Why we broke up

Book Cover
Average Rating
Publisher
Varies, see individual formats and editions
Publication Date
Varies, see individual formats and editions
Language
English

Description

I'm telling you why we broke up, Ed. I'm writing it in this letter, the whole truth of why it happened.Min Green and Ed Slaterton are breaking up, so Min is writing Ed a letter and giving him a box. Inside the box is why they broke up. Two bottle caps, a movie ticket, a folded note, a box of matches, a protractor, books, a toy truck, a pair of ugly earrings, a comb from a motel room, and every other item collected over the course of a giddy, intimate, heartbreaking relationship. Item after item is illustrated and accounted for, and then the box, like a girlfriend, will be dumped.

More Details

Contributors
Handler, Daniel Author
Hvam, Khristine Narrator
Kalman, Maira Illustrator, illustrator., ill
ISBN
9780316127257
9780316194587
9780316194600
9781611135404

Discover More

Author Notes

Loading Author Notes...

Similar Titles From NoveList

NoveList provides detailed suggestions for titles you might like if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
These books have the appeal factors character-driven, and they have the genre "realistic fiction"; the subjects "sixteen-year-old girls," "teenage girls," and "teenage boy-girl relations"; and characters that are "authentic characters."
These books have the appeal factors character-driven, and they have the genre "realistic fiction"; the subjects "breaking up (interpersonal relations)," "sixteen-year-old girls," and "teenage girls"; and characters that are "complex characters" and "authentic characters."
Instructions for a broken heart - Culbertson, Kim A.
Letters help to mend broken hearts after devastating break ups in these character driven realistic fiction books with strong female protagonists. -- Sarah Stanley
These books have the appeal factors bittersweet and reflective, and they have the genre "realistic fiction"; and the subjects "personal letters," "sixteen-year-old girls," and "teenage girls."
These books have the appeal factors character-driven, and they have the genre "realistic fiction"; and the subjects "breaking up (interpersonal relations)," "sixteen-year-old girls," and "teenage boys."
These books have the appeal factors bittersweet, moving, and character-driven, and they have the subjects "sixteen-year-old girls," "teenage boys," and "teenage girls."
In these offbeat, complex books (both character-oriented love stories rather than true romance novels), likable teens work toward overcoming recent breakups. In both books, dialogue rings true. -- Kathy Stewart
These books have the appeal factors character-driven, and they have the genre "realistic fiction"; the subjects "sixteen-year-old girls," "teenage girls," and "teenage boy-girl relations"; and characters that are "authentic characters."
Breaking up with a first love is never easy and these first person narratives explore the heartache and growth that inevitably follows.Though Blankets is a graphic novel, both books rely on pictures to tell their stories. -- Sarah Stanley
These books have the appeal factors character-driven and first person narratives, and they have the subjects "sixteen-year-old girls," "teenage boys," and "teenage girls."
These books have the appeal factors character-driven, and they have the genre "realistic fiction"; and the subjects "breaking up (interpersonal relations)," "former boyfriends," and "sixteen-year-old girls."
Hard love - Wittlinger, Ellen
While Hard Love is slightly harsher than Why We Broke Up, both of these somewhat awkward, painful love stories plumb deep emotion -- and include some wistful laughs to relieve the tension. -- Ellen Foreman

Similar Authors From NoveList

NoveList provides detailed suggestions for other authors you might want to read if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
These authors' works have the appeal factors bittersweet and moving, and they have the genre "realistic fiction"; and the subjects "sexuality," "personal letters," and "high school students."
These authors' works have the genres "mainstream fiction" and "realistic fiction"; and the subjects "teenage boys," "breaking up (interpersonal relations)," and "teenage boy-girl relations."
These authors' works have the genres "psychological fiction" and "realistic fiction"; and the subjects "teenage boys," "breaking up (interpersonal relations)," and "teenage boy-girl relations."
These authors' works have the appeal factors stylistically complex and unconventional, and they have the subjects "breaking up (interpersonal relations)," "sixteen-year-old girls," and "cliques."
These authors' works have the genre "realistic fiction"; and the subjects "breaking up (interpersonal relations)," "sixteen-year-old girls," and "love."
These authors' works have the appeal factors bittersweet and reflective, and they have the genres "love stories" and "realistic fiction"; and the subjects "breaking up (interpersonal relations)," "teenage boy-girl relations," and "sixteen-year-old girls."
These authors' works have the appeal factors unconventional and unnamed narrator, and they have the genres "psychological fiction" and "mainstream fiction"; and the subjects "teenage boy-girl relations," "sixteen-year-old girls," and "high school students."
These authors' works have the appeal factors bittersweet, haunting, and witty, and they have the genres "psychological fiction" and "mainstream fiction"; and the subjects "cliques," "love triangles," and "private schools."
These authors' works have the appeal factors offbeat, and they have the subjects "breaking up (interpersonal relations)," "teenage boy-girl relations," and "sexuality."
These authors' works have the appeal factors bittersweet, and they have the subjects "teenage boys," "teenage boy-girl relations," and "sixteen-year-old girls."
These authors' works have the genre "relationship fiction"; and the subjects "breaking up (interpersonal relations)," "former boyfriends," and "teenage boy-girl relations."
These authors' works have the appeal factors bittersweet, and they have the subjects "teenage boy-girl relations," "sixteen-year-old girls," and "high school students."

Published Reviews

Booklist Review

*Starred Review* This novel may sound like another tale of boy meets girl, but, folks, it's all in the delivery. In faltering pitter-patter dialogue and thick, gushy, grasping-for-words paragraphs, Handler takes a tired old saw, the romance between senior basketball cocaptain Ed Slaterton and junior cinephile Min Green, and injects us into the halting, breathless, disbelieving, horny, and nervous minds of two teens who feel different only in how they define themselves in contrast to each other that dumbstruck, anthropological joy of introducing foreign films to a dude schooled only in layups, and vice versa. The story is told from Min's perspective, a bittersweet diatribe of their breakup arranged around objects (a matchbox, a bottle cap, a dish towel, an ahem condom wrapper) of varying importance that she intends on returning to him. (Kalman's full-color drawings of these objects were not available for review.) It is fitting that the chapters center upon these items; the story itself feels like blurry photos, snippets of stray recordings all the more powerful because of how they evoke truth more than any mere relaying of facts. Yes, the relationship breaks apart like a predictable song, but Handler's genius is to make us hear those minor-key notes as if they were playing on our first and last dates, too. In the mood to break additional hearts? Pair this with Pete Hautman's The Big Crunch (2011). HIGH-DEMAND BACKSTORY: Yes, Handler is mostly known to the younger set as Mr. Snicket, but this effort finds the perfect spot between his youth and adult novels, a fact born out by the high-caliber promotional plans.--Kraus, Daniel Copyright 2010 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Powered by Syndetics

Publisher's Weekly Review

Handler and Kalman (13 Words) craft a book-length breakup letter from Min (short for Minerva) to her ex-boyfriend, Ed. Accusatory yet affectionate-directed at "you, Ed"-it accompanies a hefty box of souvenirs Min accumulated during the two-month romance. Between chapters, readers gaze at Kalman's almost totemic still lifes of each nostalgic item, which range from handwritten notes ("I can't stop thinking about you") to secondhand-store finds and movie tickets. Min loves classic cinema, and Handler invents false film titles like "Greta of the Wild" that Min and her platonic pal Al name-drop like an "old married couple." Proceeding chronologically, Min recounts her doomed affair with Ed, a basketball star who shrugs at movies and commits gaffe after embarrassing gaffe in front of Min's friends. They can't understand what she's doing with him, but readers won't have that problem-Handler shows exceptional skill at getting inside Min's head and heart. Halfway through Min's impassioned epistle, readers may realize that Ed, even if he cares, lacks the wherewithal to read it-lending real pathos to Min's memorabilia and making her sorrow all the more palpable. Agent: Charlotte Sheedy Literary Agency. Ages 15-up. (Dec.)? (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Powered by Syndetics

School Library Journal Review

Gr 9 Up-Min, short for Minerva, met Ed at her best friend Al's bitter 16 party. They dated, fell in love, and eventually broke up. To get on with her life, Min must dispose of her box of treasures-mementos of their relationship that she has kept since the night of that party. She writes Ed a letter, inspired by every token in the box and the memories surrounding their acquisition, detailing why they broke up so she can leave it all on his doorstep. A classic movie buff, Min compares the events of her life to scenes from her favorite movies and weaves these into her letter. The final CD includes each lovely full-page painting of a memento that introduces each chapter-movie tickets, bottle caps, rose petals, and more. Khristine Hvam's narration has a pleasant cadence and she provides subtle voice changes for the different characters in the novel (Little, Brown, 2011) by Daniel Handler. Her pauses and emphases are a perfect fit for Min's character. There are some f-bombs lightly sprinkled throughout and some mild sexual descriptions. This pleasant story will resonate with anyone who has ever been jilted by the one they thought was the one.-Cynthia Ortiz, Hackensack High School, NJ (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Powered by Syndetics

Horn Book Review

Min and Ed's differences are profound -- most obviously, she's a quirky aspiring filmmaker and he's a popular jock. Readers see immediately, though, that it's not simply these practical differences that caused their breakup, the event on which this unique novel, posed as a letter Min is writing to Ed, is centered. In addition to this letter, Min is planning to drop off on Ed's doorstep a box of items, tiny tokens of their relationship (some with obvious sentimentality, others seemingly random, like a protractor). Though tightly focused and always tethered to its format as a denunciative breakup note explaining the physical memorabilia, Handler's text continually makes the reader forget this narrow structure: the imagistic, affecting stories that Min tells about each object are completely engrossing and provide insight into their young and flawed love. Min's thoughts on the significance of each item (and the moment or memory it's tied to) are mature beyond her age but authentically fit her introspective and intelligent character. The poetic eloquence and honesty of Min's narration; the clarity with which each idiosyncratic character is drawn; the distinctive premise that gives direction to but does not limit plot: these factors combine to help us comprehend both why they broke up, and why that outcome is not what matters most in this story. A stylish book design, thick glossy pages that make the book satisfyingly hefty, and Kalman's spare illustrations of the objects heighten the overall enjoyment and perfectly complement Handler's accomplished prose. katrina hedeen From HORN BOOK, Copyright The Horn Book, used with permission.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Powered by Syndetics

Kirkus Book Review

(Romance. 14 up)]] Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.
Powered by Syndetics

Booklist Reviews

*Starred Review* This novel may sound like another tale of boy meets girl, but, folks, it's all in the delivery. In faltering pitter-patter dialogue and thick, gushy, grasping-for-words paragraphs, Handler takes a tired old saw, the romance between senior basketball cocaptain Ed Slaterton and junior cinephile Min Green, and injects us into the halting, breathless, disbelieving, horny, and nervous minds of two teens who feel "different" only in how they define themselves in contrast to each other—that dumbstruck, anthropological joy of introducing foreign films to a dude schooled only in layups, and vice versa. The story is told from Min's perspective, a bittersweet diatribe of their breakup arranged around objects (a matchbox, a bottle cap, a dish towel, an—ahem—condom wrapper) of varying importance that she intends on returning to him. (Kalman's full-color drawings of these objects were not available for review.) It is fitting that the chapters center upon these items; the story itself feels like blurry photos, snippets of stray recordings—all the more powerful because of how they evoke truth more than any mere relaying of facts. Yes, the relationship breaks apart like a predictable song, but Handler's genius is to make us hear those minor-key notes as if they were playing on our first—and last—dates, too. In the mood to break additional hearts? Pair this with Pete Hautman's The Big Crunch (2011). HIGH-DEMAND BACKSTORY: Yes, Handler is mostly known to the younger set as Mr. Snicket, but this effort finds the perfect spot between his youth and adult novels, a fact born out by the high-caliber promotional plans. Copyright 2011 Booklist Reviews.

Copyright 2011 Booklist Reviews.
Powered by Content Cafe

Publishers Weekly Reviews

Handler and Kalman (13 Words) craft a book-length breakup letter from Min (short for Minerva) to her ex-boyfriend, Ed. Accusatory yet affectionate—directed at "you, Ed"—it accompanies a hefty box of souvenirs Min accumulated during the two-month romance. Between chapters, readers gaze at Kalman's almost totemic still lifes of each nostalgic item, which range from handwritten notes ("I can't stop thinking about you") to secondhand-store finds and movie tickets. Min loves classic cinema, and Handler invents false film titles like "Greta of the Wild" that Min and her platonic pal Al name-drop like an "old married couple." Proceeding chronologically, Min recounts her doomed affair with Ed, a basketball star who shrugs at movies and commits gaffe after embarrassing gaffe in front of Min's friends. They can't understand what she's doing with him, but readers won't have that problem—Handler shows exceptional skill at getting inside Min's head and heart. Halfway through Min's impassioned epistle, readers may realize that Ed, even if he cares, lacks the wherewithal to read it—lending real pathos to Min's memorabilia and making her sorrow all the more palpable. Agent: Charlotte Sheedy Literary Agency. Ages 15–up. (Dec.)¦

[Page ]. Copyright 2011 PWxyz LLC

Copyright 2011 PWxyz LLC
Powered by Content Cafe

School Library Journal Reviews

Gr 9 Up—After classic movie aficionado Min Green breaks up with good-looking, popular athlete Ed Slaterton, she dumps a box full of mementos at his doorstep along with a very long "letter." The letter-the text of this book-explains step by painful step the reasons for the breakup and why their relationship was doomed from the start. Each chapter is introduced with a complementary, full-color painting of a memento, ranging from bottle caps to movie tickets to condom wrappers to rose petals, each representing an important element in the progression of and subsequent decline in their romance. Min's exposé begins at the end and flashes forward through meeting and falling for Ed, losing her virginity, and realizing that the course of true love rarely follows a Hollywood script. Characters are vivid, and their portrayal is enriched by realistic dialogue. Despite Min's somewhat distracting tendency to expound on feelings, experiences, and images in a run-on fashion, and that her unusual perceptiveness stretches belief in her voice as that of a high school girl, the story ultimately comes together. Handler offers a heartbreaking, bittersweet, and compelling romance with a unique angle and flare that will satisfy those who immersed themselves in Jandy Nelson's The Sky Is Everywhere (Dial, 2010).—Diane P. Tuccillo, Poudre River Public Library District, Fort Collins, CO

[Page 124]. (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Powered by Content Cafe

Reviews from GoodReads

Loading GoodReads Reviews.

Staff View

Loading Staff View.