Ragged but right: black traveling shows, "coon songs," and the dark pathway to blues and jazz

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University Press of Mississippi,
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The commercial explosion of ragtime in the early twentieth century created previously unimagined opportunities for black performers. However, every prospect was mitigated by systemic racism. The biggest hits of the ragtime era weren't Scott Joplin's stately piano rags. "Coon songs," with their ugly name, defined ragtime for the masses, and played a transitional role in the commercial ascendancy of blues and jazz.

In Ragged but Right, now in paperback, Lynn Abbott and Doug Seroff investigate black musical comedy productions, sideshow bands, and itinerant tented minstrel shows. Ragtime history is crowned by the "big shows," the stunning musical comedy successes of Williams and Walker, Bob Cole, and Ernest Hogan. Under the big tent of Tolliver's Smart Set, Ma Rainey, Clara Smith, and others were converted from "coon shouters" to "blues singers."

Throughout the ragtime era and into the era of blues and jazz, circuses and Wild West shows exploited the popular demand for black music and culture, yet segregated and subordinated black performers to the sideshow tent. Not to be confused with their nineteenth-century white predecessors, black, tented minstrel shows such as the Rabbit's Foot and Silas Green from New Orleans provided blues and jazz-heavy vernacular entertainment that black southern audiences identified with and took pride in.

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Grouped Work ID 3879e885-0134-d6c4-f32f-6ace518c8242
full_title ragged but right black traveling shows coon songs and the dark pathway to blues and jazz
author abbott lynn
grouping_category book
lastUpdate 2017-08-14 05:04:17AM

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physical viii, 461 p. : ill. ; 26 cm.
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series American made music
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table_of_contents Coon songs, big shows, and black stage stars of the Ragtime era -- The spirit of the smart set -- Blues for the sideshow tent -- "Under canvas" : African American tented minstrelsy and the untold story of Allen's New Orleans Minstrels, the Rabbit's Foot Company, the Florida Blossoms, and Silas Green from New Orleans.
target_audience Other
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title Ragged but right black traveling shows, "coon songs," and the dark pathway to blues and jazz
title_display Ragged but right black traveling shows, "coon songs," and the dark pathway to blues and jazz
title_full Ragged but right [electronic resource] : black traveling shows, "coon songs," and the dark pathway to blues and jazz / Lynn Abbott and Doug Seroff
title_short Ragged but right
title_sort ragged but right black traveling shows, "coon songs," and the dark pathway to blues and jazz
title_sub black traveling shows, "coon songs," and the dark pathway to blues and jazz