The Icarus girl

Book Cover
Average Rating
Publisher
Varies, see individual formats and editions
Publication Date
Varies, see individual formats and editions
Language
English

Description

The Icarus Girl is an astonishing achievement.” —Sunday Telegraph (London)Jessamy “Jess” Harrison is eight years old. Sensitive, whimsical, possessed of an extraordinary and powerful imagination, she spends hours writing haiku, reading Shakespeare, or simply hiding in the dark warmth of the airing cupboard. As the child of an English father and a Nigerian mother, Jess just can’t shake off the feeling of being alone wherever she goes, and the other kids in her class are wary of her tendency to succumb to terrified fits of screaming. Believing that a change from her English environment might be the perfect antidote to Jess’s alarming mood swings, her parents whisk her off to Nigeria for the first time where she meets her mother’s family—including her formidable grandfather.Jess’s adjustment to Nigeria is only beginning when she encounters Titiola, or TillyTilly, a ragged little girl her own age. To Jess, it seems that, at last, she has found someone who will understand her. But gradually, TillyTilly’s visits become more disturbing, making Jess start to realize that she doesn’t know who TillyTilly is at all.Helen Oyeyemi draws on Nigerian mythology to present a strikingly original variation on a classic literary theme: the existence of "doubles," both real and spiritual, who play havoc with our perceptions and our lives. Lyrical, haunting, and compelling, The Icarus Girl is a story of twins and ghosts, of a little girl growing up between cultures and colors. It heralds the arrival of a remarkable new talent.

More Details

Contributors
ISBN
9780747578864
9781400078752
140007875
9780385513838
9780307428738

Discover More

Excerpt

Loading Excerpt...

Author Notes

Loading Author Notes...

Similar Titles From NoveList

NoveList provides detailed suggestions for titles you might like if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
These books have the genres "psychological fiction" and "adult books for young adults"; and the subject "multiracial children."
These books have the genres "psychological fiction" and "adult books for young adults"; and the subjects "families" and "cultural differences."
These books have the genres "psychological fiction" and "adult books for young adults"; and the subject "family secrets."
These books have the genres "adult books for young adults" and "book club best bets"; and the subjects "twins," "families," and "siblings."
These books have the genre "adult books for young adults"; and the subjects "families" and "family secrets."
Each novel portrays a child's search for his or her identity. The Stolen Child is the story a boy stolen by changelings and the changeling who takes his place while The Icarus girl describes the struggles of a racially-mixed girl. -- Krista Biggs
These books have the genres "psychological fiction" and "adult books for young adults"; and the subjects "family secrets" and "multiracial children."
These books have the subjects "death of sisters," "family secrets," and "multiracial children."
These books have the appeal factors atmospheric, and they have the genres "psychological fiction" and "adult books for young adults"; and the subjects "death of sisters," "family secrets," and "grief."
Taking place partially in Nigeria and partially in America (Freshwater) or England (Icarus), these compelling, imaginative novels focus on young women whose lives border on the supernatural. Tradition, culture, and eerie encounters are woven into both coming-of-age tales. -- Kate Gramlich
These books have the subjects "girls," "eight-year-old girls," and "death of sisters."
These literary novels depict strained familial relationships among Nigerians; Icarus Girl centers on a troubled Nigerian girl with a British father, while Purple Hibiscus portrays the effects of Nigerian civil unrest on a young woman's life. -- Shauna Griffin

Similar Authors From NoveList

NoveList provides detailed suggestions for other authors you might want to read if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
These authors write witty, imaginative, and psychologically intimate character-driven stories that infuse fantastic, surreal, and meta-literary details into candid and perceptive stories of sensitive, intelligent women dealing with intolerance and isolation. -- Derek Keyser
Helen Oyeyemi and Isabel Allende write complex, intricately plotted own voices stories filled with magical realism. These stories are told by culturally diverse characters in lyrical prose, and both authors often weave social and political commentary into their atmospheric, thought-provoking novels. -- Heather Cover
These authors write strange, surreal, and character-driven books -- oftentimes with a fairytale-like quality (Oyeyemi) or apocalyptic settings (Ma). The otherworldliness of their narratives doesn't preclude space for familiar cultural themes, as the Chinese immigrant experience (Ma) and Black identity (Oyeyemi) feature strongly in some of their works. -- Basia Wilson
In their stylistically complex, character-driven literary work, both Helen Oyeyemi and Aimee Bender use magical realism and surprising surrealist imagery to explore very real ideas about humanity and relationships. -- Stephen Ashley
Helen Oyeyemi and Haruki Murakami write atmospheric literary fiction featuring complex, introspective characters. Both authors have a unique, unconventional, and stylistically complex writing style and incorporate elements of magical realism in fairy tale retellings. Oyeyemi's work is psychological and thought-provoking, while Murakami's stories are surreal, reflective, and mystical. -- Alicia Cavitt
Though Carlos Fuentes writes about the history and culture of Mexico and Helen Oyeyemi's work frequently explores romance or coming of age, both authors create thought-provoking and atmospheric literary tales with a heavy dose of magical realism. -- Stephen Ashley
Both Audrey Niffenegger and Heley Oyeyemi write compelling and stylistically complex literary fiction frequently with a romantic bent that incorporates speculative elements and surreal imagery amid an in-depth exploration of complex characters. -- Stephen Ashley
These authors' works have the appeal factors spare, and they have the genre "psychological fiction"; the subjects "family secrets," "identity," and "authors"; and characters that are "complex characters," "introspective characters," and "flawed characters."
These authors' works have the appeal factors stylistically complex and multiple perspectives, and they have the genres "literary fiction" and "magical realism"; the subjects "mothers and daughters," "family relationships," and "identity"; and characters that are "complex characters" and "introspective characters."
These authors' works have the appeal factors angst-filled, stylistically complex, and unconventional, and they have the genres "literary fiction" and "psychological fiction"; and the subjects "family secrets," "family relationships," and "self-perception."
These authors' works have the appeal factors haunting, stylistically complex, and unconventional, and they have the genres "literary fiction" and "magical realism"; the subject "families"; and characters that are "complex characters" and "introspective characters."
These authors' works have the appeal factors stylistically complex and unconventional, and they have the subjects "mothers and daughters," "family secrets," and "identity"; and characters that are "complex characters" and "introspective characters."

Published Reviews

Booklist Review

Oyeyemi, born in Nigeria and now a 20-year-old Cambridge student, has written about what she knows while drawing on Nigerian folklore and a belief in the power of the mind to alter reality. Born of a Nigerian mother and a British father, Jessamy, a difficult child, feels somehow out of place in London. When she is eight, her mother decides a trip to Nigeria to meet her African relatives might define Jessamy's sense of identity and perhaps erase her sometimes violent tantrums. While there, Jessamy can't connect with her Nigerian cousins, but she meets a barefoot and strange new friend, TillyTilly, whom surprisingly no one else ever sees. After the family's return to London, nothing much has changed; Jessamy has no real friends, and she begins to experience periodic fevers. TillyTilly shows up and becomes an increasingly dominant figure in Jessamy's life, eventually revealing information that changes her perception of herself. Oyeyemi subtly weaves together Nigerian myth and a classic doppelganger tale to create a sensitive and precocious debut. --Deborah Donovan Copyright 2005 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Powered by Syndetics

Publisher's Weekly Review

The story of a troubled eight-year-old haunted and ultimately possessed by family secrets, this spooky debut novel from a 20-year-old Nigerian-born Cambridge student is sure to garner attention for its precocity and literary self-consciousness. The sensitive protagonist, Jessamy Harrison, born to a British father and Nigerian mother, writes haikus and reads Shakespeare, but regularly throws tantrums and avoids social interaction both at school and at home. As an intervention, her parents take her to stay with family in Nigeria for the summer. At her grandfather's compound, she encounters TillyTilly, a mysterious girl who seems to know everything about Jess and who, Jess realizes, is not visible to anyone else. In Nigeria with TillyTilly, Jess finds a sense of belonging and intimacy for the first time, but when Jess returns to England, TillyTilly becomes less comforting and more troublesome. In confident, heavily stylized prose, Oyeyemi illustrates Jess's cultural dislocation, using both Nigerian and Christian imagery to evoke a sense of her unreality. As sophisticated as she is, Jess's eight-year-old observations provide a limited lens, and at times, the novel's fantasy element veers into young adult suspense territory. Agent, Robin Wade. (June) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Powered by Syndetics

School Library Journal Review

Adult/High School-This first novel, completed before its author turned 20, uses elements of Yoruba and Western myths to create a tale of psychological horror with echoes of both Henry James and Stephen King. When British academic star Jessamy Harrison is skipped ahead a year in school (to the pride of her English father and Nigerian mother), the nervous eight-year-old finds the change difficult. Unable to make friends or to cope with teasing about her mixed-race status, she breaks down in screaming tantrums and is prey to odd, feverish illnesses. During a family trip to Nigeria, Jess is elated to make her first friend, a fey girl nicknamed TillyTilly who is devoted to her-and who may be invisible. Delight turns to anxiety when Tilly reveals a shocking secret, and then to horror as she demonstrates her capacity for cruel magic. Is Tilly real? A spirit? An extension of Jess's personality? The creepy ambiguity persists until and beyond the disturbing denouement. Related entirely from Jess's perspective, the book perfectly captures the fear and confusion of a child confronted by inexplicable circumstances, although thinly drawn other characters and a somewhat repetitive structure make it less than a total success. Still, Oyeyemi is a talent to watch.-Starr E. Smith, Fairfax County Public Library, VA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Powered by Syndetics

Library Journal Review

It's intriguing enough that debut novelist Oyeyemi is a 19-year-old Cambridge student who just saw her first play produced, but the plot sounds good, too. The daughter of a British father and a Nigerian mother, little Jess isn't managing well in England, so she's sent off to relatives in Africa and acquires an invisible friend named Tilly Tilly. With a three-city tour. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Powered by Syndetics

Kirkus Book Review

A mixed-race eight-year-old girl is haunted by her imaginary friend, family secrets and the two cultures she inhabits. Oyeyemi's much-publicized debut, completed shortly before her 19th birthday, enters the troubled mind of Jessamy Harrison, the "half-and-half" daughter of a Nigerian mother and British father. Nervy and alienated, Jessamy finds the world too fast and expectant. Oyeyemi drip-feeds her problems: she has trouble eating in front of strangers, is bullied at school, takes refuge in cupboards and often resorts to screaming tantrums. On a first family visit to Nigeria she meets Titiola--or TillyTilly--a friend who has magic powers but forbids Jess to talk about her: "Can't you tell that I'm not supposed to be there." Back home, Jess is first ill, then in difficulties again at school, so is thrilled when TillyTilly reappears, an ally who seems able to sneak invisibly into the homes of her enemies. But who is TillyTilly? A figment of Jess's feverish brain, her alter ego, the expression of her angry or divided self? Even Jess begins to suspect her friend isn't real, leading to TillyTilly's revelation that Jess had a twin sister, Fern, who was stillborn. Oyeyemi ratchets up the horror as Jess begins to fear her jealous friend's powers of invasion and destruction. Her parents respond impulsively, sometimes angrily, to the developing mayhem, leading TillyTilly to "get" Jess's father, who falls into a depressive illness. A psychologist is brought in, but precocious Jess can see through his techniques, and TillyTilly wrecks the relationship by harming his daughter, Jess's new friend Shivs. Narrated from Jess's point-of-view, this ambitious psychodrama becomes repetitive in structure and can't always sustain the adult tone. A conclusion in Nigeria attempts to knit Jess's three worlds--the actual, the spiritual and the "Bush"--but doesn't wholly rescue or resolve a story rich in material yet technically imbalanced. Not enough consistent magic in this extended metaphor on cultural, social and psychological conflict. Copyright ©Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.
Powered by Syndetics

Booklist Reviews

Oyeyemi, born in Nigeria and now a 20-year-old Cambridge student, has written about what she knows while drawing on Nigerian folklore and a belief in the power of the mind to alter reality. Born of a Nigerian mother and a British father, Jessamy, a difficult child, feels somehow out of place in London. When she is eight, her mother decides a trip to Nigeria to meet her African relatives might define Jessamy's sense of identity and perhaps erase her sometimes violent tantrums. While there, Jessamy can't connect with her Nigerian cousins, but she meets a "barefoot and strange" new friend, TillyTilly, whom surprisingly no one else ever sees. After the family's return to London, nothing much has changed; Jessamy has no real friends, and she begins to experience periodic fevers. TillyTilly shows up and becomes an increasingly dominant figure in Jessamy's life, eventually revealing information that changes her perception of herself. Oyeyemi subtly weaves together Nigerian myth and a classic doppelganger tale to create a sensitive and precocious debut. ((Reviewed May 1, 2005)) Copyright 2005 Booklist Reviews.

Copyright 2005 Booklist Reviews.
Powered by Content Cafe

Library Journal Reviews

It's intriguing enough that debut novelist Oyeyemi is a 19-year-old Cambridge student who just saw her first play produced, but the plot sounds good, too. The daughter of a British father and a Nigerian mother, little Jess isn't managing well in England, so she's sent off to relatives in Africa and acquires an invisible friend named Tilly Tilly. With a three-city tour. Copyright 2005 Reed Business Information.

Copyright 2005 Reed Business Information.
Powered by Content Cafe

Library Journal Reviews

Eight-year-old Jessamy has trouble making friends at home in England. Sensitive and brainy, she prefers reading during recess to going outside and playing games. She is also prone to throwing tantrums, much to the chagrin of her teachers and her Nigerian mother and British father, who simply don't know what to do to prevent these outbursts. In the hopes of boosting her self-confidence and helping her get along with others, her parents take her on a month-long vacation to Nigeria to spend time with her family. There, in addition to meeting her cousins, aunts, uncles, and grandfather, she makes an invisible friend, TillyTilly, who is likely a replacement for her stillborn twin sister. At first, TillyTilly proves a great companion, playmate, and protector. But when the family returns home, TillyTilly comes with them, this time turning Jessamy and her family's world upside down. Oyeyemi, who wrote this book at the tender age of 19, intertwines folk tales from different cultures to spin this mesmerizing and haunting story. Recommended for medium and larger public and academic libraries. [See Prepub Alert, LJ 2/1/05.]-Lisa Nussbaum, Dauphin Cty. Lib. Syst., Harrisburg, PA Copyright 2005 Reed Business Information.

Copyright 2005 Reed Business Information.
Powered by Content Cafe

Publishers Weekly Reviews

The story of a troubled eight-year-old haunted and ultimately possessed by family secrets, this spooky debut novel from a 20-year-old Nigerian-born Cambridge student is sure to garner attention for its precocity and literary self-consciousness. The sensitive protagonist, Jessamy Harrison, born to a British father and Nigerian mother, writes haikus and reads Shakespeare, but regularly throws tantrums and avoids social interaction both at school and at home. As an intervention, her parents take her to stay with family in Nigeria for the summer. At her grandfather's compound, she encounters TillyTilly, a mysterious girl who seems to know everything about Jess and who, Jess realizes, is not visible to anyone else. In Nigeria with TillyTilly, Jess finds a sense of belonging and intimacy for the first time, but when Jess returns to England, TillyTilly becomes less comforting and more troublesome. In confident, heavily stylized prose, Oyeyemi illustrates Jess's cultural dislocation, using both Nigerian and Christian imagery to evoke a sense of her unreality. As sophisticated as she is, Jess's eight-year-old observations provide a limited lens, and at times, the novel's fantasy element veers into young adult suspense territory. Agent, Robin Wade. (June) Copyright 2005 Reed Business Information.

Copyright 2005 Reed Business Information.
Powered by Content Cafe

School Library Journal Reviews

Adult/High School -This first novel, completed before its author turned 20, uses elements of Yoruba and Western myths to create a tale of psychological horror with echoes of both Henry James and Stephen King. When British academic star Jessamy Harrison is skipped ahead a year in school (to the pride of her English father and Nigerian mother), the nervous eight-year-old finds the change difficult. Unable to make friends or to cope with teasing about her mixed-race status, she breaks down in screaming tantrums and is prey to odd, feverish illnesses. During a family trip to Nigeria, Jess is elated to make her first friend, a fey girl nicknamed TillyTilly who is devoted to her-and who may be invisible. Delight turns to anxiety when Tilly reveals a shocking secret, and then to horror as she demonstrates her capacity for cruel magic. Is Tilly real? A spirit? An extension of Jess's personality? The creepy ambiguity persists until and beyond the disturbing denouement. Related entirely from Jess's perspective, the book perfectly captures the fear and confusion of a child confronted by inexplicable circumstances, although thinly drawn other characters and a somewhat repetitive structure make it less than a total success. Still, Oyeyemi is a talent to watch.-Starr E. Smith, Fairfax County Public Library, VA

[Page 200]. Copyright 2005 Reed Business Information.

Copyright 2005 Reed Business Information.
Powered by Content Cafe

Reviews from GoodReads

Loading GoodReads Reviews.

Staff View

Loading Staff View.