The Heiress Gets a Duke

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Varies, see individual formats and editions
Publication Date
2021
Language
English

Description

Even a fortune forged in railroads and steel can't buy entrance into the upper echelons of Victorian high society--for that you need a marriage of convenience.American heiress August Crenshaw has aspirations. But unlike her peers, it isn't some stuffy British Lord she wants wrapped around her finger--it's Crenshaw Iron Works, the family business. When it's clear that August's outrageously progressive ways render her unsuitable for a respectable match, her parents offer up her younger sister to the highest entitled bidder instead. This simply will not do. August refuses to leave her sister to the mercy of a loveless marriage.Evan Sterling, the Duke of Rothschild, has no intention of walking away from the marriage. He's recently inherited the title only to find his coffers empty, and with countless lives depending on him, he can't walk away from the fortune a Crenshaw heiress would bring him. But after meeting her fiery sister, he realizes Violet isn't the heiress he wants. He wants August, and he always gets what he wants.But August won't go peacefully to her fate. She decides to show Rothschild that she's no typical London wallflower. Little does she realize that every stunt she pulls to make him call off the wedding only makes him like her even more.

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ISBN
9780593197219
9781705232071

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Also in this Series

  • The Heiress Gets a Duke (Gilded Age heiresses Volume 1) Cover
  • The devil and the heiress (Gilded Age heiresses Volume 2) Cover
  • The lady tempts an heir (Gilded Age heiresses Volume 3) Cover
  • The duchess takes a husband (Gilded Age heiresses Volume 4) Cover

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Similar Series From Novelist

NoveList provides detailed suggestions for series you might like if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
Likeable, strong-willed, and ambitious American (Gilded) and British (League of Extraordinary Women) women who stand up for women's rights feature in these engaging and steamy Victorian romances as they team up and fall for appealing men who support them. -- Andrienne Cruz
These series have the genres "victorian romances" and "historical romances"; and the subjects "heirs and heiresses," "american people in great britain," and "american people in england."
These series have the genres "victorian romances" and "historical romances"; and the subjects "heirs and heiresses," "sexual attraction," and "nobility."
These series have the appeal factors feel-good, and they have the genres "victorian romances" and "historical romances"; and the subjects "heirs and heiresses," "sexual attraction," and "nobility."
These series have the genres "victorian romances" and "historical romances"; and the subjects "heirs and heiresses," "sexual attraction," and "rich people."
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These series have the appeal factors feel-good, upbeat, and witty, and they have the genres "historical romances" and "regency romances"; and the subjects "sexual attraction," "earls and countesses," and "viscounts and viscountesses."
These series have the genres "victorian romances" and "historical romances"; and the subjects "heirs and heiresses" and "sexual attraction."
These series have the appeal factors witty, and they have the genres "historical romances" and "regency romances"; and the subjects "heirs and heiresses," "sexual attraction," and "inheritance and succession."

Similar Titles From NoveList

NoveList provides detailed suggestions for titles you might like if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
These books have the theme "marriage of convenience"; the genre "victorian romances"; the subjects "single women," "dukes and duchesses," and "independence"; and characters that are "well-developed characters."
These books have the theme "marriage of convenience"; the genres "historical romances" and "regency romances"; the subjects "heirs and heiresses," "dukes and duchesses," and "arranged marriage"; and characters that are "well-developed characters."
These books have the appeal factors feel-good, and they have the theme "marriage of convenience"; the genres "historical romances" and "regency romances"; and the subjects "single women," "dukes and duchesses," and "interpersonal attraction."
These books have the theme "marriage of convenience"; the genres "historical romances" and "regency romances"; and the subjects "single women" and "men-women relations."
These books have the theme "marriage of convenience"; the genres "historical romances" and "regency romances"; the subjects "rich families," "dukes and duchesses," and "interpersonal attraction"; and characters that are "well-developed characters."
These books have the appeal factors well-crafted dialogue, and they have the theme "marriage of convenience"; the genres "historical romances" and "regency romances"; the subjects "single women" and "interpersonal attraction"; and characters that are "well-developed characters" and "likeable characters."
These books have the theme "marriage of convenience"; the genres "victorian romances" and "historical romances"; and the subjects "heirs and heiresses," "rich families," and "dukes and duchesses."
These books have the theme "marriage of convenience"; the genres "historical romances" and "regency romances"; the subjects "single women," "dukes and duchesses," and "independence"; and characters that are "well-developed characters."
These books have the appeal factors well-crafted dialogue, and they have the theme "marriage of convenience"; the genres "victorian romances" and "historical romances"; the subjects "heirs and heiresses," "rich families," and "dukes and duchesses"; and characters that are "well-developed characters."
NoveList recommends "League of extraordinary women novels" for fans of "Gilded Age heiresses". Check out the first book in the series.
These books have the theme "marriage of convenience"; the genres "victorian romances" and "historical romances"; and the subjects "single women," "heirs and heiresses," and "rich families."
These books have the theme "marriage of convenience"; the genre "historical romances"; and the subjects "single women," "dukes and duchesses," and "sisters."

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These authors' works have the genre "victorian romances"; and the subjects "heirs and heiresses," "single women," and "american people in great britain."
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These authors' works have the appeal factors feel-good, steamy, and upbeat, and they have the genre "historical romances"; and the subjects "sexual attraction," "single women," and "secrets."
These authors' works have the appeal factors steamy and well-crafted dialogue, and they have the genres "historical romances" and "victorian romances"; and the subjects "heirs and heiresses," "sexual attraction," and "independence."
These authors' works have the appeal factors well-crafted dialogue, and they have the genres "historical romances" and "victorian romances"; and the subjects "sexual attraction," "single women," and "widows."
These authors' works have the appeal factors steamy, and they have the genres "historical romances" and "category romances"; and the subjects "heirs and heiresses," "sexual attraction," and "single women."
These authors' works have the appeal factors feel-good, steamy, and well-crafted dialogue, and they have the genres "historical romances" and "regency romances"; the subjects "sexual attraction," "single women," and "interpersonal attraction"; and characters that are "well-developed characters" and "likeable characters."
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These authors' works have the appeal factors steamy, and they have the genres "historical romances" and "victorian romances"; the subjects "sexual attraction," "interpersonal attraction," and "widows"; and characters that are "well-developed characters."
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Published Reviews

Publisher's Weekly Review

St. George (the To Wed a Viking series) delivers a new twist on a love triangle in the addictive introduction to her Gilded Age Heiresses series. Evan Sterling, Duke of Rothschild, is drowning in debt left by his irresponsible father and must make a wealthy match if he hopes to provide for his mother and sisters. His mother arranges for him to marry American heiress Violet Crenshaw--but Violet's heart belongs to another, and her bluestocking older sister, August, makes it her mission to save Violet from the match. When August encounters Evan, she realizes she's met him once before without knowing his name--and the two shared a blistering kiss. Though August loves her work at her father's company and is uninterested in marriage, Evan is captivated by her strength, wit, and willfulness, and switches his suit from Violet to August, setting off a seductive game of emotional tug-of-war. When their attraction deepens into a true connection, Evan struggles with guilt over knowing that August does not want to be married, while August feels pressured to choose between love and career. The result is a fun, fresh historical romance that gives both formidable characters their due. Agent: Nicole Resciniti, the Seymour Agency. (Jan.)

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Library Journal Review

The Duke of Rothschild, Evan Sterling, needs a wealthy bride to rid his family of the ruinous debt his late father amassed. August Crenshaw, American heiress to a railway fortune, believes her parents would never stoop to an arranged marriage, until they auction her dutiful younger sister to the duke. Using unladylike antics to block Evan from courting her sister, August consequently gains the duke's interest. Initially indifferent to August's reluctance, Evan eventually strives to gain her respect. Though Evan doesn't always act the hero, his character's growth redeems him, and August is a heroine to cheer for: a woman who stands on her own, protects her sister at all costs, and refuses to be wed without bargaining for her rights. VERDICT St. George (Falling for Her Viking Captive) heartrendingly depicts Victorian women bartered away for wealth and status, but the deep affection and witty dialog August and Evan share outshines a grim if realistic beginning. Fans of Courtney Milan and Scarlett Peckham will enjoy this "The Gilded Age Heiresses" series opener.--Eve Stano, Ball State Univ. Muncie, IN

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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Library Journal Reviews

The Duke of Rothschild, Evan Sterling, needs a wealthy bride to rid his family of the ruinous debt his late father amassed. August Crenshaw, American heiress to a railway fortune, believes her parents would never stoop to an arranged marriage, until they auction her dutiful younger sister to the duke. Using unladylike antics to block Evan from courting her sister, August consequently gains the duke's interest. Initially indifferent to August's reluctance, Evan eventually strives to gain her respect. Though Evan doesn't always act the hero, his character's growth redeems him, and August is a heroine to cheer for: a woman who stands on her own, protects her sister at all costs, and refuses to be wed without bargaining for her rights. VERDICT St. George (Falling for Her Viking Captive) heartrendingly depicts Victorian women bartered away for wealth and status, but the deep affection and witty dialog August and Evan share outshines a grim if realistic beginning. Fans of Courtney Milan and Scarlett Peckham will enjoy this "The Gilded Age Heiresses" series opener.—Eve Stano, Ball State Univ. Muncie, IN

Copyright 2020 Library Journal.

Copyright 2020 Library Journal.
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Publishers Weekly Reviews

St. George (the To Wed a Viking series) delivers a new twist on a love triangle in the addictive introduction to her Gilded Age Heiresses series. Evan Sterling, Duke of Rothschild, is drowning in debt left by his irresponsible father and must make a wealthy match if he hopes to provide for his mother and sisters. His mother arranges for him to marry American heiress Violet Crenshaw—but Violet's heart belongs to another, and her bluestocking older sister, August, makes it her mission to save Violet from the match. When August encounters Evan, she realizes she's met him once before without knowing his name—and the two shared a blistering kiss. Though August loves her work at her father's company and is uninterested in marriage, Evan is captivated by her strength, wit, and willfulness, and switches his suit from Violet to August, setting off a seductive game of emotional tug-of-war. When their attraction deepens into a true connection, Evan struggles with guilt over knowing that August does not want to be married, while August feels pressured to choose between love and career. The result is a fun, fresh historical romance that gives both formidable characters their due. Agent: Nicole Resciniti, the Seymour Agency. (Jan.)

Copyright 2020 Publishers Weekly.

Copyright 2020 Publishers Weekly.
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