Is hip hop dead?: the past, present, and future of America's most wanted music

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When rapper Nas released his 2006 album Hip Hop is Dead, he became yet one more voice warning that excessive commercialism had killed off the vitality of the music. Hess (English, Rider U.) explores the relative validity of these fears through analysis of issues of authenticity as expressed in the lyrics of rap artists. Over the course of the discussion, he discusses how the artists represent their career paths and their roles in the music industry, complications of hip hop's basis in autobiography in the lyrical personas of such artists as Digital Underground and MF DOOM, the ways white artists such as an Eminem frame their autobiographies within the model of hip hop authenticity, and the role of parody in confronting racial stereotypes related to social privilege. Annotation ©2007 Book News, Inc., Portland, OR (
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Grouped Work ID 6c1debf5-c633-f64f-4709-dbce702dae47
full_title is hip hop dead the past present and future of americas most wanted music
author hess mickey
grouping_category book
lastUpdate 2017-08-14 05:04:27AM

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author Hess, Mickey, 1975-
author-letter Hess, Mickey,
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physical viii, 196 p. ; 24 cm.
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primary_isbn 9781567207217
publishDate 2007
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table_of_contents The rap career --The rap life -- The rap persona -- Sampling and stealing -- White rappers -- Hip hop, whiteness, and parody.
target_audience Other
target_audience_full Other
title Is hip hop dead? the past, present, and future of America's most wanted music
title_display Is hip hop dead? the past, present, and future of America's most wanted music
title_full Is hip hop dead? [electronic resource] : the past, present, and future of America's most wanted music / Mickey Hess
title_short Is hip hop dead?
title_sort is hip hop dead? the past, present, and future of america's most wanted music
title_sub the past, present, and future of America's most wanted music