The buccaneers

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English

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Winner of the Pulitzer Prize and a bestseller in her own day, Edith Wharton was the premier chronicler of society - its manners and mores - from the turn of the century through the 1930s. In The Buccaneers, her last novel, she created two of her finest female characters: the young romantic Nan St. George and her English governess, Laura Testvalley, whom Wharton's biographer R. W. B. Lewis calls "so richly complex a person, endowed with so much humanity, that she threatens to run away with the narrative."The novel opens at the height of the 1876 racing season in Saratoga, New York, where mothers with "new money" assess their daughters' competition in the marriage market. It moves to London, where the St. George and Elmsworth girls go because the rigid guardians of American Society will not accept them. The dukes, lords, and marquesses of England, on the other hand, are delighted not only with the girls' beauty but with their fathers' bounty - just what is needed to revitalize impoverished British estates. It is Miss Testvalley who suggests the journey abroad, and she who recognizes that Nan - though less beautiful than her sister and less "finished" than her friends - has the capacity to love, deeply and defiantly. The novel closes with a romance that violates convention on both sides of the ocean."Death ended Edith Wharton's work on a novel which might have been her masterpiece," said Time magazine in 1938. Now, Marion Mainwaring has completed the story, meticulously and imaginatively following Wharton's directions. The result is a book any Wharton enthusiast will celebrate and any romantic reader will love - a rich, beautifully nuanced classic for all time.

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ISBN
9780140232028
9780593740026
9781440621390

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NoveList provides detailed suggestions for titles you might like if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
These books have the subjects "rich people," "nobility," and "mate selection for women."
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We recommend Our Kind of People for readers who like The Buccaneers. Both character-driven and richly detailed historical novels follow the ups and downs of social climbers in Gilded Age society. -- Ashley Lyons
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We recommend American Duchess for readers who like The Buccaneers. Both are the atmospheric tales of American socialites who marry into the British aristocracy during the Gilded Age. -- Ashley Lyons
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Fans of The Buccaneers, Edith Wharton's final novel, will also enjoy The Portrait of a Lady, the classic from Wharton's mentor, Henry James. Both character-driven novels follow rich American women seeking aristocratic marriages in the Old World. -- Michael Shumate

Similar Authors From NoveList

NoveList provides detailed suggestions for other authors you might want to read if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
In her emphasis on women and the lack of opportunities available to them, as well as in her similar writing style, Nella Larsen might appeal to readers of classic literature drawn to Edith Wharton's themes and style. Like Wharton, Larsen offers portraits of women out of place in the societies in which they must live. -- Katherine Johnson
Though one favors the Victorian era and the other the Gilded Age, the works of Thomas Hardy and Edith Wharton both evoke sympathy by featuring themes of exemplary individuals who meet unfortunate fates -- devastation brought upon them by the conflict between personal desire and the mandates of society. -- Bethany Latham
Gustave Flaubert's and Edith Wharton's stories tend to be bleak -- full of disillusionment and disappointment. Still, they reward the reader with detailed and vivid renderings of remarkable characters and their historical, social, and domestic worlds. These authors also share lyrical, richly detailed language and an atmospheric style. -- Melissa Gray
Artistic colleagues and close friends Henry James and Edith Wharton virtually invented the American novel of manners in the late 19th century. Both wrote of individuals trying to fit into the changing societies of America and England and even shared occasional fondness for a rare genre, the literary ghost story. -- Michael Shumate
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Published Reviews

Publisher's Weekly Review

Aided by the gifted Mainwaring, Wharton delivers a posthumous gift to both the high and the low of brow with this novel, which was left unfinished at her death in 1937 and published in its incomplete state a year later. While filled with glamorous, class-obsessed characters and plot lines that Krantz and Sheldon might envy, it is a work of beauty--a grandly executed, full-scale counterpart to Wharton's classic story ``Roman Fever.'' Here, a Mrs. St. George, a matron of the 1870s whose husband has means but no social standing, schemes to advance her daughters' prospects; she hires a well-connected British governess, Laura Testvalley. The governess's taste and sensibilities make her the perfect commentator on the caste-consciousness of the other characters, both the parvenus and the British aristocrats whose sons are eventually conquered by the ``buccaneers,'' bold American daughters of rich fathers. The suggestion of cynicism, meanwhile, is elegantly balanced by an infusion of romance. Wharton's superb sophistication and literary virtues need no enumeration, and Mainwaring, who completed the novel in accordance with Wharton's notes and outlines, is also to be heartily commended. Her entrance, about three-fifths of the way through, goes unheralded by notes or typographical fanfare--and it is so smooth and so assured that it will likely go undetected by the reader. 50,000 first printing; $50,000 ad/promo; BOMC main selection; film rights to Twentieth Century-Fox. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved

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Library Journal Review

Wharton's final novel (completed by Marion Mainwaring after the author's death in 1937) revolves around American and British society in the 1870s. Told in large part through the eyes of American debutantes, the story portrays innocent, wide-eyed, almost ethereal girls who turn into socially conscious women with financial worries--unrecognizable even to themselves. The beginning sections quickly catch the listener's attention, with lush descriptions of rooms, clothes, and the heights of feminine beauty. We enter a world of intrigue: secrets, characters with past relationships that could prove fatal, and competition taken to its limits. Its literary value notwithstanding, this book might appeal to soap opera and romance fans. For more attentive listeners, it quickly becomes disconcerting as more and more characters with awkward British-sounding names are added. It's increasingly difficult to recall who's who without backing up the tape. Most libraries can pass on this one.-- Rochelle Ratner, formerly Poetry Editor, ``Soho Weekly News,'' New York (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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Kirkus Book Review

A major novel of manners, three-fifths completed at the time of Wharton's death in 1937 and published as a fragment in 1938, has now been finished with impressive spirit and skill by Wharton scholar Marion Mainwaring. The novel, grand in scope and ambition, is set in Saratoga, Fifth Avenue, and London during the roaring 1870's--Wharton's golden age. It's the slightly helter-skelter story of three newly rich (and, in New York, socially unacceptable) American families who--under the tutelage of a high-spirited Anglo-Italian governess, Miss Testvalley (Testavaglia), a first cousin of Pre-Raphaelite poet Dante Gabriel Rossetti--quickly conquer the upper reaches of English society. (The English aristocracy is drawn to the ``new money'' that Fifth Avenue rejects.) First, Brazilian-American bombshell Conchita Closson marries a disreputable younger son of an English marquis at the races in Saratoga, where Miss Testvalley has just joined the neighboring St. George family as governess. Then- -after a series of social snubs in New York--Conchita and her mother; Virginia St. George and Lizzie Elmsworth (Conchita's best friends); their socially aspiring, somewhat foolish mothers; and Miss Testvalley all set sail for London. There, through Miss Testvalley's offices, the beautiful Virginia St. George marries the respectable elder brother of Conchita's husband, and the dark and wily Lizzie Elmsworth marries a prominent MP. But the ostensible heroine here--and, inadvertently, the most successful social climber of them all--is Virginia's insignificant-looking but kind and intelligent younger sister, Annabel (Nan), who's prevailed upon to marry a socially exalted but utterly unloveable stick of a duke. The novel's last third tracks Nan's decision to divorce the duke, marry her true love--English gentleman Guy Thwarte--and flee with him to Greece. But what Nan never finds out is that her decision robs the deserving, adoring real heroine here, Miss Testvalley, of her own secret late-life lover--Guy's father, who suffers a heart attack on hearing the news about Nan and his son. Not entirely knitted together--some awfully vivid characters just drop from sight--but, still, this is wonderful to read. (First printing of 50,000; Book-of-the-Month Dual Selection)

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Library Journal Reviews

When Wharton died in 1937, she left unfinished a novel about fresh young Americans in class-bound England that Time declared would have been her masterpiece. Now Wharton scholar Mainwaring has polished up the rough draft and interpolated a few passages, and the result is a masterpiece. When the St. George girls and their friend Lizzy Elmsworth aren't accepted in New York society because their bloodlines just don't go back far enough, no matter how rich they are, the St. George governess recommends that they go to England. Here they quickly make grand marriages--one rattled young husband declares that they are really ``buccaneers''--but becoming a duchess does not bring happiness to Nan St. George. Initially the overshadowed little sister, Nan emerges as an independent, self-possessed young woman who makes a momentous decision that shocks everyone--even her less stuffy compatriots--and her transformation is heartening to watch. Wharton retains her eye for detail but burnishes her crystalline prose with passion. Highly recommended. BOMC Main selection; previewed in Prepub Alert, LJ 5/1/93.-- Barbara Hoffert, ``Library Journal'' Copyright 1993 Cahners Business Information.

Copyright 1993 Cahners Business Information.
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Library Journal Reviews

When Wharton died in 1937, she left unfinished a novel about fresh young Americans in class-bound England that Time declared would have been her masterpiece. Now Wharton scholar Mainwaring has polished up the rough draft and interpolated a few passages, and the result is a masterpiece. When the St. George girls and their friend Lizzy Elmsworth aren't accepted in New York society because their bloodlines just don't go back far enough, no matter how rich they are, the St. George governess recommends that they go to England. Here they quickly make grand marriages--one rattled young husband declares that they are really ``buccaneers''--but becoming a duchess does not bring happiness to Nan St. George. Initially the overshadowed little sister, Nan emerges as an independent, self-possessed young woman who makes a momentous decision that shocks everyone--even her less stuffy compatriots--and her transformation is heartening to watch. Wharton retains her eye for detail but burnishes her crystalline prose with passion. Highly recommended. BOMC Main selection; previewed in Prepub Alert, LJ 5/1/93.-- Barbara Hoffert, ``Library Journal'' Copyright 1993 Cahners Business Information.

Copyright 1993 Cahners Business Information.
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Publishers Weekly Reviews

Aided by the gifted Mainwaring, Wharton delivers a posthumous gift to both the high and the low of brow with this novel, which was left unfinished at her death in 1937 and published in its incomplete state a year later. While filled with glamorous, class-obsessed characters and plot lines that Krantz and Sheldon might envy, it is a work of beauty--a grandly executed, full-scale counterpart to Wharton's classic story ``Roman Fever.'' Here, a Mrs. St. George, a matron of the 1870s whose husband has means but no social standing, schemes to advance her daughters' prospects; she hires a well-connected British governess, Laura Testvalley. The governess's taste and sensibilities make her the perfect commentator on the caste-consciousness of the other characters, both the parvenus and the British aristocrats whose sons are eventually conquered by the ``buccaneers,'' bold American daughters of rich fathers. The suggestion of cynicism, meanwhile, is elegantly balanced by an infusion of romance. Wharton's superb sophistication and literary virtues need no enumeration, and Mainwaring, who completed the novel in accordance with Wharton's notes and outlines, is also to be heartily commended. Her entrance, about three-fifths of the way through, goes unheralded by notes or typographical fanfare--and it is so smooth and so assured that it will likely go undetected by the reader. 50,000 first printing; $50,000 ad/promo; BOMC main selection; film rights to Twentieth Century-Fox. (Sept.) Copyright 1993 Cahners Business Information.

Copyright 1993 Cahners Business Information.
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