No Crystal Stair

Author-librarian Nelson has written a fictionalized but carefully researched life of her great-uncle Lewis Michaux, the celebrated Harlem bookseller. Born in 1895, Michaux started selling books in Harlem in the mid-1930s with a strapping supply of five books. After opening his National Memorial African Bookstore in the late '30s, he built his inventory until, by the early 1970s, it boasted some 225,000 volumes and had become America's premier bookstore specializing in books by and about African Americans. Michaux seems to have known virtually everyone who was a figure in the Harlem Renaissance and, later, the black liberation movement, and, accordingly, Nelson tells his story from multiple points of view. While most of the voices she includes are those of real people familiar with her uncle and his bookstore, some belong to fictional characters who are also the product of research. The resulting work is not only a compelling biography but also a useful addition to the literature of black history and culture. Source notes and an extensive bibliography are appended.--Cart, Michael Copyright 2010 Booklist

Nelson and Christie, the team behind Bad News for Outlaws, blend photographs, original artwork, and archival materials with fictionalized first-person narratives to tell the story of Nelson's great-uncle, Lewis Michaux, who opened a Harlem bookstore that served as a meeting place and symbol of black empowerment for 35 years. Tracing Lewis's roots to a childhood filled with questioning and rebellion, Nelson alternates between Lewis's voice and those of his parents, brothers, and others-characters who, like Lewis, spring to life on page. After rejecting a life in service of the church, Lewis leaves Virginia for Harlem, where in 1939 he opens the National Memorial African Bookstore, "by and about black people," earning the nickname "the Professor." The narrative expands to include the voices of Harlem business owners, residents, and store visitors over the decades, their stories and perspectives revealing how one man's vision helped galvanize his community. Nelson and Christie deliver an engrossing blend of history, art, and storytelling in this deeply moving tribute to a singular individual. Final art not all seen by PW. Ages 12-18. Agent: Tracey Adams, Adams Literary. (Feb.) © Copyright PWxyz, LLC. All rights reserved.

Gr 7 Up-This well-documented biographical novel presents the life and work of a man whose Harlem bookstore became an intellectual, literary haven for African Americans from 1939 until 1975. Through alternating voices of actual family members, acquaintances, journalists, and the subject himself, Michaux's independent spirit, determination, and perseverance are revealed. Despite family pressure to conform to a religious life, he was restless, controversial, and questioning. Influenced by the nationalism of Marcus Garvey and the intellect of Frederick Douglass, he believed that black people needed to educate themselves as to who they were in order to improve their lives. He opened the National Memorial African Bookstore with "five books, a building, and one hundred dollars." He accumulated works by black writers and talked to customers and passersby about cultural awareness and self-improvement. His bookstore attracted Harlem residents; civil-rights activists, including Malcolm X and Muhammed Ali; and political attention. But in 1968, this renowned Harlem landmark fell victim to a new state office building complex. Michaux moved his bookstore once, but facing age and another forced move in 1974, he sold his massive collection. Black-and-white photos add depth to the fictionalized biography. Detailed source and bibliographic notes depict the research process, while the text reflects Nelson's skill of blending fact and fiction. Using extensive interviews, magazine and newspaper articles, church publications, books, and FBI files (tracking Michaux's political activities), Nelson recounts her great-uncle's enterprising and unflinching efforts to enrich and empower fellow African Americans. The storytelling format, candid perspectives, supplemental images, and historic connections bring to life an unheralded individualist whose story will engage readers.-Gerry Larson, formerly at Durham School of the Arts, NC (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Inspired by Marcus Garvey and the drive to make a difference, Lewis Michaux opened the National Memorial African Bookstore in Harlem at the end of the Great Depression with an inventory of five books and a strong faith that black people were hungry for knowledge. Over the next thirty-five years, his store became a central gathering place for African American writers, artists, intellectuals, and political figures, including Malcolm X, who frequently gave his speeches in front of the bookstore. But Michaux also sought to reach ordinary citizens, believing that pride and self-knowledge would grow naturally from an understanding of global black history and current events. He didn't just sell books; he surrounded his customers with ideas and provocative discussion. He also drew people in with pithy window signs that used humor and clever rhymes. When Sugar Ray Robinson stopped by in 1958, for example, Michaux communicated his disapproval of the hair-straightening products the boxer used: "Ray what you put on your head will rub off in your bed. It's what you put in your head that will last 'til you're dead." Short chapters -- some just a paragraph or two -- are written in thirty-six different voices, mostly those of Michaux himself, family members, and close associates. Some of the voices are those of fictitious characters based on composites -- customers, a newspaper reporter, a street vendor -- but most are real people whose statements have been documented by the author in her meticulous research. The voices are interspersed with documents such as articles from the New York Amsterdam News and Jet magazine and with excerpts from Michaux's FBI file. As Michaux's grandniece, the author also had access to family papers and photographs. Given the author's close relationship with the subject, she manages to remain remarkably objective about him, largely due to her honest portrayal of the lifelong conflict between him and many of his family members, most notably his evangelist brother, who didn't approve of his radical politics. Sophisticated expressionistic line drawings illustrate key events. An extraordinary, inspiring book to put into the hands of scholars and skeptics alike. Appended are a family tree, source notes, a bibliography, further reading, and an index of historical characters. kathleen t. horning (c) Copyright 2012. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(Fictional biography. 12-18)]] Copyright Kirkus Reviews, used with permission.

Author-librarian Nelson has written a fictionalized but carefully researched life of her great-uncle Lewis Michaux, the celebrated Harlem bookseller. Born in 1895, Michaux started selling books in Harlem in the mid-1930s with a strapping supply of five books. After opening his National Memorial African Bookstore in the late '30s, he built his inventory until, by the early 1970s, it boasted some 225,000 volumes and had become America's premier bookstore specializing in books by and about African Americans. Michaux seems to have known virtually everyone who was a figure in the Harlem Renaissance and, later, the black liberation movement, and, accordingly, Nelson tells his story from multiple points of view. While most of the voices she includes are those of real people familiar with her uncle and his bookstore, some belong to fictional characters who are also the product of research. The resulting work is not only a compelling biography but also a useful addition to the literature of black history and culture. Source notes and an extensive bibliography are appended. Copyright 2012 Booklist Reviews.

It was no easy path, no "crystal stair," for Lewis Michaux. As one of 11 children of a prominent African American businessman and a nervous mother, in his younger years, he did not always stay on the right side of the law. His brother, Lightfoot, founded the Church of God, and Lewis was a deacon there for a few years, but his real passion was for selling books. In the early thirties, he started with five books and opened a bookstore that became one of the premiere destinations in Harlem: the National Memorial African Bookstore. Nelson has a reason to be interested in the history of this man and this place; Lewis ("Uncle Lonnie") was her great uncle (notwithstanding a slight spelling difference in their names). Here she tells his true story with a light coat of fiction, giving voice to his friends and family and to some of the bookstore's patrons. Art by Coretta Scott King–honored Christie and period photographs complete this loving, honest tribute to a literary figure. A booklover's delight. (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Nelson and Christie, the team behind Bad News for Outlaws, blend photographs, original artwork, and archival materials with fictionalized first-person narratives to tell the story of Nelson's great-uncle, Lewis Michaux, who opened a Harlem bookstore that served as a meeting place and symbol of black empowerment for 35 years. Tracing Lewis's roots to a childhood filled with questioning and rebellion, Nelson alternates between Lewis's voice and those of his parents, brothers, and others—characters who, like Lewis, spring to life on page. After rejecting a life in service of the church, Lewis leaves Virginia for Harlem, where in 1939 he opens the National Memorial African Bookstore, "by and about black people," earning the nickname "the Professor." The narrative expands to include the voices of Harlem business owners, residents, and store visitors over the decades, their stories and perspectives revealing how one man's vision helped galvanize his community. Nelson and Christie deliver an engrossing blend of history, art, and storytelling in this deeply moving tribute to a singular individual. Final art not all seen by PW. Ages 12–18. Agent: Tracey Adams, Adams Literary. (Feb.)

Nelson and Christie, the team behind Bad News for Outlaws, blend photographs, original artwork, and archival materials with fictionalized first-person narratives to tell the story of Nelson's great-uncle, Lewis Michaux, who opened a Harlem bookstore that served as a meeting place and symbol of black empowerment for 35 years. Tracing Lewis's roots to a childhood filled with questioning and rebellion, Nelson alternates between Lewis's voice and those of his parents, brothers, and others—characters who, like Lewis, spring to life on page. After rejecting a life in service of the church, Lewis leaves Virginia for Harlem, where in 1939 he opens the National Memorial African Bookstore, "by and about black people," earning the nickname "the Professor." The narrative expands to include the voices of Harlem business owners, residents, and store visitors over the decades, their stories and perspectives revealing how one man's vision helped galvanize his community. Nelson and Christie deliver an engrossing blend of history, art, and storytelling in this deeply moving tribute to a singular individual. Final art not all seen by PW. Ages 12–18. Agent: Tracey Adams, Adams Literary. (Feb.)

Gr 7 Up—This well-documented biographical novel presents the life and work of a man whose Harlem bookstore became an intellectual, literary haven for African Americans from 1939 until 1975. Through alternating voices of actual family members, acquaintances, journalists, and the subject himself, Michaux's independent spirit, determination, and perseverance are revealed. Despite family pressure to conform to a religious life, he was restless, controversial, and questioning. Influenced by the nationalism of Marcus Garvey and the intellect of Frederick Douglass, he believed that black people needed to educate themselves as to who they were in order to improve their lives. He opened the National Memorial African Bookstore with "five books, a building, and one hundred dollars." He accumulated works by black writers and talked to customers and passersby about cultural awareness and self-improvement. His bookstore attracted Harlem residents; civil-rights activists, including Malcolm X and Muhammed Ali; and political attention. But in 1968, this renowned Harlem landmark fell victim to a new state office building complex. Michaux moved his bookstore once, but facing age and another forced move in 1974, he sold his massive collection. Black-and-white photos add depth to the fictionalized biography. Detailed source and bibliographic notes depict the research process, while the text reflects Nelson's skill of blending fact and fiction. Using extensive interviews, magazine and newspaper articles, church publications, books, and FBI files (tracking Michaux's political activities), Nelson recounts her great-uncle's enterprising and unflinching efforts to enrich and empower fellow African Americans. The storytelling format, candid perspectives, supplemental images, and historic connections bring to life an unheralded individualist whose story will engage readers.—Gerry Larson, formerly at Durham School of the Arts, NC