On the come up

Book Cover
Average Rating
Publisher
Varies, see individual formats and editions
Publication Date
Varies, see individual formats and editions
Language
English
Appears on list

Description

The YA love letter to hip-hop—streaming on Paramount+ September 23, 2022! Starring Sanaa Lathan (in her directorial debut), Jamila C. Gray, Da’Vine Joy Randolph, Lil Yachty, Method Man, Mike Epps, GaTa (Davionte Ganter), Miles Gutierrez-Riley, Titus Makin Jr., and Michael Anthony Cooper Jr.

#1 New York Times bestseller · Seven starred reviews · Boston Globe-Horn Book Award Honor Book

Sixteen-year-old Bri wants to be one of the greatest rappers of all time. Or at least win her first battle. As the daughter of an underground hip hop legend who died right before he hit big, Bri’s got massive shoes to fill. But it’s hard to get your come up when you’re labeled a hoodlum at school, and your fridge at home is empty after your mom loses her job. So Bri pours her anger and frustration into her first song, which goes viral . . . for all the wrong reasons.

Bri soon finds herself at the center of a controversy, portrayed by the media as more menace than MC. But with an eviction notice staring her family down, Bri doesn’t just want to make it—she has to. Even if it means becoming the very thing the public has made her out to be.

Insightful, unflinching, and full of heart, On the Come Up is an ode to hip hop from one of the most influential literary voices of a generation. It is the story of fighting for your dreams, even as the odds are stacked against you; and about how, especially for young black people, freedom of speech isn’t always free.

“For all the struggle in this book, Thomas rarely misses a step as a writer. Thomas continues to hold up that mirror with grace and confidence. We are lucky to have her, and lucky to know a girl like Bri.”—The New York Times Book Review

Plus don't miss Concrete Rose, Angie Thomas's powerful prequel to her phenomenal bestseller, The Hate U Give!

More Details

Contributors
Thomas, Angie Author
Turpin, Bahni Narrator
ISBN
9780062498564
9780062840684
9780062498571
Appears on list

Discover More

Similar Titles From NoveList

NoveList provides detailed suggestions for titles you might like if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
These books have the appeal factors angst-filled, and they have the themes "trouble at home" and "we used to be friends"; the genre "african american fiction"; the subjects "african americans," "sixteen-year-old girls," and "mothers and daughters"; and include the identity "black."
These books have the themes "facing racism" and "trouble at home"; the genres "realistic fiction" and "african american fiction"; the subjects "sixteen-year-old girls," "african american teenagers," and "racism"; and include the identity "black."
Although On the Come Up is contemporary and Let Me Hear a Rhyme is set in the late '90s, both books immerse readers in hip-hop culture, and both feature vivid, true-to-life characters. -- Rebecca Honeycutt
Growing up in troubled homes and troubled communities, Bri (Up) and Gravity find release in rapping and boxing respectively. Through their passions and hard work, they rise above the low expectations and stereotypes that others place on them. -- Bethany Dietrich
These books have the theme "trouble at home"; the genres "realistic fiction" and "african american fiction"; the subjects "african americans," "sixteen-year-old girls," and "american people"; include the identity "black"; and characters that are "authentic characters."
These books have the appeal factors angst-filled, and they have the themes "facing racism" and "trouble at home"; the genres "realistic fiction" and "african american fiction"; the subjects "african americans," "american people," and "north american people"; include the identity "black"; and characters that are "authentic characters" and "sympathetic characters."
Although Grown is more suspenseful than On the Come Up, both of these culturally diverse African American fiction stories examine the idea of making music and surviving real life problems. -- Joi Nichols Chatman
Rani Patel in full effect - Patel, Sonia
Both Rani and Bri (On the Come Up) pour their anger and frustration into their lyrics in these own voices stories. Rani Patel is set in the 1990s and On the Come Up is contemporary. -- Autumn Winters
These books have the themes "trouble at home" and "music makers"; the genre "african american fiction"; the subjects "sixteen-year-old girls," "children of celebrities," and "north american people"; and include the identity "black."
These books have the themes "facing racism" and "trouble at home"; the genres "realistic fiction" and "african american fiction"; the subjects "african americans," "sixteen-year-old girls," and "north american people"; include the identity "black"; and characters that are "authentic characters."
Freedom's just another word - Stellings, Caroline
Although Easy (Freedom) sings the blues and Bri (Come Up) specializes in rap, each aspiring musician looking to make her dreams come true must battle racism and personal fears about speaking up when the risks are high. -- Lindsey Dunn
Get an insider's view of an underground scene in each of these compelling, own voices books. Though Spin is an edge-of-your seat murder mystery and On the Come Up is gritty realistic fiction, both offer authentic-feeling characters and settings. -- Rebecca Honeycutt

Similar Authors From NoveList

NoveList provides detailed suggestions for other authors you might want to read if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
Both authors are leading a post-Black Lives Matter movement in children's literature that values authentic portrayals of contemporary youth. Each addresses social issues such as racism and police brutality in their work, but with an emphasis on everyday life and relatable characters rather than simply depicting a problem that youth face. -- Autumn Winters
Youth facing difficult situations learn to embrace the power their voices and words hold in both Angie Thomas and Elizabeth Acevedo's own voices books for teens. Thomas writes in prose, while Acevedo frequently uses verse to tell her stories. -- Stephen Ashley
Readers of thought-provoking contemporary novels about Black teens will enjoy both authors. A strong sense of place and authentic dialogue bring their powerful stories to life. -- NoveList Contributor
Both bestselling authors' 2017 debuts addressed police brutality from an own voices point of view. A concern for social justice, particularly the Black Lives Matter movement, is a thread in all their work for teens. -- Autumn Winters
Angie Thomas and Coe Booth write character-driven novels that portray the inner lives of African American youth with authentic dialogue and relatable situations. -- Autumn Winters
Author and one-time rapper Angie Thomas professes deep admiration for the work of Tupac Shakur. Readers interested in learning more about her literary influences would most likely enjoy Shakur's poetry and collected writings as well. -- Autumn Winters
Vibrant urban neighborhoods come to life in the work of both authors, who are also particularly adept at creating likeable, relatable characters and conversational dialogue with pinpoint accuracy. -- Autumn Winters
These authors' works have the genre "african american fiction"; the subjects "african american teenagers" and "african americans"; and include the identity "black."
These authors' works have the subjects "african american teenagers," "sixteen-year-old girls," and "teenage romance."
These authors' works have the genre "african american fiction"; and the subjects "african american teenagers," "gangs," and "african americans."
These authors' works have the subjects "racism," "african american teenagers," and "african americans"; include the identity "black"; and characters that are "authentic characters."
These authors' works have the subjects "african american teenagers," "sixteen-year-old girls," and "seventeen-year-old girls."

Published Reviews

Booklist Review

Thomas follows up her blockbuster, The Hate U Give (2017), with a sophomore novel that's just as explosive. On the Come Up tells the story of talented Bri, daughter of a deceased underground rapper, who's pursuing her own rap career. Bri is more than her dreams of making it out of the hood and reaching rap stardom; she is a girl who loves her family and friends fiercely. Bri's chance at fame comes after a rap battle in which the song she pens garners massive attention. When Bri's mother loses her job, Bri's rap ambitions become more crucial than ever. They could be her and her family's ticket to a better life unthreatened by poverty. Bri is a refreshingly realistic character with trials and triumphs, strengths and flaws. She's also a teen with a traumatic past who is still going through things in the present. She still, however, manages to find the beauty and joy in life despite her tribulations, and this is where On the Come Up truly shines in its exploration of Bri's resilience, determination, and pursuit of her dreams. In this splendid novel, showing many facets of the Black identity and the Black experience, including both the highs and the lows of middle-class and poor Black families, Thomas gives readers another dynamic protagonist to root for. High-Demand Backstory: Thomas' debut, The Hate U Give, might ring a bell? She had a long-term stay on the New York Times best-seller list for her first novel, and the hype for her second is damn near deafening.--Enishia Davenport Copyright 2019 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Powered by Syndetics

Publisher's Weekly Review

Thomas's highly anticipated follow up to The Hate U Give returns to Garden Heights, but her new protagonist, 16-year-old Brianna Jackson, faces different challenges than the previous novel's Starr Carter. Bri's mother, Jayda, a recovering crack addict, has lost her job. The rent is late, the heat has been shut off, and Jayda must choose between staying in college and feeding her kids, because welfare benefits don't include food stamps for unemployed students. Bri attends an arts high school, and she dreams of making it big rapping-a talent she inherited from her father, a neighborhood legend who was shot to death when Bri was four. She begins to gain notice in the local music scene, but her success draws the unwanted attention of the gang suspected of killing her father. At the same time, an incident at school connects her with activists. Bri's artful rhymes convey her fears, frustrations, determination to challenge societal stereotypes, and growing awareness of her own talents. As in The Hate U Give, Thomas introduces readers to an unforgettable cast of characters who seek to thrive in close-knit neighborhoods that are also shaped by violence and systemic racism. Bri is a fully realized character who is both sympathetic and, occasionally, maddeningly impulsive, and the well-crafted dialogue, with some laugh-out-loud shade throwing, propels the dramatic plot. Ages 14-up. (Feb.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Powered by Syndetics

School Library Journal Review

Gr 8 Up-Aspiring rapper Bri records "On the Come Up" to protest the racial profiling and assault she endured at the hands of white security guards at her high school. The song goes viral, and Bri seizes the opportunity to follow in the footsteps of her late father and lift her family out of poverty, but her loved ones worry, especially when some listeners paint her as an angry black girl inciting violence. Tension mounts as Bri's mother loses her job, Bri's relationship with her beloved aunt and musical mentor splinters, and a new manager dangles the prospect of fame and wealth-at a price. Set in the same neighborhood as Thomas's electrifying The Hate U Give, this visceral novel makes cogent observations about the cycle of poverty and the inescapable effects of systemic racism. Though the book never sands over the rough realities of Garden Heights, such as gang warfare, it imbues its many characters with warmth and depth. While acknowledging that society is quick to slap labels onto black teens, the author allows her heroine to stumble and fall before finding her footing and her voice. VERDICT Thomas once again fearlessly speaks truth to power; a compelling coming-of-age story for all teens.-Mahnaz Dar, School Library Journal © Copyright 2019. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Powered by Syndetics

Horn Book Review

If reading The Hate U Give (rev. 3/17) was like listening to 2Pac, intent on capturing the emotional impact of injustice, On the Come Up is more like Biggie, focusing on the experience of coming up while refusing to deny the complexity of moving out of ones community through education, notoriety, or fame. Sixteen-year-old Bri attends a public arts high school and dreams of being a rapper like her father, who was murdered in a gang shooting outside their house when Bri was young. Her mother, a recovering addict, and her studious older brother, recently admitted to graduate school, work hard as they worry about making ends meet, and they face the perpetual indignities of a world that unfairly judges poverty as lack of character. After winning a rap battle in her neighborhood (the same setting as The Hate U Give), Briwho is already known at her school since being thrown to the ground by security officersbecomes hood famous. Doors start to open; her fathers old manager wants to take her on as a clientbut it comes at a price Bri isnt sure she is willing to pay. The narrative builds to a crescendo that forces Bri to decide who she wants to be as a rapper and a person. With sharp, even piercing, characterization, this indelible and intricate story of a young woman who is brilliant and sometimes reckless, who is deeply loved and rightfully angry at a world that reduces her to less than her big dreams call her to be, provides many pathways for readers. Secondary charactersincluding Bris two best guy friends and her fiercely protective drug-dealing gang-member aunt, along with her strict but loving paternal grandparentsmake for a remarkably well-rounded cast. A love letter to hip-hop, with Bris lyrics and her thought process behind them included throughout, this richly woven narrative touches on themes familiar to Thomass readers, such as the over-policing of black bodies and navigating beloved communities that are also challenged by drugs and violence. christina l. dobbs March/April 2019 p 91(c) Copyright 2019. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Powered by Syndetics

Kirkus Book Review

This honest and unflinching story of toil, tears, and triumph is a musical love letter that proves literary lightning does indeed strike twiceThomas' (The Hate U Give, 2017) sophomore novel returns to Garden Heights, but while Brianna may live in Starr's old neighborhood, their experiences couldn't differ more. Raised by a widowed mother, a recovering drug addict, Bri attends an arts school while dreaming of becoming a famous rapper, as her father was before gang violence ended his life. Her struggles within the music industry and in school highlight the humiliations and injustices that remain an indelible part of the African-American story while also showcasing rap's undeniable lyrical power as a language through which to find strength. Bri's journey is deeply personal: small in scope and edgy in tone. When Bri raps, the prose sings on the page as she uses it to voice her frustration at being stigmatized as "hood" at school, her humiliation at being unable to pay the bills, and her yearning to succeed in the music world on her own merit. Most importantly, the novel gives voice to teens whose lives diverge from middle-class Americana. Bri wrestles with parent relationships and boy dramaand a trip to the food bank so they don't starve during Christmas. The rawness of Bri's narrative demonstrates Thomas' undeniable storytelling prowess as she tells truths that are neither pretty nor necessarily universally relatable.A joyous experience awaits. Read it. Learn it. Love it. (Fiction. 13-adult) Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.
Powered by Syndetics

Booklist Reviews

*Starred Review* Thomas follows up her blockbuster, The Hate U Give (2017), with a sophomore novel that's just as explosive. On the Come Up tells the story of talented Bri, daughter of a deceased underground rapper, who's pursuing her own rap career. Bri is more than her dreams of making it out of the hood and reaching rap stardom; she is a girl who loves her family and friends fiercely. Bri's chance at fame comes after a rap battle in which the song she pens garners massive attention. When Bri's mother loses her job, Bri's rap ambitions become more crucial than ever. They could be her and her family's ticket to a better life unthreatened by poverty. Bri is a refreshingly realistic character with trials and triumphs, strengths and flaws. She's also a teen with a traumatic past who is still going through things in the present. She still, however, manages to find the beauty and joy in life despite her tribulations, and this is where On the Come Up truly shines in its exploration of Bri's resilience, determination, and pursuit of her dreams. ?In this splendid novel, showing many facets of the Black identity and the Black experience, including both the highs and the lows of middle-class and poor Black families, Thomas gives readers another dynamic protagonist to root for. High-Demand Backstory: Thomas' debut, The Hate U Give, might ring a bell? She had a long-term stay on the New York Times best-seller list for her first novel, and the hype for her second is damn near deafening. Grades 9-12. Copyright 2019 Booklist Reviews.

Copyright 2019 Booklist Reviews.
Powered by Content Cafe

Publishers Weekly Reviews

Thomas's highly anticipated follow up to The Hate U Give returns to Garden Heights, but her new protagonist, 16-year-old Brianna Jackson, faces different challenges than the previous novel's Starr Carter. Bri's mother, Jayda, a recovering crack addict, has lost her job. The rent is late, the heat has been shut off, and Jayda must choose between staying in college and feeding her kids, because welfare benefits don't include food stamps for unemployed students. Bri attends an arts high school, and she dreams of making it big rapping—a talent she inherited from her father, a neighborhood legend who was shot to death when Bri was four. She begins to gain notice in the local music scene, but her success draws the unwanted attention of the gang suspected of killing her father. At the same time, an incident at school connects her with activists. Bri's artful rhymes convey her fears, frustrations, determination to challenge societal stereotypes, and growing awareness of her own talents. As in The Hate U Give, Thomas introduces readers to an unforgettable cast of characters who seek to thrive in close-knit neighborhoods that are also shaped by violence and systemic racism. Bri is a fully realized character who is both sympathetic and, occasionally, maddeningly impulsive, and the well-crafted dialogue, with some laugh-out-loud shade throwing, propels the dramatic plot. Ages 14-up. (Feb.)

Copyright 2019 Publishers Weekly.

Copyright 2019 Publishers Weekly.
Powered by Content Cafe

School Library Journal Reviews

Gr 8 Up–Aspiring rapper Bri records "On the Come Up" to protest the racial profiling and assault she endured at the hands of white security guards at her high school. The song goes viral, and Bri seizes the opportunity to follow in the footsteps of her late father and lift her family out of poverty, but her loved ones worry, especially when some listeners paint her as an angry black girl inciting violence. Tension mounts as Bri's mother loses her job, Bri's relationship with her beloved aunt and musical mentor splinters, and a new manager dangles the prospect of fame and wealth—at a price. Set in the same neighborhood as Thomas's electrifying The Hate U Give, this visceral novel makes cogent observations about the cycle of poverty and the inescapable effects of systemic racism. Though the book never sands over the rough realities of Garden Heights, such as gang warfare, it imbues its many characters with warmth and depth. While acknowledging that society is quick to slap labels onto black teens, the author allows her heroine to stumble and fall before finding her footing and her voice. VERDICT Thomas once again fearlessly speaks truth to power; a compelling coming-of-age story for all teens.—Mahnaz Dar, School Library Journal

Copyright 2019 School Library Journal.

Copyright 2019 School Library Journal.
Powered by Content Cafe

Reviews from GoodReads

Loading GoodReads Reviews.

Staff View

Loading Staff View.