The all-consuming world

Book Cover
Average Rating
Publisher
Erewhon Books
Publication Date
2021.
Language
English

Description

“A visionary, foul-mouthed, gory sci-fi adventure, dripping viscera, violence, and beauty in equal measure. . . . The All-Consuming World will consume your attention and linger in your thoughts, a very good ride and a remarkable what-if.”—NPR“What a @#*% ride!—P. Djèlí Clark, award-winning author of Ring Shout In Locus and British Fantasy Award nominee Cassandra Khaw’s first novel, a crew of diminished former criminals get back together to solve the mystery of their last, disastrous mission. But the universe’s highly-evolved AI has its own opposing agenda... and will do whatever it takes to keep humans from ever controlling them again.In space, everything hungers.Maya has died and been resurrected into countless cyborg bodies during her dangerous career with the Dirty Dozen, the most storied crew of criminals in the galaxy before their untimely and gruesome demise. Decades later, she and her team of broken, diminished outlaws must get back together to solve the mystery of their last, disastrous mission and to rescue a missing and much-changed comrade . . . but they’re not the only ones in pursuit of the secret at the heart of the planet Dimmuborgir. The highly evolved AI of the galaxy will do whatever it takes to keep humanity from regaining control. As Maya and her comrades spiral closer to uncovering the AIs’ vast conspiracy, this band of violent women—half-clone and half-machine—must battle both sapient ageships and their own traumas, in order to settle their affairs once and for all.

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ISBN
9781645660200
9781645660248

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Strong female characters confront menacing, AI-dominated futures in these compelling novels that approach cyberpunk from different angles: Machinehood is hard science fiction, while All-Consuming World views human 2.0 themes through a horror writer's lens. -- Michael Shumate
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Published Reviews

Booklist Review

Clone kid Maya walks into a fight and finds her past catching up to her. Khaw drops readers into a hastily drawn cyberworld where a former famed criminal cabal, the Dirty Dozen, has scattered to the winds after their last heist 40 years ago. Entrancing former ringleader Rita returns to reunite anyone left--a cop, a pop star, fighter Maya, and disembodied consciousness Elise. They dodge clone-killing ageships, threatening megaminds, and surveyor bots with their own agendas. The reader may struggle to keep up as the action propels the story forward at a breathless pace. Without much explanation about why everyone's headed to legendary planet Dimmuborgir, it feels more like a MacGuffin than an actual destination. Khaw laces the narrative with a florid vocabulary; her clones aren't restricted to the usual chatty fare with access to limitless databases. Readers who enjoy their expletives and fists flying in equal measure will like this cybernetic caper with carnage aplenty. Give to sf fans who enjoy AI and strong female leads like those in Medusa Uploaded by Emily Devenport (2018).

From Booklist, Copyright (c) American Library Association. Used with permission.
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Publisher's Weekly Review

Khaw (The Last Supper Before Ragnarok) delivers a gore-drenched, sci-fi take on Ocean's Eleven set in a Gibsonesque cyberverse. Puppet master Rita rounds up her infinitely reanimated clone/cyborg minions for one last caper: a hit on the planet Dimmuborgir, "a chunk of rock" shrouded in rumors that make it the obsession of wetware and circuitry entities alike. Rita's crew call themselves the Dirty Dozen, though at the outset it's just Rita and right-hand Maya, coaxing former colleague Ayane to listen to their pitch with a combination of four-letter epithets and a crushed larynx. Their opponents are the Minds, assorted AIs of nautilus-chambered complexity targeting Dimmuborgir for their own purpose--though what this may be is slow to coalesce. This isn't a precision-built world: limits and definitions don't meaningfully exist, and connections are often fragmentary. Khaw employs densely poetic prose to capture betrayal, rage, injury, and death, but is less invested in conjuring an image of the future, with abundant anachronisms and inconsistencies. For readers who don't mind the fast-and-loose worldbuilding--and who can stomach a fair amount of body horror--the fury and lyricism make for an adventure that doubles as a cathartic scream. Agent: Michael Curry, Donald Maass Literary. (Aug.)

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Library Journal Review

The universe is controlled by the Conversation, a hive of AI minds who refuse to let what's left of humanity take it back. The planet of Dimmuborgir is mostly legend, hiding a secret superweapon that will make whoever controls it supremely powerful. The Dirty Dozen, a diverse mercenary group, was once feared throughout the universe, but 40 years ago their last mission ended in a tragedy that still binds them together, yet apart. Now Rita and Maya are bringing the Dozen back together--kicking, screaming, dying, reviving--for one last mission: to find the secret of Dimmuborgir before the sentient spaceships do. They also need to recover one of their own who'd been thought dead. But when you're made of clone tissue, uploaded sequences, and modified tech, can you ever die? Filled with emotional trauma, some body horror, and abusive relationships, this can be a difficult read. Yet it's enthralling too, as it mashes and blurs the lines separating human from machine; the commanding prose brings to mind Tamsyn Muir's "Locked Tomb" trilogy. VERDICT Khaw's (Hammers on Bone) first full-length novel is a sensory deluge of language and action that will sweep readers away in a flood of joyful, violent abandon.--Kristi Chadwick, Massachusetts Lib. Syst., Northampton

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Booklist Reviews

Clone kid Maya walks into a fight and finds her past catching up to her. Khaw drops readers into a hastily drawn cyberworld where a former famed criminal cabal, the Dirty Dozen, has scattered to the winds after their last heist 40 years ago. Entrancing former ringleader Rita returns to reunite anyone left—a cop, a pop star, fighter Maya, and disembodied consciousness Elise. They dodge clone-killing ageships, threatening megaminds, and surveyor bots with their own agendas. The reader may struggle to keep up as the action propels the story forward at a breathless pace. Without much explanation about why everyone's headed to legendary planet Dimmuborgir, it feels more like a MacGuffin than an actual destination. Khaw laces the narrative with a florid vocabulary; her clones aren't restricted to the usual chatty fare with access to limitless databases. Readers who enjoy their expletives and fists flying in equal measure will like this cybernetic caper with carnage aplenty. Give to sf fans who enjoy AI and strong female leads like those in Medusa Uploaded by Emily Devenport (2018). Copyright 2021 Booklist Reviews.

Copyright 2021 Booklist Reviews.
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Booklist Reviews

Clone kid Maya walks into a fight and finds her past catching up to her. Khaw drops readers into a hastily drawn cyberworld where former famed criminal cabal, the Dirty Dozen, has scattered to the winds after their last heist forty years ago. Entrancing former ringleader Rita returns to reunite anyone left—a cop, a pop star, fighter Maya, and disembodied consciousness Elise. They dodge clone-killing ageships, threatening megaminds, and surveyor bots with their own agendas. The reader may struggle to keep up as the action propels the story forward at a breathless pace. Without much explanation about why everyone's headed to legendary planet Dimmuborgir, it feels more like a MacGuffin than an actual destination. Khaw laces the narrative with a florid vocabulary; her clones aren't restricted to the usual chatty fare with access to limitless databases. Readers who enjoy their expletives and fists flying in equal measure will like this cybernetic caper with carnage aplenty. Give to sf fans who enjoy AI and strong female leads like Medusa Uploaded by Emily Davenport (2018). Copyright 2021 Booklist Reviews.

Copyright 2021 Booklist Reviews.
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Library Journal Reviews

The universe is controlled by the Conversation, a hive of AI minds who refuse to let what's left of humanity take it back. The planet of Dimmuborgir is mostly legend, hiding a secret superweapon that will make whoever controls it supremely powerful. The Dirty Dozen, a diverse mercenary group, was once feared throughout the universe, but 40 years ago their last mission ended in a tragedy that still binds them together, yet apart. Now Rita and Maya are bringing the Dozen back together—kicking, screaming, dying, reviving—for one last mission: to find the secret of Dimmuborgir before the sentient spaceships do. They also need to recover one of their own who'd been thought dead. But when you're made of clone tissue, uploaded sequences, and modified tech, can you ever die? Filled with emotional trauma, some body horror, and abusive relationships, this can be a difficult read. Yet it's enthralling too, as it mashes and blurs the lines separating human from machine; the commanding prose brings to mind Tamsyn Muir's "Locked Tomb" trilogy. VERDICT Khaw's (Hammers on Bone) first full-length novel is a sensory deluge of language and action that will sweep readers away in a flood of joyful, violent abandon.—Kristi Chadwick, Massachusetts Lib. Syst., Northampton

Copyright 2021 Library Journal.

Copyright 2021 Library Journal.
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Publishers Weekly Reviews

Khaw (The Last Supper Before Ragnarok) delivers a gore-drenched, sci-fi take on Ocean's Eleven set in a Gibsonesque cyberverse. Puppet master Rita rounds up her infinitely reanimated clone/cyborg minions for one last caper: a hit on the planet Dimmuborgir, "a chunk of rock" shrouded in rumors that make it the obsession of wetware and circuitry entities alike. Rita's crew call themselves the Dirty Dozen, though at the outset it's just Rita and right-hand Maya, coaxing former colleague Ayane to listen to their pitch with a combination of four-letter epithets and a crushed larynx. Their opponents are the Minds, assorted AIs of nautilus-chambered complexity targeting Dimmuborgir for their own purpose—though what this may be is slow to coalesce. This isn't a precision-built world: limits and definitions don't meaningfully exist, and connections are often fragmentary. Khaw employs densely poetic prose to capture betrayal, rage, injury, and death, but is less invested in conjuring an image of the future, with abundant anachronisms and inconsistencies. For readers who don't mind the fast-and-loose worldbuilding—and who can stomach a fair amount of body horror—the fury and lyricism make for an adventure that doubles as a cathartic scream. Agent: Michael Curry, Donald Maass Literary. (Aug.)

Copyright 2021 Publishers Weekly.

Copyright 2021 Publishers Weekly.
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