Too fat, too slutty, too loud: the rise and reign of the unruly woman

According to Buzzfeed culture writer Petersen, unruly behavior-outside the "boundaries of what constitutes acceptable 'feminine' behavior"-gets women "labeled too fat, too loud, too slutty, too whatever characteristic women were supposed to keep under control." Petersen examines the "unruliness" of ten celebrities, emphasizing how "unruliness...feels...more necessary than ever." Melissa McCarthy is "too fat," but her "ability to access an inner unruly woman made her a massive star." Abbi -Jacobson and Ilana Glazer are "too gross," but massive audiences can't get enough of their Broad City. Madonna is "too old," but she "refuses to conceive that age should limit her career." Hillary Clinton is "too shrill," but she's "spent her adult life being first." -Petersen narrates her own case studies, adding urgent emphasis, especially as she shares her "hope that someday, the only rules a woman will have to abide by are those she sets for herself." That Dr. Petersen (she has a PhD in media studies) narrates adds both intimacy and urgency; she can sound like your best friend disclosing revelatory -secrets as she shares not-to-be-ignored salient truths. VERDICT Curious, intelligent, media-savvy readers will surely welcome Petersen's perceptive, illuminating "unruly women." ["Will be appreciated by anyone seeking to understand the vicious social judgment that women-particularly high-profile, successful women-continue to face in our era": LJ 6/1/17 review of the Plume hc.]-Terry Hong, Smithsonian BookDragon, Washington, DC © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

A BuzzFeed culture writer examines how some high-profile women defy cultural stereotypes about femininity.Donald Trump's recent election as president marked "the beginning of a backlash [against women] that has been quietly brewing for years. Petersen (Scandals of Classic Hollywood, 2014) offers thought-provoking profiles of controversial women who "question, interrogate or otherwise challenge the status quo." She opens with tennis star Serena Williams, who defied the sport that made her famous not only by being black, but also by "her bodyher personality, her resilience and her fortitude." While winning championships and lucrative endorsements, Williams has also had to fight against tennis' "double standard of decorum" that gives more room to male players to display their anger on the court than it does women. Like Williams, perennial rebel Madonna is also known for her outspokenness and daring. But as she approaches her 60th birthday, ageism has become an issue. Rather than accede to cultural norms and gradually withdraw from public life, however, "Oldanna" dares to make the statement that an aging female body can still be "sexual, powerful and visible," despite the fact she built her career on celebrating youth and beauty. Among the most problematic of all the women Petersen examines is Caitlyn Jenner. In her pre-transition life as the ultra-masculine Bruce Jenner, she was the father of a famous reality TV family. Since her much-heralded coming out, she has adopted a culturally palatable mode of femininity, which she has coupled with a desire to deepen her understanding of gender nonconformity. But as the author points out, "Jenner's openness" to such explorations has come at a cost, including low ratings for and the eventual cancellation of her reality TV show. Through incisive analysis of the ways in which contemporary society polices femininity, Petersen reveals the fraught relationship between women and celebrity. The author also profiles Melissa McCarthy, Hillary Clinton, and Lena Dunham, among others. A sharp, compelling collection of social and cultural criticism. Copyright Kirkus Reviews, used with permission.

Media studies scholar Petersen (BuzzFeed News) offers a trenchant and intersectional analysis of the celebrity narratives we create around famous women who, in some way, defy the cultural scripts of classed and raced femininity. Across ten thematic chapters, Petersen considers what it means to be too strong (Serena Williams), too fat (Melissa McCarthy), too gross (Abbi Jacobsen and Ilana Glazer), too slutty (Nicki Minaj), too old (Madonna), too pregnant (Kim Kardashian), too shrill (Hillary Clinton), too queer (Caitlyn Jenner), too loud (Jennifer Weiner), and too naked (Lena Dunham). Each chapter interrogates the sexism and other structural biases shaping media narratives around high-profile women and considers how we collectively punish those who are judged defiantly ungovernable. Throughout, Petersen also considers the limits of personal unruliness. For example, Broad City (Jacobsen and Glazer) celebrates a particular twentysomething freedom that may only come with privilege; Madonna's insistence on her own continued sexual potency has done little to combat systemic ageism. VERDICT This work should be considered a post-2016 election sequel to Sady Doyle's Trainwreck. It will be appreciated by anyone seeking to understand the vicious social judgement that women—particularly high-profile, successful women—continue to face in our era.—Anna J. Clutterbuck-Cook, Massachusetts Historical Soc.