The lying game

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New York Times Bestseller From the instant New York Times bestselling author of blockbuster thrillers In a Dark, Dark Wood and The Woman in Cabin 10 comes Ruth Ware's chilling new novel, The Lying Game.On a cool June morning, a woman is walking her dog in the idyllic coastal village of Salten along a tidal estuary known as the Reach. Before she can stop him, the dog charges into the water to retrieve what first appears to be a wayward stick, but to her horror, turns out to be something much more sinister... The next morning, three women in and around London'Fatima, Thea, and Isabel'receive the text they had always hoped would NEVER come, from the fourth in their formerly inseparable clique, Kate, that says only, 'I need you." The four girls were best friends at Salten, a second rate boarding school set near the cliffs of the English Channel. Each different in their own way, the four became inseparable and were notorious for playing the Lying Game, telling lies at every turn to both fellow boarders and faculty, with varying states of serious and flippant nature that were disturbing enough to ensure that everyone steered clear of them. The myriad and complicated rules of the game are strict: no lying to each other'ever. Bail on the lie when it becomes clear it is about to be found out. But their little game had consequences, and the girls were all expelled in their final year of school under mysterious circumstances surrounding the death of the school's eccentric art teacher, Ambrose (who also happens to be Kate's father). Atmospheric, twisty, and with just the right amount of chill that will keep you wrong-footed'which has now become Ruth Ware's signature style'The Lying Game is sure to be her next big bestseller. Another unputdownable thriller from the Agatha Christie of our time.

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Contributors
Church, Imogen Narrator
Ware, Ruth Author
ISBN
9781501156007
9781508232735
9781432840815
9781501156199
9781508232742
UPC
9781508232735

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Similar Titles From NoveList

NoveList provides detailed suggestions for titles you might like if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
These books have the appeal factors suspenseful, fast-paced, and intricately plotted, and they have the genre "psychological suspense"; the subject "secrets"; and characters that are "flawed characters."
Private girls boarding schools are home to dangerous cliques and sometimes even murder in these nerve-wracking psychological suspense tales. As they shift back and forth in time, the narratives present complex characters at their calculating, conniving worst. -- Mike Nilsson
Though Ruin is a Ireland-based police procedural and Lying Game is a Britain-based psychological thriller, both intricately plotted novels present nuanced characters, a moody small-town setting, and an intriguing mystery 20 years in the making. -- Mike Nilsson
Years after a devastating disappearance (The Lying Game) and death (Dead Girls Club) the haunted protagonists of these compelling novels must come to terms with their role in past transgressions. Even their own memories can't be trusted as the truth is revealed. -- Halle Carlson
These books have the genre "psychological suspense"; the subjects "cliques," "secrets," and "female friendship"; and characters that are "flawed characters."
How do you clear your name when you can't trust your own memory? That's the question for the flawed female protagonists at the center of these compelling, suspenseful mysteries as their tenuous connections with reality leave them facing the possibility of dire consequences ahead. -- Ashley Lyons
These stories of psychological suspense hinge on complicated group dynamics: school-age friends must reconcile with secrets from their past - and their own knowledge of each other - when their involvement in fatal disappearances is eventually discovered. -- Donna Matturri
Flawed female characters reunite with their closest high school friends (for better or worse) in these compelling novels. While the Lying Game has a more suspenseful tone, The Paper Wasp is creepier and has a more dreamlike quality. -- Ashley Lyons
Evidence of long-ago murders comes to light, forcing old friends back together to face the consequences. Set in a English boarding school (Lying Game) and a neighborhood outside London (Girl Next Door), these character-driven stories dissect the enduring effects of guilt. -- Mike Nilsson
These books have the genre "psychological suspense"; the subjects "boarding school students," "life change events," and "change (psychology)"; and characters that are "flawed characters."
Childhood games have serious, lethal consequences for the now-adult former participants in these psychologically nuanced thrillers set in small towns. Both suspenseful tales feature deeply flawed protagonists and an unnerving sense of claustrophobia. -- Mike Nilsson
Years after they met at a boarding school (Lying Game) or group home (What Have We Done), friends who share a life-altering secret reunite to confront their pasts. The Lying Game is more leisurely paced than the action-packed What Have We Done. -- Halle Carlson

Similar Authors From NoveList

NoveList provides detailed suggestions for other authors you might want to read if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
Ruth Ware and Paula Hawkins write engrossing psychological suspense novels that amp up the tension through an increasing sense of menace while offering twists and turns aplenty. They often explore how emotional damage done in the past affects how the unreliable protagonists react and respond to the perceived threats around them. -- Halle Carlson
While R.B. Chesterton writes Southern Gothic literature and Ruth Ware's work is mostly set in the UK, both authors deliver intricately plotted, atmospheric tales that explore the depths of psychological suspense in compelling prose. -- Michael Jenkins
Riley Sager and Ruth Ware write intricately plotted, menacing psychological suspense in which intelligent but flawed women are drawn into psychologically demanding dramas, often using classic horror movies and novels as inspiration. Narrators are frequently unreliable, and the plots are full of surprising twists. -- Krista Biggs
The atmospheric, psychological suspense thrillers of British authors Ruth Ware and Sophie Hannah typically feature ordinary women caught up in unusual crimes with spooky undertones. Both authors use English settings and have drawn comparisons to the author, Agatha Christie. Hannah even writes a series featuring Christie's famous detective, Hercule Poirot. -- Alicia Cavitt
Both McAllister and Ware craft suspenseful, intricately plotted novels with complex female protagonists. McAllister's stories are gritty and plot-driven, while Ware's are more cinematic and menacing. -- Mary Olson
Ruth Ware and J.P. Delaney both write intricately plotted psychological suspense novels which often star unreliable narrators who find themselves in increasingly fraught circumstances. An underlying sense of menace and tension pervades their stories which provides a gripping reading experience. -- Halle Carlson
Fans of Chris Bohjalian's contemporary thrillers will also enjoy Ruth Ware's novels. Each author writes suspenseful, intricately plotted stories featuring a woman caught in an impossible dilemma that puts her in grave danger. Ware's novels are menacing in tone, while Bohjalian's are haunting. -- Mary Olson
Both authors populate their novels with flawed women in often increasingly unsettling environments which lead them to question the fallibility of their own memories and circumstances -- and sometimes their sanity. -- Halle Carlson
These authors' works have the appeal factors menacing, intensifying, and unreliable narrator, and they have the genre "psychological suspense"; and the subjects "pleasure cruises," "deception," and "missing persons."
These authors' works have the appeal factors menacing, creepy, and intensifying, and they have the genre "psychological suspense"; and the subjects "deception," "dishonesty," and "false personation."
These authors' works have the appeal factors menacing, intensifying, and unreliable narrator, and they have the genre "psychological suspense"; and the subjects "deception," "missing persons," and "hospital patients."
These authors' works have the appeal factors menacing, intensifying, and unreliable narrator, and they have the genre "psychological suspense"; the subjects "journalists," "deception," and "missing persons"; and characters that are "flawed characters," "unlikeable characters," and "brooding characters."

Published Reviews

Booklist Review

*Starred Review* The text I need you demolishes the careful distance Isa Wilde has placed between her life as a happily married new mother and the painful, life-changing term she spent at Salten House boarding school. Long-estranged friends Isa, Thea, and Fatima answer Kate Atagon's text by returning to Salten, where Kate still lives in her father's decomposing millhouse. Ambrose Atagon, a well-known artist, was Salten's art teacher and frequent host of the girls' away weekends. He disappeared that final year amid rumors of inappropriate relationships with the girls, leaving the four friends with a disastrous secret. Now a body has been found in the marsh surrounding the house, and the women need to get their stories straight before the inevitable knock at the door. Once they are together, though, the years of distance and memories of their deceptive pastime, the Lying Game, breed suspicion. Ware masterfully harnesses the millhouse's decrepit menace to create a slow-rising sense of foreboding, darkening Isa's recollections of the weeks leading to Ambrose's disappearance. Previous blockbusters (including The Woman in Cabin 10, 2016) guarantee popularity for Ware's latest thriller, and, with arguably her most complex, fully realized characters yet, this one may become her biggest hit yet.--Tran, Christine Copyright 2017 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
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Publisher's Weekly Review

When Isa Wilde, the narrator of this engrossing psychological thriller from bestseller Ware (The Woman in Cabin 10), gets a text-"I need you"-from old friend Kate Atagon, she knows she must drop everything in London and go to Salten, a town on England's south coast, where the two attended Salten House, a cut-rate boarding school. Doctor Fatima Qureshy and casino dealer Thea West, who also attended Salten House, receive the same message. At school, the four girls perfected what they called the Lying Game, with myriad rules and intricate scoring. An incident that caused the girls to leave before their senior year looms large as Isa, Fatima, and Thea gather at the house where Kate has always lived with her father, Salten's art master. Kate informs the group about a riverbank discovery-a human bone-that could unravel the foursome's 17-year pact of silence. Alternating between the past and present, Ware builds up a rock-solid cast of intriguing characters and spins a mystery that will keep readers turning pages to the end. Agent: Eve White, Eve White Literary Agency (U.K.). (July) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
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Library Journal Review

Four women, friends since their teen years spent at a boarding school on the English Channel, are thrown together again after nearly 20 years when a body surfaces in the marsh, threatening to destroy all of their carefully constructed lives-and lies. Narrator Isa, a new mom on maternity leave, joins Fatima, a no-nonsense physician who recently reconnected with her Muslim faith; Thea, a beauty who struggles with addiction; and Kate, a troubled artist who never left the small coastal town and lives in a rickety old mill house that's slowly sinking into the surrounding lands. As adolescents, the girls spent many long weekends at the mill house with Ambrose, Kate's artist father, and Luc, her stepbrother. At school, they smoked, drank, snuck out of the dorms at night, and played "the lying game," an ongoing competition to see who could convince their peers and teachers to believe the most outlandish tales. Unlike In a Dark, Dark Wood or The Woman in Cabin 10, Ware's third novel has a more leisurely pacing and values character development over nail-biting suspense. The mystery unfolds slowly and the "big reveal" is likely to be guessed at by observant readers. VERDICT Though not as chill-inducing as her previous titles, Ware's latest offers nuanced characters, an atmospheric small-town British setting, and a satisfying mystery. [See Prepub Alert, 1/23/17.]-Kiera Parrott, School Library Journal © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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Kirkus Book Review

Suspense queen Ware's (The Woman in Cabin 10, 2016, etc.) third novel in three years introduces four women who have been carrying a terrible secret since their boarding school days, a secret that is about to be literally unearthed.Isa Wilde, happy in her life as a new mother, receives a text one morning that simply reads, I need you, and hours later, she boards a train bound for the coastal village of Salten with her infant daughter in tow. She has come at her friend Kate's summons, and soon they are joined by two other women who received the same text, Thea and Fatima. Fifteen years earlier, all four were best friends at Salten House, sneaking off campus on the weekends to spend time with Kate's father, an art teacher, and her handsome, mysterious brother, Luc. Their school days ended in tragedy and scandal, however, and the four haven't been back to Salten since they were expelled. Now, a bone has been found in the marshes, and Kate has called the others back in a panic. They know more about the body than they should, but even they don't know the truth. Ware's third outing is just as full of psychological suspense as her earlier books, but there is a quietness about this one, a slower unraveling of tension and fear, that elevates it above her others. Though there's still a fair dash of drama, it doesn't veer into the realm of melodrama, developing consistently with the characters and with their personalities and pasts. Isa is a sympathetic narrative voice though her obsession with the concerns of new parenthood may put some readers off. Cancel your plans for the weekend when you sit down with this book, because you won't want to move until it's over. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.
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Booklist Reviews

*Starred Review* The text "I need you" demolishes the careful distance Isa Wilde has placed between her life as a happily married new mother and the painful, life-changing term she spent at Salten House boarding school. Long-estranged friends Isa, Thea, and Fatima answer Kate Atagon's text by returning to Salten, where Kate still lives in her father's decomposing millhouse. Ambrose Atagon, a well-known artist, was Salten's art teacher and frequent host of the girls' away weekends. He disappeared that final year amid rumors of inappropriate relationships with the girls, leaving the four friends with a disastrous secret. Now a body has been found in the marsh surrounding the house, and the women need to get their stories straight before the inevitable knock at the door. Once they are together, though, the years of distance and memories of their deceptive pastime, the Lying Game, breed suspicion. Ware masterfully harnesses the millhouse's decrepit menace to create a slow-rising sense of foreboding, darkening Isa's recollections of the weeks leading to Ambrose's disappearance. Previous blockbusters (including The Woman in Cabin 10, 2016) guarantee popularity for Ware's latest thriller, and, with arguably her most complex, fully realized characters yet, this one may become her biggest hit yet. Copyright 2017 Booklist Reviews.

Copyright 2017 Booklist Reviews.
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Library Journal Reviews

Ware handily established herself with two especially intense novels, In a Dark, Dark Wood and The Woman in Cabin 10, both New York Times best sellers and LibraryReads picks. Her third novel features Isa Wilde, who's walking along a tidal estuary in the little town of Salten when her dog leaps into the waves and retrieves a human bone. The resultant trauma undoes the personal history of Isa and her friends, who gather to reassure her. Big demand already.

Copyright 2017 Library Journal.

Copyright 2017 Library Journal.
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Library Journal Reviews

Four women, friends since their teen years spent at a boarding school on the English Channel, are thrown together again after nearly 20 years when a body surfaces in the marsh, threatening to destroy all of their carefully constructed lives—and lies. Narrator Isa, a new mom on maternity leave, joins Fatima, a no-nonsense physician who recently reconnected with her Muslim faith; Thea, a beauty who struggles with addiction; and Kate, a troubled artist who never left the small coastal town and lives in a rickety old mill house that's slowly sinking into the surrounding lands. As adolescents, the girls spent many long weekends at the mill house with Ambrose, Kate's artist father, and Luc, her stepbrother. At school, they smoked, drank, snuck out of the dorms at night, and played "the lying game," an ongoing competition to see who could convince their peers and teachers to believe the most outlandish tales. Unlike In a Dark, Dark Wood or The Woman in Cabin 10, Ware's third novel has a more leisurely pacing and values character development over nail-biting suspense. The mystery unfolds slowly and the "big reveal" is likely to be guessed at by observant readers. VERDICT Though not as chill-inducing as her previous titles, Ware's latest offers nuanced characters, an atmospheric small-town British setting, and a satisfying mystery. [See Prepub Alert, 1/23/17.]—Kiera Parrott, School Library Journal.

Copyright 2017 Library Journal.

Copyright 2017 Library Journal.
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Publishers Weekly Reviews

When Isa Wilde, the narrator of this engrossing psychological thriller from bestseller Ware (The Woman in Cabin 10), gets a text—"I need you"—from old friend Kate Atagon, she knows she must drop everything in London and go to Salten, a town on England's south coast, where the two attended Salten House, a cut-rate boarding school. Doctor Fatima Qureshy and casino dealer Thea West, who also attended Salten House, receive the same message. At school, the four girls perfected what they called the Lying Game, with myriad rules and intricate scoring. An incident that caused the girls to leave before their senior year looms large as Isa, Fatima, and Thea gather at the house where Kate has always lived with her father, Salten's art master. Kate informs the group about a riverbank discovery—a human bone—that could unravel the foursome's 17-year pact of silence. Alternating between the past and present, Ware builds up a rock-solid cast of intriguing characters and spins a mystery that will keep readers turning pages to the end. Agent: Eve White, Eve White Literary Agency (U.K.). (July)

Copyright 2017 Publisher Weekly.

Copyright 2017 Publisher Weekly.
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