Music as discourse: semiotic adventures in romantic music

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Publisher:
Oxford University Press,
Pub. Date:
2009.
Language:
English
Description
The question of whether music has meaning has been the subject of sustained debate ever since music became a subject of academic inquiry. Is music a language? Does it communicate specific ideas and emotions? What does music mean, and how does this meaning occur? Kofi Agawu's Music as Discourse promises to quickly become a standard and definitive work in musical semiotics. Working at the nexus of musicology, ethnomusicology, and music philosophy and aesthetics, Agawu presents a synthetic and innovative approach to musical meaning which argues deftly for the thinking of music as a discourse in itself--composed not only of sequences of gestures, phrases, or progressions, but rather also of the very philosophical and linguistic props that enable the analytical formulations made about music as an object of study. The book provides extensive demonstration of the pertinence of a semiological approach to understanding the fully-freighted language of romantic music, stresses the importance of a generative approach to tonal understanding, and provides further insight into the analogy between music and language. Music as Discourse will be eagerly read by all who are interested in the theory, analysis and semiotics of music of the romantic period.
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ISBN:
9780199708314
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Grouped Work ID 79dd458b-ba65-7e93-dd06-e91417b41056
Grouping Title music as discourse semiotic adventures in romantic music
Grouping Author agawu v kofi
Grouping Category book
Last Grouping Update 2018-08-06 04:40:45AM
Last Indexed 2018-09-25 04:52:19AM

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author Agawu, V. Kofi (Victor Kofi)
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series Oxford studies in music theory
series_with_volume Oxford studies in music theory|
title_display Music as discourse : semiotic adventures in romantic music
title_full Music as discourse : semiotic adventures in romantic music / Kofi Agawu
title_short Music as discourse :
title_sub semiotic adventures in romantic music