Rudolf Nureyev had it all: beauty, genius, charm, passion, and sex appeal. No other dancer of our time has generated the same excitement, for both men and women, on or off the stage. With Nureyev: The Life, Julie Kavanagh shows how his intense drive and passion for dance propelled him from a poor, Tatar-peasant background to the most sophisticated circles of London, Paris, and New York. His dramatic defection to the West in l961 created a Cold War crisis and made him an instant celebrity, but this was just the beginning. Nureyev spent the rest of his life breaking barriers: reinventing male technique, “crashing the gates” of modern dance, iconoclastically updating the most hallowed classics, and making dance history by partnering England’s prima ballerina assoluta, Margot Fonteyn--a woman twice his age. He danced for almost all the major choreographers--Frederick Ashton, George Balanchine, Kenneth MacMillan, Jerome Robbins, Maurice Béjart, Roland Petit--his main motive, he claimed, for having left the Kirov. But Nureyev also made it his mission to stage Russia’s full-length masterpieces in the West. His highly personal productions of Swan Lake, The Nutcracker, Raymonda, Romeo and Juliet, and La Bayadère are the mainstays of the Paris Opéra Ballet repertory to this day. An inspirational director and teacher, Nureyev was a Diaghilev-like mentor to young protégés across the globe--from Karen Kain and Monica Mason (now directors themselves), to Sylvie Guillem, Elisabeth Platel, Laurent Hilaire and Kenneth Greve. Sex, as much as dance, was a driving force for Nureyev. From his first secret liaison in Russia to his tempestuous relationship with the great Danish dancer Erik Bruhn, we see not only Nureyev’s notorious homosexual history unfold, but also learn of his profound effect on women--whether a Sixties wild child or Jackie Kennedy and Lee Radziwill or the aging Marlene Dietrich. Among the first victims of AIDS, Nureyev was diagnosed HIV positive in 1984 but defied the disease for nearly a decade, dancing, directing the Paris Opéra Ballet, choreographing, and even beginning a new career as a conductor. Still making plans for the future, Nureyev finally succumbed and died in January l993.Drawing on previously undisclosed letters, diaries, home-movie footage, interviews with Nureyev’s inner circle, and her own dance background, Julie Kavanagh gives the most intimate, revealing, and dramatic picture we have ever had of this dazzling, complex figure.
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|Grouped Work ID||726ff157-371a-4fac-a23c-1b2b3d073505|
|author2-role||(OCoLC)76416604, -1- -10-29-2017 14:58, -2- -03-20-2014 13:39, .b1298219210-23-1701-25-11, 5163408, 0375405135, 2006038137, 9780375405136, 9780375704727 (Vintage pbk.), A vagabond soul -- Hollywood story -- Xenia and menia -- Blood brothers -- Six steps exactly -- Making luck -- Jazz, London -- A celestial accident -- The beatnik and the prince -- The horse whisperer -- Sacred v profane, East v West -- Wild thing -- Time to crash the gates -- Camera front, camera side -- New boy in town -- This thing of darkness -- Pygmalion diaghilev -- Dancing with the devil -- A circular circle, complete -- A fatality to live., B NUREYEV R, Ballet dancers, C0VIA, English qEnglish., ITS58 car 20070914075410 ITS 2483ITS63.1 20090304163058 saz 2483ITS58 mca 20071009152904 ITS 2483ITS58 car 20070914075410 ITS 2483, Includes bibliographical references and index., Kavanagh, Julie., New York :Pantheon Books,c2007., Nureyev /Julie Kavanagh., OCLC Holdings Updated 20110802, Publisher varies., VIAC, aan(2)can01-25-11ma-, e-ru---, qBibliographies., qBiography., qBook., viii, 782 p.,  p. of plates :ill. ;24 cm.|
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|local_callnumber_arlington||B NUREYEV R|
|record_details||ils:.b12982192|Book|Books||English|Pantheon Books,|c2007.|viii, 782 p.,  p. of plates : ill. ; 24 cm.|
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|subject_facet||Ballet dancers -- Russia (Federation) -- Biography|
|title_full||Nureyev / Julie Kavanagh|