Wild boar in the cane field: a novel

Book Cover
Average Rating
Publisher
She Writes Press
Publication Date
2019.
Language
English

Description

"One day, a baby girl, Tara, is found, abandoned and covered in flies. She is raised by two mothers in a community rife with rituals and superstition. As she grows, Tara pursues acceptance at all costs. Saffiya, her adoptive mother, and Bhaggan, Saffiya's maidservant, are victims of the men in their community, and the two women, in turn, struggle and live short but complicated lives. The only way for the villagers to find solace is through the rituals of ancient belief systems. Tara lives in a village that could be any village in South Asia, and she dies, like many young women in the area, during childbirth. Her short life is dedicated to her efforts to find happiness, despite the fact that she has no hope of going to school or making any life choices inthe feudal, patriarchal world in which she finds herself. Poignant and compelling, Wild Boar in the Cane Field depicts the tragedy that often characterizes the lives of those who live in South Asia--and demonstrates the heroism we are all capable of evenin the face of traumatic realities."--Publisher.

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ISBN
9781631526688

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Published Reviews

Kirkus Book Review

An orphaned girl lives an eventful life in rural Punjab in Rana's debut novel.Tara lives in a Punjabi village with Bibi Saffiya and Saffiya's servant Amman Bhaggan, who found the infant Tara abandoned on a train. The girl grows up in a position that's part-daughter and part-servant, raised alongside Bhaggan's three sons and Maria, the daughter of laborers who work for Saffiya. Tara is convinced that she deserves the best in life, like the attention of Sultan, Bhaggan's eldest son, even though he has no interest in her. Her pursuit of him ends in tragedyone of many in the book. In an effort to avoid becoming the second wife of an abusive man, Tara sleeps with Bhaggan's second son, Taaj, and ends up marrying the third, Malik, but further losses await the characters, and the book's final section is narrated by the swarms of flies that have been observing Tara and the other characters throughout their lives: "We, the flies, disentangled ourselves from the bodies and disappeared behind the bushes." Rana is a vivid writer with a talent for evocative metaphors ("Tea stains are nothing compared with how my life has been marked"), and her prose is full of intimate, detailed descriptions that make the book's rural setting come to life. The story isn't a happy one, so readers should expect to encounter a constant stream of malaise throughout the book, which takes place in the somewhat recent past; there are televisions, but no computers. Tara's arrogance ("She looked old, and I felt even more beautiful. But I didn't have enough feelings to feel sorry for her") makes her both compelling and unsympathetic as a protagonist, and her frequent complaints may wear on the reader. Still, Rana does fine job of capturing the emotions of the characters, making it a satisfying, if bleak, read.A coming-of-age story that blends excellent prose with a downbeat plot. Copyright Kirkus Reviews, used with permission.

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