder, Colorado; and Randall Flagg, the nefarious “Dark Man,” who delights in chaos and violence. As the dark man and the peaceful woman gather power, the survivors will have to choose between them—and ultimately decide the fate of all humanity.

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9780307743688
9780385528856
9780606256155
9780307987587
9780307947307

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Similar Titles From NoveList

NoveList provides detailed suggestions for titles you might like if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
These books have the appeal factors menacing and unputdownable, and they have the themes "pandemic apocalypse" and "band of survivors"; the genres "horror" and "apocalyptic fiction"; the subjects "epidemics," "survival (after epidemics)," and "post-apocalypse"; and characters that are "flawed characters," "introspective characters," and "authentic characters."
These books have the appeal factors creepy and multiple perspectives, and they have the themes "pandemic apocalypse," "band of survivors," and "large cast of characters"; the genres "horror" and "apocalyptic fiction"; the subjects "epidemics," "survival (after epidemics)," and "post-apocalypse"; and characters that are "flawed characters."
These books have the themes "pandemic apocalypse," "band of survivors," and "large cast of characters"; the genre "apocalyptic fiction"; the subjects "plague," "epidemics," and "survival (after epidemics)"; and characters that are "introspective characters" and "authentic characters."
Pandemics divide survivors into factions in these apocalyptic novels, whose sprawling narratives introduce large ensemble casts. Although both books build to climactic good-versus-evil showdowns, Year One's world-building incorporates familiar fantasy elements, while The Stand blends science fiction and horror tropes. -- NoveList Contributor
Intricate plotting sets the stage for the ultimate battle of good vs. evil in these creepy epic horror novels. The Stand takes place in a post-apocalyptic landscape, Imaginary Friend in both reality and a sinister parallel world. -- Kaitlin Conner
Global pandemics spark societal collapse, further dividing an already polarized America in these sprawling apocalyptic novels. Perspective shifts among multiple characters and across locations lend a cinematic aspect to intricately plotted narratives that converge in confrontations between good and evil. -- NoveList Contributor
These books have the appeal factors creepy and menacing, and they have the themes "pandemic apocalypse," "band of survivors," and "trapped!"; the genres "horror" and "page to screen"; the subjects "survival (after epidemics)," "post-apocalypse," and "end of the world"; and characters that are "introspective characters."
These books have the appeal factors creepy and menacing, and they have the themes "pandemic apocalypse," "band of survivors," and "large cast of characters"; the genres "horror" and "apocalyptic fiction"; and the subjects "epidemics," "survival (after epidemics)," and "good and evil."
Both are epic stories of pandemic-based post-apocalyptic horror, with large casts of characters providing multiple narrative threads. In each the ultimate battle of good vs. evil is played out upon the ruined American desert, with bands of survivors as pawns or saviors. -- Karen Brissette
We all fall down - Harvey, Michael T.
We All Fall Down and The Stand revolve around the horrific effects of a plague unleashed on an unsuspecting world. Both novels feature details of the biological terror and compelling portraits of the good and evil in human nature. -- Katherine Johnson
Both novels imagine a post-apocalyptic America where an accidentally unleashed, government created, super-virus kills off most of the population. The stories then both follow a band of survivors fighting a classic battle of Good vs. Evil. -- Becky Spratford
Though The Stand portrays a remnant of humanity and The Fireman relates a large-scale desperate struggle, both apocalyptic novels base their tales on incurable raging infections. Heroic characters do valiant battle in classic good-vs-evil scenarios. -- Katherine Johnson

Similar Authors From NoveList

NoveList provides detailed suggestions for other authors you might want to read if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
Richard Bachman is the pseudonym of Steven King, generally associated with a more gruesome narrative voice. -- Jessica Zellers
Stephen King's and Dean R. Koontz's names are frequently linked as they both write in multiple, often blended genres. Like King, Koontz's stories feature a cast of personable characters involved in fast-paced, deadly battles between good and evil. Koontz, too, writes in a variety of genres, including horror, fantasy, and psychological suspense. -- Krista Biggs
Like father, like son. Both King and Hill blend genres, writing mostly horror that often incorporates suspense and dark fantasy tropes. Both tend to feature story lines with flawed but likable protagonists who confront their dark sides as they battle an evil supernatural being. -- Becky Spratford
The compelling, descriptive prose of these authors can be disturbing, creepy, menacing, and suspenseful. Their intricately plotted tales are violent (even gruesome) and center on well-developed protagonists caught by horrifying circumstances in atmospheric American settings. Besides thrilling, they reveal thought-provoking insight into human values and follies, hopes and fears. -- Matthew Ransom
Both these novelists employ vivid description, careful development of characters, initially believable scenarios that build into horrific experiences, and deft portrayal of the details of each shocking situation. While there is bleak and bloody mayhem in their tales, psychological suspense also plays a significant role in the reader's engagement. -- Katherine Johnson
These masters of horror, both articularly adept at creating well-drawn younger characters and generating a genuine atmosphere of menace and incipient violence, work at the intersection of death and dark humor in their often nostalgia-tinged tales of supernatural possession liberally punctuated with pop cultural references. -- Mike Nilsson
Readers who appreciate Stephen King's snappy dialogue, small-town settings, and tendency to portray childhood as a very dangerous time will savor the work of Dathan Auerbach, a King acolyte who got his start writing short-form horror on the Creepypasta website. -- Autumn Winters
Known for their atmospheric yet understated prose, authors Josh Malerman and Stephen King write pulse-pounding speculative fiction novels featuring well-developed characters, unsettling violence, and gloomy suspense. Their compelling works frequently blend disturbing elements of horror, supernatural thriller, and apocalyptic fiction. -- Kaitlin Conner
Both authors are skilled at creating intricately plotted stories featuring relatable, realistic-feeling characters. While they are both best known for their horror, their work also explores other genres, relying on psychological suspense and the internal darkness humans carry with them. -- Michael Jenkins
Stephen King and Andrew Pyper are versatile writers who have fully explored all corners of the horror genre. Ghosts, demons, the occult, and creepy monsters (both real-life and supernatural) -- you'll find them all scattered throughout Pyper and King's suspenseful novels. -- Catherine Coles
Both authors create relatable, well-drawn characters who deal with real-world struggles as well as supernatural terrors. Ajvide Lindqvist's storylines frequently stem from social issues while King tends to write about good versus evil. -- Alicia Cavitt
Whether conjuring up supernatural frights or exploring the scary side of recognizable social issues, Stephen Graham Jones and Stephen King are horror novelists whose penchant for strong character development is matched by menacing, compellingly written narratives that move along at a quick pace. -- Basia Wilson

Published Reviews

Publisher's Weekly Review

Survivors of a chemical weapon called superflu confront pure evil in this updated and even more massive version of King's 1978 saga. ``The extra 400 or so pages . . . make King's best novel better still,'' said PW. `` A new beginning adds verisimilitude to an already frighteningly believable story, while a new ending opens up possibilities for a sequel . '' (May) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
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Library Journal Review

Released in 1978, King's apocalyptic novel, even at a whopping 1200-plus pages, had been trimmed by 150,000 words. A restored version followed in 1990, and that unexpurgated text here makes its audiobook debut-and it's well worth the wait. The story offers the author's signature scenes of horror, but King devotes much time to describing a world gone mad and the people left to populate it after a virus wipes out most of the planet's population. Even though there are hundreds of characters, only a handful are primary, and King shows his skill at making them real, as the uncanny talent of narrator Grover Gardner brings them to life. His reading is flawless, his timing is spot-on, and his slightly Southern accent makes even curse words sound amusing. VERDICT Despite the price and the daunting listening time, this audiobook belongs in every library.-Joseph L. Carlson, Vandenberg Air Force Base Lib., Lompoc, CA (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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Kirkus Book Review

King's fifth novel returns, 12 years after its first publication, with 230 of its original pages restored. There is also some new writing in the present 1,153 pages of what is now King's longest creation--all has been updated ten years to include references to AIDS, Roger Rabbit, and more recent happenings. But the plot is almost utterly the same, only with more incidents and details deepening the characters. Essentially, if you've read the novel in its shorter form, you've read the novel and don't need to read the new version--unless you're a King fanatic, of course. But what do the new pages do? They give a creamy expansiveness to the flow--but then also delay the book's getting into its big stride: the heat between the story's rival forces doesn't begin until about page 700. And, strangely enough, the long version is a faster, smoother read, less difficult to take in than the short version. Sadly, though, the story's most powerful pages--a very long description of N.Y.C. emptied of human life by a super-flu plague, and a trek through the darkness of a Lincoln Tunnel crammed with dead vehicles and dead people--comes around page 400 and is such a strong, intense passage that nothing that follows equals it. What one gets is King's proletariat cast enacting a story that takes itself seriously, but seems to spring from an imagination fed on comic books, Edgar Rice Burroughs, and Bruce Springsteen. The story: a plague virus escapes from a California germ-warfare lab and knocks out nearly all human life. A small group of Americans, drawn from the East and West, gathers at Boulder, Colorado, and finds itself in psychic battle with the forces of evil--forces that are entrenched in Las Vegas and led by Satan in the guise of one Randall Flagg. A team of good guys infiltrates the bad guys, but it is the bad guys who bring about their own destruction with an atomic explosion--which is also seen as the hand of God engineering the Apocalypse. A last new touch has Flagg survive the bomb and start his campaign all over by perverting a primitive jungle tribe with civilization. For many, a haunting experience given its greatest life by scenes of devastation, although The Shining is artistically more complex and satisfying. And what can be said about the prole values King celebrates in book after book? Tiresome, man. Copyright ©Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.
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Publishers Weekly Reviews

In its 1978 incarnation, The Stand was a healthy, hefty 823-pager. Now, King and Doubleday are republishing The Stand in the gigantic version in which, according to King, it was originally written. Not true . The same excellent tale of the walking dude, the chemical warfare weapon called superflu and the confrontation between its survivors has been updated to 1990, so references to Teenage Mutant Ninja Turtles, the Reagan years, Roger Rabbit and AIDS are unnecessarily forced into the mouths of King's late-'70s characters. That said, the extra 400 or so pages of subplots, character development, conversation, interior dialogue, spiritual soul-searching, blood, bone and gristle make King's best novel better still. A new beginning adds verisimilitude to an already frighteningly believable story, while a new ending opens up possibilities for a sequel. Sheer size makes an Everest of the whole deal. BOMC selection, QPB main selection. (May) Copyright 1990 Cahners Business Information.

Copyright 1990 Cahners Business Information.
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