Hugo Riemann and the birth of modern musical thought

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Cambridge University Press,
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Hugo Riemann (1849-1919) is generally acknowledged as the most important musicologist of his age. By analyzing his musical thought within the turn-of-the-century context of interest in the natural sciences, German nationhood and modern technology, this book reconstructs how Riemann's ideas not only "made sense" but advanced a belief of the tonal tradition as both natural and German. Riemann influenced the ideas of generations of music scholars because his work coincided with the institutionalization of academic musicology around the turn of the last century.
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Grouped Work ID 3932b0ab-0e49-f3bc-076d-24bc5a34b00f
full_title hugo riemann and the birth of modern musical thought
author rehding alexander
grouping_category book
lastUpdate 2017-08-14 05:04:36AM

Solr Details

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author Rehding, Alexander.
author-letter Rehding, Alexander.
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physical x, 218 p. : ill. ; 24 cm.
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primary_isbn 9780511061783
publishDate 2003
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publisher Cambridge University Press,
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record_details external_econtent:ils:.b13100889|eBook|eBook||English|Cambridge University Press,|2003.|x, 218 p. : ill. ; 24 cm.
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series New perspectives in music history and criticism
series2 New perspectives in music history and criticism.
series_with_volume New perspectives in music history and criticism
table_of_contents Riemann's moonshine experiment -- The responsibilities of nineteenth-century music theory -- Riemann's musical logic and the 'as if' -- Musical syntax, nationhood and universality -- Beethoven's deafness and tone imaginations.
target_audience Other
target_audience_full Other
title Hugo Riemann and the birth of modern musical thought
title_display Hugo Riemann and the birth of modern musical thought
title_full Hugo Riemann and the birth of modern musical thought [electronic resource] / Alexander Rehding
title_short Hugo Riemann and the birth of modern musical thought
title_sort hugo riemann and the birth of modern musical thought