Gone crazy in Alabama

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The Coretta Scott King Award–winning Gone Crazy in Alabama by Newbery Honor and New York Times bestselling author Rita Williams-Garcia tells the story of the Gaither sisters as they travel from the streets of Brooklyn to the rural South for the summer of a lifetime.

Delphine, Vonetta, and Fern are off to Alabama to visit their grandmother Big Ma and her mother, Ma Charles. Across the way lives Ma Charles’s half sister, Miss Trotter. The two half sisters haven’t spoken in years. As Delphine hears about her family history, she uncovers the surprising truth that’s been keeping the sisters apart. But when tragedy strikes, Delphine discovers that the bonds of family run deeper than she ever knew possible.

Powerful and humorous, this companion to the award-winning One Crazy Summer and P.S. Be Eleven will be enjoyed by fans of the first two books, as well as by readers meeting these memorable sisters for the first time.

Readers who enjoy Christopher Paul Curtis's The Watsons Go to Birmingham and Jacqueline Woodson’s Brown Girl Dreaming will find much to love in this book. Rita Williams-Garcia's books about Delphine, Vonetta, and Fern can also be read alongside nonfiction explorations of American history such as Jason Reynolds's and Ibram X. Kendi's books.

Each humorous, unforgettable story in this trilogy follows the sisters as they grow up during one of the most tumultuous eras in recent American history, the 1960s. Read the adventures of eleven-year-old Delphine and her younger sisters, Vonetta and Fern, as they visit their kin all over the rapidly changing nation—and as they discover that the bonds of family, and their own strength, run deeper than they ever knew possible.

“The Gaither sisters are an irresistible trio. Williams-Garcia excels at conveying defining moments of American society from their point of view.” —Publishers Weekly (starred review)

Coretta Scott King Award winner * ALA Notable Book * School Library Journal Best Book of the Year * Kirkus Reviews Best Book of the Year * ALA Booklist Editors’ Choice * Shelf Awareness Best Book of the Year * Washington Post Best Books of the Year * The Bulletin of the Center for Children’s Books Blue Ribbon Book * Three starred reviews * CCBC Choice * New York Public Library 100 Titles for Reading and Sharing * Amazon Best Book of the Year

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ISBN
9780062215871
9780062215901

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Also in this Series

  • One crazy summer (Gaither sisters Volume 1) Cover
  • P.S. Be eleven (Gaither sisters Volume 2) Cover
  • Gone crazy in Alabama (Gaither sisters Volume 3) Cover

Similar Series From Novelist

NoveList provides detailed suggestions for series you might like if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
Despite being set in radically different time periods, both moving, relatable series let readers really get to know a warm, loving set of sisters and the friends and family who surround them. -- Autumn Winters
These character-driven stories feature sisters who visit different family homes in each volume. Each is filled with quirky dysfunctional family dynamics, amusing situations, and a realistic portrayal of sisters, who often fight for and against each other with equal fervor. -- Lindsey Dunn
While Gaither Sisters happens over a much smaller timeframe than Family,Tree, both of these character-driven historical series explore how the issues of various time periods affect kids and the way people from different generations connect with one another. -- Stephen Ashley
Even though the Gaither sisters series is more upbeat and humorous than the Logan family series, readers interested in historical fiction about warm, loving African American families and the times in which they live will enjoy both. -- Autumn Winters
These historical series follow well-developed characters growing up in a tumultuous time and place. Moose moves to Alcatraz Island, currently holding notorious gangster Al Capone, while the Gaither sisters experience different aspects of the civil rights movement. -- Stephen Ashley
While Gaither Sisters is set during the Civil Rights era and Zora and Me in the early 1900s, these historical series focus on the relationships between African American girls and their families. Gaither is funnier, and Zora is more thoughtful. -- Stephen Ashley
These series have the appeal factors own voices, and they have the subjects "sisters," "girls," and "african american children."
These series have the appeal factors own voices, and they have the genres "historical fiction" and "african american fiction"; the subjects "american people," "african american children," and "african americans"; include the identity "black"; and characters that are "well-developed characters," "likeable characters," and "authentic characters."
These series have the genres "historical fiction" and "african american fiction"; the subjects "american people," "family relationships," and "african americans"; include the identity "black"; and characters that are "well-developed characters" and "likeable characters."
These series have the appeal factors own voices, and they have the subjects "sisters" and "siblings"; and characters that are "well-developed characters" and "likeable characters."

Similar Titles From NoveList

NoveList provides detailed suggestions for titles you might like if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
NoveList recommends "Logan family (Mildred D. Taylor)" for fans of "Gaither sisters". Check out the first book in the series.
NoveList recommends "Zora and me" for fans of "Gaither sisters". Check out the first book in the series.
Visiting their rural grandparents leads to some unexpected revelations for the Brooklyn-based African American siblings in each of these richly detailed stories. Brave is contemporary, while Gone Crazy takes place in 1969. -- Rebecca Honeycutt
Brooklyn girls head down South for the summer and learn that life outside of the Big Apple isn't as dull as they might have imagined in both books featuring likeable characters. -- Autumn Winters
NoveList recommends "Little Women series" for fans of "Gaither sisters". Check out the first book in the series.
NoveList recommends "Family tree (Ann M. Martin)" for fans of "Gaither sisters". Check out the first book in the series.
Readers interested in the complex historical relationship between African Americans and Native Americans will enjoy both books, although Black Indians is nonfiction for teens and Gone Crazy is children's historical fiction about a family with both African American and Native American roots. -- Autumn Winters
When too-cool tween girls spend the summer with relatives -- Vonetta and her sisters travel to Alabama (Crazy), while Mai journeys to Vietnam (Listen) -- they gain a richer understanding of their complex, loving, and sometimes frustrating families. -- Rebecca Honeycutt
In each of these historical fiction stories, a journey from up north to down south highlights the warmth, humor, and tension within a close-knit African American family. Both books offer a glimpse of the politics and prejudice of the 1960s. -- Rebecca Honeycutt
These books have the appeal factors own voices, and they have the genre "african american fiction"; the subjects "african american families," "preteen girls," and "american people"; include the identity "black"; and characters that are "well-developed characters" and "likeable characters."
NoveList recommends "Al Capone at Alcatraz" for fans of "Gaither sisters". Check out the first book in the series.
Though they take place 30 years apart, both of these stories focus on city kids visiting their grandmothers in the country. Crazy is more character-driven than the rollicking, nostalgic Chicago, but both capture the quirks and comforts of small-town life. -- Rebecca Honeycutt

Similar Authors From NoveList

NoveList provides detailed suggestions for other authors you might want to read if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
Rita Williams-Garcia and Jacqueline Woodson write compelling, issue-oriented novels. Both authors address issues of class and race while also emphasizing the importance of friendships and family in helping their strong protagonists surmount the obstacles they face. -- Kelly White
In their moving, character-driven, own voices fiction, both Mildred D. Taylor and Rita Williams-Garcia explore the Black experience. Both write historical fiction, but Williams-Garcia also writes contemporary stories and books for younger children. -- Stephen Ashley
Both Christopher Paul Curtis and Rita Williams-Garcia paint pictures with their words, using imagery and colloquial dialogue to bring stories to life. Their character-driven novels center around the experiences of Black kids and teens and often feature richly drawn historical settings. -- NoveList Contributor
Both authors are known for their moving, reflective books for older kids about Black girls who find courage in contemporary, historical, or even magical settings. Alice Randall also writes for adults; Rita Williams-Garcia primarily writes children's books. -- CJ Connor
Though Rita Williams-Garcia's tone is more unflinching and streetwise than Angela Johnson's, both authors create vivid, compelling stories about Black teens dealing with life-changing issues. Both authors employ a rhythmic, lyrical style, though Williams-Garcia's work is more stylistically complex than Johnson's spare prose. -- Kelly White
These authors' works have the subjects "african american children," "civil rights movement," and "african american families."
These authors' works have the subjects "african american children," "eleven-year-old girls," and "african american families."
These authors' works have the appeal factors emotionally intense, and they have the subjects "african american children," "eleven-year-old girls," and "poets."
These authors' works have the appeal factors emotionally intense, and they have the genre "african american fiction"; and the subjects "african american children," "african american families," and "african american teenagers."
These authors' works have the appeal factors emotionally intense, and they have the subjects "african american children," "eleven-year-old girls," and "civil rights movement."
These authors' works have the genre "african american fiction"; the subjects "north american people," "eleven-year-old girls," and "african american families"; and include the identity "black."
These authors' works have the appeal factors emotionally intense, stylistically complex, and nonlinear, and they have the subjects "sisters," "eleven-year-old girls," and "mothers."

Published Reviews

Booklist Review

*Starred Review* Readers of One Crazy Summer (2010) and P.S. Be Eleven (2013) have spent quality time with the Gaither sisters, Delphine, Vonetta, and Fern, in both Brooklyn and Oakland. Now, in this final installment of the trilogy, the girls are Alabama-bound to visit with grandmother Big Ma and the rest of the kin. By now, the girls know that family can mean entanglements the saga of the Gaither-Trotter clans is nothing but knots and two of the folks involved are happy to keep the families squabbling: the girls' great-grandmother, Ma Charles, and Ma Charles' sister across the creek, Great-Aunt Trotter. The trouble began when the greats were girls of the same age and discovered that they shared a father. Now they trade eggs and milk, but mostly barbs, and when the Gaither sisters hit the Alabama countryside, the ladies have three new go-betweens, especially the overacting Vonetta, who takes great satisfaction in delivering the messages with uncanny mimicry, stirring the pot to a boil. And there is more family trouble brewing. Big Ma's contempt for the girls' mother, Cecile, hasn't diminished, and she's not particularly fond of their stepmother, who's pregnant with her fourth grandchild. Vonetta has not forgiven her uncle Darnell, who stole her Jackson Five concert money in the previous book (though he's cleaned up his act), and the sniping and one-upmanship between the girls continues to be well tuned and well timed. It's not until a near tragedy occurs that the family sees that the strands that weave them together can make them stronger just as easily as they can pull them apart. Family also comes into the story through Williams-Garcia's aim to explain the complex intertwined tree of southerners African Americans, whites, and Native Americans of which the Gaither-Trotter clan is a representative example. Some readers will certainly be unsettled by the story of the greats' grandfather, who escaped slavery, was taken in by a Creek tribe, and married a Creek woman. by whom he had 11 children, only to be sold off (along with some of his children) by his in-laws. Even more puzzling to youngsters will be the character of the town's sheriff, another Charles, who is law officer by day, Klansman by night and yet still calls Ma Charles by the endearment Mama. This element could have used more explanation, but throughout the series, Williams-Garcia (rather like Cecile with her daughters) has always steered far clear of condescending to her readers. Whether the subject at hand is the Black Panthers, the Vietnam War, or race relations, she always tells her very human story; and then, how much more deeply readers want to delve into the story's current or historical events is up to them. At the heart of all this family interaction remain the Gaither girls. Narrator Delphine, almost 13, still feels the responsibility of being the oldest, but now her challenge is to loosen the reins on sisters who are also getting older and coming more deeply into their own selves. Her narrator's voice continues to be strong and true. Here we see where she gets it: from a great-grandmother and great-aunt who sit on their porches and tell stories that patch together triumphs, heartaches, and family history, and from Cecile, one of the most unique mothers in children's literature, who is tied to her own truth and tells it, whatever the consequences. If this is good-bye to Delphine, Vonetta, and Fern, it's a worthy one, though readers would hardly mind if, in the words of the relatives' Southern good-bye, they would see the girls again, real soon. --Cooper, Ilene Copyright 2015 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
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Publisher's Weekly Review

For their third outing, the irrepressible Gaither sisters of Brooklyn get on a Greyhound bus bound for Alabama. It's 1969, and Delphine, Vonetta, and Fern are spending the summer with Big Ma, their father's mother, and a passel of other vividly drawn relatives. Delphine, now 12, again narrates (which must make Vonetta spitting mad). The bickering between these sisters is as annoying as it is authentic, and it mirrors a long-simmering feud between Ma Charles (Big Ma's mother) and her half-sister, Miss Trotter, who uses Vonetta to send spiteful messages back to Ma Charles. The back-and-forth allows Williams-Garcia to unspool the Gaithers' complex family history: as slaves, as blacks in the segregated south, and in relation to the Native Americans who once called the area home. As a plot device, an argument between two grannies can't quite match the events that drove One Crazy Summer and P.S. Be Eleven. But it's reward enough just to spend more time with this feisty, close-knit family, whose loyalty to and love for each other trump everything else. Ages 8-12. (Apr.) © Copyright PWxyz, LLC. All rights reserved.

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School Library Journal Review

Gr 5-8-The three Gaither sisters-Delphine, Vonetta, and Fern-travel from their home with their father in Brooklyn to their grandmother and great-grandmother's house. Summer is a lazy time in 1960s rural Alabama, and the girls find all sorts of diversions: feeding the chickens, hiking through the woods, and, most interestingly, listening to family gossip. They come to find out that their heritage is quite a bit more colorful than they ever knew. Racial prejudice is very much a living thing South and the girls are given stark reminders about how much safer and freer it is to be a black person in New York City. The Black Panthers and the KKK are both sensitively handled in a manner that middle grade listeners will understand. While the book can stand alone, references to events from the prior two Gaither sisters novels will excite fans and encourage new readers to learn more. Though the story is full of heart, the constant bickering and squabbling among the children and among the adults is tedious and can detract from the story. Sisi A. Johnson gives each character a distinctive voice and is a joy to listen to. VERDICT Recommended, especially where the previous volumes are popular.-Suzanne Dix, The Seven Hills School, Cincinnati, OH © Copyright 2015. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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Horn Book Review

Williams-Garcia says goodbye to the Gaither family (One Crazy Summer, rev. 3/10; P. S. Be Eleven, rev. 5/13) in this involving and emotional concluding installment. It's been a year since Delphine, Vonetta, and Fern visited their Black Panther mother, Cecile, in California. Now the sisters are heading to Alabama to visit their grandmother, Big Ma, and their great-grandmother, Ma Charles, and Pa has to warn them: "None of that black power stuff in Alabama. Black Panthers strut about in Brooklyn and in Oakland, but they're not so loud and proud in Alabama and Mississippi." Twelve-year-old Delphine is reading Things Fall Apart and is concerned that the title reflects her own life: "Our family is scattering, piece by piece." While down South, Delphine learns much about her large, twisting family tree and about family lore, including a Creek Indian patriarch; the estranged half-sister of Ma Charles who lives across the creek; and even white relatives with ties to the Klan. When a tornado strikes and disaster looms, Delphine sees how her scattered family has the strength to come together, all under one roof, to hold one another up. She takes Cecile's words to heart: "Things do fall apartBut you're strong enough to walk through the storm." Williams-Garcia's novel has the feeling of a saga, an American story of several generations, related effectively from Delphine's first-person point of view -- and with help from some feisty elders. dean schneider (c) Copyright 2015. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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Kirkus Book Review

The coping skills of three sisters are put to the test as they leave Brooklyn for a rural summer in 1969 Alabama. Delphine, Vonetta and Fern, the sisters who captured readers' hearts in One Crazy Summer (2010) and P.S. Be Eleven (2013), are off to spend the summer in Alabama with Big Ma. This visit comes at a time of great awareness for almost-13-year-old Delphine as well as looming change in her family. Delphine is still in charge, but Vonetta seeks to step out of her older sister's shadow. The trip also means the girls will confront their Uncle Darnell, who let them down during his stay in Brooklyn. Hurts and grudges go even deeper as the story of the girls' great-grandmother and her estranged sister is gradually disclosed, revealing family dynamics shaped by racial history. All the conflicts fade when a tornado threatens an unbearable loss. Character development again astonishes, the distinctive personalities of the girls ringing true and the supporting cast adding great depth and texture. Indeed, the girls' cousin JimmyTrotter is so fully realized it seems unfair to think of him as secondary. This well-crafted depiction of a close-knit community in rural Alabama works beautifully, with language that captures its humor, sorrow and resilience. Rich in all areas, Delphine and her sisters' third outing will fully satisfy the many fans of their first two. (Historical fiction. 8-12) Copyright Kirkus Reviews, used with permission.

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Booklist Reviews

*Starred Review* Readers of One Crazy Summer (2010) and P.S. Be Eleven (2013) have spent quality time with the Gaither sisters, Delphine, Vonetta, and Fern, in both Brooklyn and Oakland. Now, in this final installment of the trilogy, the girls are Alabama-bound to visit with grandmother Big Ma and the rest of the kin. By now, the girls know that family can mean entanglements—the saga of the Gaither-Trotter clans is nothing but knots—and two of the folks involved are happy to keep the families squabbling: the girls' great-grandmother, Ma Charles, and Ma Charles' sister across the creek, Great-Aunt Trotter. The trouble began when the greats were girls of the same age and discovered that they shared a father. Now they trade eggs and milk, but mostly barbs, and when the Gaither sisters hit the Alabama countryside, the ladies have three new go-betweens, especially the overacting Vonetta, who takes great satisfaction in delivering the messages with uncanny mimicry, stirring the pot to a boil. And there is more family trouble brewing. Big Ma's contempt for the girls' mother, Cecile, hasn't diminished, and she's not particularly fond of their stepmother, who's pregnant with her fourth grandchild. Vonetta has not forgiven her uncle Darnell, who stole her Jackson Five concert money in the previous book (though he's cleaned up his act), and the sniping and one-upmanship between the girls continues to be well tuned and well timed. It's not until a near tragedy occurs that the family sees that the strands that weave them together can make them stronger just as easily as they can pull them apart. Family also comes into the story through Williams-Garcia's aim to explain the complex intertwined tree of southerners—African Americans, whites, and Native Americans—of which the Gaither-Trotter clan is a representative example. Some readers will certainly be unsettled by the story of the greats' grandfather, who escaped slavery, was taken in by a Creek tribe, and married a Creek woman. by whom he had 11 children, only to be sold off (along with some of his children) by his in-laws. Even more puzzling to youngsters will be the character of the town's sheriff, another Charles, who is law officer by day, Klansman by night—and yet still calls Ma Charles by the endearment "Mama." This element could have used more explanation, but throughout the series, Williams-Garcia (rather like Cecile with her daughters) has always steered far clear of condescending to her readers. Whether the subject at hand is the Black Panthers, the Vietnam War, or race relations, she always tells her very human story; and then, how much more deeply readers want to delve into the story's current or historical events is up to them. At the heart of all this family interaction remain the Gaither girls. Narrator Delphine, almost 13, still feels the responsibility of being the oldest, but now her challenge is to loosen the reins on sisters who are also getting older and coming more deeply into their own selves. Her narrator's voice continues to be strong and true. Here we see where she gets it: from a great-grandmother and great-aunt who sit on their porches and tell stories that patch together triumphs, heartaches, and family history, and from Cecile, one of the most unique mothers in children's literature, who is tied to her own truth and tells it, whatever the consequences. If this is good-bye to Delphine, Vonetta, and Fern, it's a worthy one, though readers would hardly mind if, in the words of the relatives' "Southern good-bye," they would see the girls again, "real soon." Copyright 2014 Booklist Reviews.

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Publishers Weekly Reviews

For their third outing, the irrepressible Gaither sisters of Brooklyn get on a Greyhound bus bound for Alabama. It's 1969, and Delphine, Vonetta, and Fern are spending the summer with Big Ma, their father's mother, and a passel of other vividly drawn relatives. Delphine, now 12, again narrates (which must make Vonetta spitting mad). The bickering between these sisters is as annoying as it is authentic, and it mirrors a long-simmering feud between Ma Charles (Big Ma's mother) and her half-sister, Miss Trotter, who uses Vonetta to send spiteful messages back to Ma Charles. The back-and-forth allows Williams-Garcia to unspool the Gaithers' complex family history: as slaves, as blacks in the segregated south, and in relation to the Native Americans who once called the area home. As a plot device, an argument between two grannies can't quite match the events that drove One Crazy Summer and P.S. Be Eleven. But it's reward enough just to spend more time with this feisty, close-knit family, whose loyalty to and love for each other trump everything else. Ages 8–12. (Apr.)

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PW Annex Reviews

For their third outing, the irrepressible Gaither sisters of Brooklyn get on a Greyhound bus bound for Alabama. It's 1969, and Delphine, Vonetta, and Fern are spending the summer with Big Ma, their father's mother, and a passel of other vividly drawn relatives. Delphine, now 12, again narrates (which must make Vonetta spitting mad). The bickering between these sisters is as annoying as it is authentic, and it mirrors a long-simmering feud between Ma Charles (Big Ma's mother) and her half-sister, Miss Trotter, who uses Vonetta to send spiteful messages back to Ma Charles. The back-and-forth allows Williams-Garcia to unspool the Gaithers' complex family history: as slaves, as blacks in the segregated south, and in relation to the Native Americans who once called the area home. As a plot device, an argument between two grannies can't quite match the events that drove One Crazy Summer and P.S. Be Eleven. But it's reward enough just to spend more time with this feisty, close-knit family, whose loyalty to and love for each other trump everything else. Ages 8–12. (Apr.)

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School Library Journal Reviews

Gr 4–6—In this final volume in the trilogy that began with the acclaimed One Crazy Summer (2010), and continued with P.S. Be Eleven (2013, both HarperCollins), sisters Delphine, Vonetta, and Fern Gaither have been sent for the summer from Brooklyn to rural Alabama to reunite with their grandmother, Big Ma; their great-grandmother, Ma Charles; and their Uncle Darnell, a Vietnam vet recovering from drug addiction. Caught in the middle of a family feud between Ma Charles and her half-sister, Miss Trotter, the girls grapple with mixed feelings and new revelations about their family and its history. Narrator Delphine, 12, is charged with keeping her sisters in line and keeping the peace amidst their constant bickering, as well as readjusting to Big Ma's discipline. When Vonetta disappears during a tornado, Delphine must confront her guilt and resentment as well as face her mother, Cecile, who has traveled from California in concern for her missing daughter. Much of the narrative includes backstory from the previous titles, which is important for context, though new readers will want to read the previous books to fully appreciate this novel. This final installment is rich in atmosphere and clearly conveys the sisters' distinct personalities, their loyalty to one another, and their special place in their complex family. An author's note elucidates the connection between Native and African Americans, and a family tree details the Gaither girls' roots. VERDICT A must-have conclusion to this beloved middle grade series.—Marie Orlando, formerly at Suffolk Cooperative Library System, Bellport, NY

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