Eligible: a novel

Book Cover
Average Rating
Publisher
Varies, see individual formats and editions
Publication Date
Varies, see individual formats and editions
Language
English

Description

NEW YORK TIMES BESTSELLER • Wonderfully tender and hilariously funny, Eligible tackles gender, class, courtship, and family as Curtis Sittenfeld reaffirms herself as one of the most dazzling authors writing today.NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND THE TIMES (UK) This version of the Bennet family—and Mr. Darcy—is one that you have and haven’t met before: Liz is a magazine writer in her late thirties who, like her yoga instructor older sister, Jane, lives in New York City. When their father has a health scare, they return to their childhood home in Cincinnati to help—and discover that the sprawling Tudor they grew up in is crumbling and the family is in disarray. Youngest sisters Kitty and Lydia are too busy with their CrossFit workouts and Paleo diets to get jobs. Mary, the middle sister, is earning her third online master’s degree and barely leaves her room, except for those mysterious Tuesday-night outings she won’t discuss. And Mrs. Bennet has one thing on her mind: how to marry off her daughters, especially as Jane’s fortieth birthday fast approaches. Enter Chip Bingley, a handsome new-in-town doctor who recently appeared on the juggernaut reality TV dating show Eligible. At a Fourth of July barbecue, Chip takes an immediate interest in Jane, but Chip’s friend neurosurgeon Fitzwilliam Darcy reveals himself to Liz to be much less charming. . . . And yet, first impressions can be deceiving.Praise for Eligible“Even the most ardent Austenite will soon find herself seduced.”O: The Oprah Magazine “Blissful . . . Sittenfeld modernizes the classic in such a stylish, witty way you’d guess even Jane Austen would be pleased.”People (book of the week) “[A] sparkling, fresh contemporary retelling.”Entertainment Weekly“[Sittenfeld] is the ideal modern-day reinterpreter. Her special skill lies not just in her clear, clean writing, but in her general amusement about the world, her arch, pithy, dropped-mike observations about behavior, character and motivation. She can spot hypocrisy, cant, self-contradiction and absurdity ten miles away. She’s the one you want to leave the party with, so she can explain what really happened. . . . Not since Clueless, which transported Emma to Beverly Hills, has Austen been so delightedly interpreted. . . . Sittenfeld writes so well—her sentences are so good and her story so satisfying. . . . As a reader, let me just say: Three cheers for Curtis Sittenfeld and her astute, sharp and ebullient anthropological interest in the human condition.”—Sarah Lyall, The New York Times Book Review “A clever, uproarious evolution of Austen’s story.”The Denver Post “If there exists a more perfect pairing than Curtis Sittenfeld and Jane Austen, we dare you to find it. . . . Sittenfeld makes an already irresistible story even more beguiling and charming.”Elle“A playful, wickedly smart retelling of Jane Austen’s Pride and Prejudice.”BuzzFeed “Sittenfeld is an obvious choice to re-create Jane Austen’s comedy of manners. [She] is a master at dissecting social norms to reveal the truths of human nature underneath.”—The Millions“A hugely entertaining and surprisingly unpredictable book, bursting with wit and charm.”The Irish Times “An unputdownable retelling of the beloved classic.”PopSugar

More Details

ISBN
9781400068326
9780399589522
9780307736642
9780812997613
9780307736673
039958952
UPC
9780307736642

Discover More

Excerpt

Loading Excerpt...

Author Notes

Loading Author Notes...

Similar Titles From NoveList

NoveList provides detailed suggestions for titles you might like if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
These books have the appeal factors sardonic, witty, and multiple perspectives, and they have the genres "relationship fiction" and "book club best bets"; the subject "thirties (age)"; and characters that are "sarcastic characters," "complex characters," and "sympathetic characters."
Both funny modern adaptations of Pride and Prejudice reimagine the five daughters of Bennet family as if they lived in current-day LA (Benedettos) or Ohio (Eligible). In each, stints as reality-show celebrities play a role in the characters' pasts. -- Halle Carlson
These charming contemporary updates of Pride and Prejudice offer romance, witty banter, and plenty of laughs. Pop culture-infused Eligible takes place in Ohio; Unmarriageable's Pakistan setting lends itself to themes of race, colonialism, and cultural identity. -- Kaitlin Conner
Classics get a modern update in these adaptations of Pride and Prejudice (Eligible) and Little Women (Meg and Jo). Both offer a fresh take on beloved stories, featuring believable characters with current-day sensibilities and problems. -- Halle Carlson
These books have the appeal factors sardonic and witty, and they have the genre "romantic comedies"; the subjects "sisters," "family relationships," and "single women"; and characters that are "sarcastic characters."
These twists on Jane Austen update her classics with modern technology but feature the timeless complications of dating rituals and class consciousness -- keeping intact Austen's wry humor and savvy portrayals of relationships, both romantic and familial. -- Donna Matturri
These witty, character-driven tales are both lighthearted adaptations of well-known Jane Austen comedies of manners. Eligible puts Pride and Prejudice's Bennet family in modern-day Ohio, while The Three Weissmans drops Sense and Sensibility into modern-day New York and Connecticut. -- Shauna Griffin
Both of these engaging reinventions of Pride and Prejudice put a modern twist on the classic tale by gender-swapping the original pairing of Darcy and Elizabeth (Mistletoe) or following a family of five daughters in financial straits (Eligible). -- Halle Carlson
These books have the appeal factors sardonic and witty, and they have the genre "relationship fiction"; the subjects "sisters," "dysfunctional families," and "thirties (age)"; and characters that are "sarcastic characters," "flawed characters," and "complex characters."
These engaging Pride and Prejudice adaptations put a current-day spin on the classic tale of love, family, and marriage. Each offers independently minded women navigating modern social mores, brusque but dashing heroes, and many nods to the original inspiration. -- Halle Carlson
Both playful retellings of Jane Austen's Pride and Prejudice feature plucky, flawed heroines. Family dynamics, misunderstandings, sexual tension, and the perils of modern life are central to these character-driven romantic comedies. -- Sarah Kovac
Readers who enjoy the snarky characters, witty banter, and sardonic look at modern societal expectations of women will want to read Pride and Prejudice, the inspiration behind this engaging romantic comedy. -- Halle Carlson

Similar Authors From NoveList

NoveList provides detailed suggestions for other authors you might want to read if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
J. Courtney Sullivan and Curtis Sittenfeld both write reflective mainstream fiction about flawed but sympathetic characters dealing with their messy lives. While the focus is on the dynamics of their characters' romantic, familial, and platonic relationships and the plot is secondary, their engaging writing styles keep the stories moving along. -- Halle Carlson
Complex women navigate sometimes challenging relationships with family, friends, and romantic partners in the bittersweet and witty fiction of Terry McMillan and Curtis Sittenfeld. Both write character-driven stories, but Sittenfeld's leads tend to be a bit more flawed than McMillan's. -- Stephen Ashley
These authors write character-driven novels about relatably imperfect women who grapple with the challenges and opportunities life offers them, both the transformative and mundane. -- Halle Carlson
These authors' works have the appeal factors bittersweet and witty, and they have the genre "literary fiction"; the subjects "prep school students," "family relationships," and "dysfunctional families"; and characters that are "flawed characters," "complex characters," and "likeable characters."
These authors' works have the appeal factors haunting, melancholy, and spare, and they have the subjects "self-destructive behavior," "social classes," and "thirties (age)"; and characters that are "flawed characters" and "complex characters."
These authors' works have the appeal factors reflective, bittersweet, and angst-filled, and they have the genres "mainstream fiction" and "literary fiction"; and the subjects "boarding school students," "family relationships," and "boarding schools."
These authors' works have the appeal factors sardonic, and they have the genres "relationship fiction" and "mainstream fiction"; and the subjects "prep school students," "dysfunctional families," and "rich teenagers."
These authors' works have the genres "mainstream fiction" and "psychological fiction"; the subjects "boarding school students," "memories," and "boarding schools"; and characters that are "authentic characters," "sympathetic characters," and "flawed characters."
These authors' works have the appeal factors stylistically complex, and they have the genres "mainstream fiction" and "literary fiction"; the subjects "interpersonal relations," "prep school students," and "sisters"; and characters that are "flawed characters" and "complex characters."
These authors' works have the appeal factors haunting, and they have the subjects "boarding school students," "husband and wife," and "married people"; and characters that are "authentic characters" and "sympathetic characters."
These authors' works have the appeal factors reflective, bittersweet, and multiple perspectives, and they have the genres "relationship fiction" and "mainstream fiction"; the subjects "psychic trauma" and "loss"; and characters that are "complex characters" and "well-developed characters."
These authors' works have the appeal factors reflective, bittersweet, and nonlinear, and they have the genres "relationship fiction" and "mainstream fiction"; the subjects "sisters," "family relationships," and "new students"; and characters that are "complex characters."

Reviews from GoodReads

Loading GoodReads Reviews.

Staff View

Loading Staff View.