Caleb's crossing: a novel

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A richly imagined new novel from the author of the New York Times bestseller,People of the Book. Once again, Geraldine Brooks takes a remarkable shard of history and brings it to vivid life. In 1665, a young man from Martha's Vineyard became the first Native American to graduate from Harvard College. Upon this slender factual scaffold, Brooks has created a luminous tale of love and faith, magic and adventure.The narrator of Caleb's Crossing is Bethia Mayfield, growing up in the tiny settlement of Great Harbor amid a small band of pioneers and Puritans. Restless and curious, she yearns after an education that is closed to her by her sex. As often as she can, she slips away to explore the island's glistening beaches and observe its native Wampanoag inhabitants. At twelve, she encounters Caleb, the young son of a chieftain, and the two forge a tentative secret friendship that draws each into the alien world of the other. Bethia's minister father tries to convert the Wampanoag, awakening the wrath of the tribe's shaman, against whose magic he must test his own beliefs. One of his projects becomes the education of Caleb, and a year later, Caleb is in Cambridge, studying Latin and Greek among the colonial elite. There, Bethia finds herself reluctantly indentured as a housekeeper and can closely observe Caleb's crossing of cultures.Like Brooks's beloved narrator Anna in Year of Wonders, Bethia proves an emotionally irresistible guide to the wilds of Martha's Vineyard and the intimate spaces of the human heart. Evocative and utterly absorbing,Caleb's Crossing further establishes Brooks's place as one of our most acclaimed novelists.Watch a Video

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ISBN
9780670021048
9780143121077
9780142429709
9781101525685
UPC
9780142429709

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These books have the appeal factors evocative and richly detailed, and they have the theme "inspired by real events"; and the genres "historical fiction" and "biographical fiction."
Set in California and Barcelona, this version of Zorro portrays the close relationship between Don Diego and his friend Bernardo. Though Zorro is more adventurous, the cross-cultural relationships will appeal to readers of Caleb's Crossing. -- Katherine Johnson
Caleb's Crossing and The Watery Part of the World have their origins in the history of the North American coastal islands. Though the story lines are different, readers may appreciate both novels' exploration of how culture and tradition affect individuals. -- Katherine Johnson
These books have the appeal factors lyrical, evocative, and spare, and they have the genres "literary fiction" and "historical fiction"; and the subjects "indigenous peoples of north america" and "cherokee (north american people)."
Like Caleb's Crossing, The Widow's War is set in a beautifully described seaside village in colonial Massachusetts. With crisp language with a light archaic feel, both novels evoke the plight of a woman struggling to achieve more than society grants her. -- Sarah Johnson
The white - Larsen, Deborah
A fictionalized biography of Mary Jemison, The White portrays a crossing of cultures in the other direction from that of Caleb's Crossing: Mary becomes assimilated into the Seneca nation and loses interest in reconnecting with her white culture of origin. -- Katherine Johnson
These books have the appeal factors moving, reflective, and lyrical, and they have the genres "literary fiction" and "historical fiction"; and the subject "social classes."
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Set slightly earlier than Caleb's Crossing, The Winthrop Woman, a biographical novel, also portrays the status of women in colonial Massachusetts. -- Katherine Johnson
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English settlers encounter 17th-century Massachusetts' Indigenous inhabitants in these historical novels, based on real people and events. Flight of the Sparrow reimagines the captivity of minister's wife Mary Rowlandson, while Caleb's Crossing follows a young Wampanoag man who attends Harvard. -- NoveList Contributor

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Nancy Horan and Geraldine Brooks write literary fiction in which history provides a richly detailed backdrop for their narratives. They weave fact and fiction to provide an intimate portrait of their characters and the historical events surrounding them, using triumph and tragedy to deftly describe the bittersweet nature of life. -- Keeley Murray
Tracy Chevalier and Geraldine Brooks write intriguing historical novels, sometimes blended with contemporary events, often focused on women. Historical details abound, but these critical events are made personal through skilled character portrayal. Rich background details enhance these compelling, unsentimental, lyrically written novels of other times and places. -- Joyce Saricks
Hernan Diaz and Geraldine Brooks write thought-provoking literary historical fiction. Their richly detailed novels have a strong sense of place and historical era and feature flawed, complex characters. Diaz has focused on American settings, while Brooks has used those as well as other places around the world. -- Michael Shumate
Geraldine Brooks and Anita Diamant both write character-driven historical fiction featuring courageous female characters. Both authors have written Biblically inspired fiction and stories about Jews living under religious persecution. Historical details are at the center of Brooks' literary novels while Diamant's inspiring stories tend to focus more on characters' relationships. -- Alicia Cavitt
These authors' works have the appeal factors bittersweet, and they have the subjects "husband and wife," "reconstruction (united states history)," and "married people."
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Published Reviews

Booklist Review

*Starred Review* Brooks, winner of the Pulitzer Prize for her Civil War novel, March (2006), here imagines the life of Caleb Cheeshahteaumauk, the first Native American to graduate from Harvard. The story is told by Bethia Mayfield, the daughter of a preacher who traveled from England to Martha's Vineyard to try and bring Christ to the Indians. In 1660, when Bethia is 12, the family takes Caleb, a Wampanoag Indian, into their home to prepare him for boarding school. Bethia is a bright scholar herself, and though education for women is discouraged, she absorbs the lessons taught to Caleb and her brother Makepeace like a sponge. She struggles through the deaths of her mother, a younger sister, another brother, and her father. When Caleb and Makepeace are sent to Cambridge, Bethia accompanies them as an indentured servant to a professor. She marries a Harvard scholar, journeys with him to Padua, and finally returns to her beloved island. In flashbacks, Brooks relates the woes of the Indian Wars, the smallpox epidemic, and Caleb's untimely death shortly after his graduation with honors. Brooks has an uncanny ability to reconstruct each moment of the history she so thoroughly researched in stunningly lyrical prose, and her characters are to be cherished.--Donovan, Deborah Copyright 2010 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
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Publisher's Weekly Review

Pulitzer Prize-winner Brooks (for March) delivers a splendid historical inspired by Caleb Cheeshahteaumauck, the first Native American to graduate from Harvard. Brooks brings the 1660s to life with evocative period detail, intriguing characters, and a compelling story narrated by Bethia Mayfield, the outspoken daughter of a Calvinist preacher. While exploring the island now known as Martha's Vineyard, Bethia meets Caleb, a Wampanoag native to the island, and they become close, clandestine friends. After Caleb loses most of his family to smallpox, he begins to study under the tutelage of Bethia's father. Since Bethia isn't allowed to pursue education herself, she eavesdrops on Caleb's and her own brother's lessons. Caleb is a gifted scholar who eventually travels, along with Bethia's brother, to Cambridge to continue his education. Bethia tags along and her descriptions of 17th-century Cambridge and Harvard are as entertaining as they are enlightening (Harvard was founded by Puritans to educate the "English and Indian youth of this country," for instance). With Harvard expected to graduate a second Martha's Vineyard Wampanoag Indian this year, almost three and a half centuries after Caleb, the novel's publication is particularly timely. (May) (c) Copyright PWxyz, LLC. All rights reserved.

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Library Journal Review

Pulitzer Prize winner Brooks recounts the relationship between a Native American boy from Martha's Vineyard and the white girl he befriends. The story tackles the prejudices Caleb faces both in terms of race and religion as well as the sexism Bethia suffers. Caleb surmounts his obstacles to become a student at Harvard, where, ironically, Bethia also is sent, but as an indentured servant. (An LJ Best Historical Novel of 2011.) (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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Kirkus Book Review

The NBA-winning Australian-born, now New England author (People of the Book, 2008,etc.) moves ever deeper into the American past.Her fourth novel's announced subject is the eponymous Caleb Cheeshahteaumauk, a member of the Wampanoag Indian tribe that inhabits Massachusetts's Great Harbor (a part of Martha's Vineyard), and the first Native American who will graduate from Harvard College (in 1665). Even as a boy, Caleb is a paragon of sharp intelligence, proud bearing and manly charm, as we learn from the somewhat breathless testimony of Bethia Mayfield, who grows up in Great Harbor where her father, a compassionate and unprejudiced preacher, oversees friendly relations between white settlers and the placid Wampanoag. The story Bethia unfolds is a compelling one, focused primarily on her own experiences as an indentured servant to a schoolmaster who prepares promising students for Harvard; a tense relationship with her priggish, inflexible elder brother Makepeace; and her emotional bond of friendship with the occasionally distant and suspicious Caleb, who, in this novel's most serious misstep, isn't really the subject of his own story. Fascinating period details and a steadily expanding plot, which eventually encompasses King Philip's War, inevitable tensions between Puritan whites and upwardly mobile "salvages," as well as the compromises unavoidably ahead for Bethia, help to modulate a narrative voice that sometimes teeters too uncomfortably close to romantic clich. Both Bethia, whose womanhood precludes her right to seek formal education, and the stoical Caleb are very nearly too good to be true. However, Brooks' knowledgeable command of the energies and conflicts of the period, and particularly her descriptions of the reverence for learning that animates the little world of Harvard and attracts her characters' keenest longings, carries a persuasive and quite moving emotional charge.While no masterpiece, this work nevertheless contributes in good measure to the current and very welcome revitalization of the historical novel.]] Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.
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Booklist Reviews

*Starred Review* Brooks, winner of the Pulitzer Prize for her Civil War novel, March (2006), here imagines the life of Caleb Cheeshahteaumauk, the first Native American to graduate from Harvard. The story is told by Bethia Mayfield, the daughter of a preacher who traveled from England to Martha's Vineyard to try and "bring Christ to the Indians." In 1660, when Bethia is 12, the family takes Caleb, a Wampanoag Indian, into their home to prepare him for boarding school. Bethia is a bright scholar herself, and though education for women is discouraged, she absorbs the lessons taught to Caleb and her brother Makepeace like a sponge. She struggles through the deaths of her mother, a younger sister, another brother, and her father. When Caleb and Makepeace are sent to Cambridge, Bethia accompanies them as an indentured servant to a professor. She marries a Harvard scholar, journeys with him to Padua, and finally returns to her beloved island. In flashbacks, Brooks relates the woes of the Indian Wars, the smallpox epidemic, and Caleb's untimely death shortly after his graduation with honors. Brooks has an uncanny ability to reconstruct each moment of the history she so thoroughly researched in stunningly lyrical prose, and her characters are to be cherished. Copyright 2011 Booklist Reviews.

Copyright 2011 Booklist Reviews.
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Library Journal Reviews

In 1665, Caleb Cheeshahteaumuck was the first Native American to graduate from Harvard College. Here, Pulitzer Prize winner Brooks imagines that Caleb was befriended by Bethia Mayfield, whose minister father wants to convert the neighboring Wampanoag and makes educating Caleb one of his goals. Bethia, herself desperate for book learning, ends up as an indentured servant in Cambridge, watching Caleb bridge two cultures. What Brooks does best; I'm anticipating. With a 15-city tour.

[Page 84]. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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Library Journal Reviews

In 1965, Caleb Cheeshahteaumuck of Martha's Vineyard graduated from Harvard, whose 1650 charter describes its mission as "the education of the English and Indian youth of this country." That much is fact. That Caleb befriended Bethia Mayfield, the free-spirited daughter of the island's preacher, is of course fiction—but it's luscious fiction in the capable hands of Pulitzer Prize winner Brooks (March). As one might expect from Brooks, Bethia is a keen and rebellious lass, indignant that she should be kept from book learning when her slower brother gets the benefit of an education. She first encounters Caleb in the woods, learning his language and ways while stoutly arguing her Christian beliefs; later, Bethia's zealous father brings Caleb into the household to convert him. And so begins Caleb's crossing, first from Native to English Colonial culture and then from the island to Cambridge, where he studies at a preparatory school before entering Harvard. Bethia ends up at the school, too—but as an indentured servant. VERDICT Writing in Bethia's voice, Brooks offers a lyric and elevated narrative that effectively replicates the language of the era; she takes on the obvious issues of white arrogance, cultural difference, and the debased role of women without settling into jeremiad. The result is sweet and aching. Highly recommended. [Prepub Alert, 11/15/10.]—Barbara Hoffert, Library Journal

[Page 106]. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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Publishers Weekly Reviews

Pulitzer Prize–winner Brooks (for March) delivers a splendid historical inspired by Caleb Cheeshahteaumauck, the first Native American to graduate from Harvard. Brooks brings the 1660s to life with evocative period detail, intriguing characters, and a compelling story narrated by Bethia Mayfield, the outspoken daughter of a Calvinist preacher. While exploring the island now known as Martha's Vineyard, Bethia meets Caleb, a Wampanoag native to the island, and they become close, clandestine friends. After Caleb loses most of his family to smallpox, he begins to study under the tutelage of Bethia's father. Since Bethia isn't allowed to pursue education herself, she eavesdrops on Caleb's and her own brother's lessons. Caleb is a gifted scholar who eventually travels, along with Bethia's brother, to Cambridge to continue his education. Bethia tags along and her descriptions of 17th-century Cambridge and Harvard are as entertaining as they are enlightening (Harvard was founded by Puritans to educate the "English and Indian youth of this country," for instance). With Harvard expected to graduate a second Martha's Vineyard Wampanoag Indian this year, almost three and a half centuries after Caleb, the novel's publication is particularly timely. (May)

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