Neither Here Nor There

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English

Description

An account of a European trip blends anecdotes with worldly insights, describing the bleak lands of Norway, the exotic scenes of Istanbul, and the cities of Paris, Amsterdam, Copenhagen, Stockholm, Rome, Geneva, and Vienna. 50,000 first printing. $36,000 ad/promo.

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ISBN
9781620647172
9780062417428
UPC
9781620647172

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Similar Authors From NoveList

NoveList provides detailed suggestions for other authors you might want to read if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
Paul Theroux influenced Bill Bryson, and is a must for fans of travel writing, thanks to provocative accounts that include personal reflection and commentary, characters, adventure, and a touch of humor. His writing emphasize the glories of train travel. -- Katherine Johnson
Like Bill Bryson, Mary Roach travels widely to gather material for her side-splittingly funny books. Though Roach is a science writer and Bryson writes everything from travelogues to histories, Bryson's readers should like Roach's books for their witty observations, accessible writing style, and engaging discussion of their topic. -- Dawn Towery
Bill Bryson and Tony Horwitz employ a casual but informative tone in their fact-filled, steadily paced narrative nonfiction. Their sense of humor and tendency to place themselves directly into their narratives results in addictive books that teach without preaching. -- Becky Spratford
Try these authors if you like detailed travelogues that delve into memoirs and take a witty view of people, places, and experiences. Bill Bryson has more of an academic/historical take, and Maarten J. Troost ruminates more about his life, but both pen accessible and engaging narratives. -- Melissa Gray
Simon Armitage and Bill Bryson enjoy long walks -- sometimes they take several weeks, sometimes far longer. Both writers have a sharp eye for telling detail, a deep interest in their surroundings, and a strong sense of place. Armitage is more reflective and lyrical, while Bryson is funnier and more sarcastic. -- Mike Nilsson
Gerald Durrell may please readers who appreciate Bill Bryson's wit and descriptive skills. Travel and animals dominate his writing but also offer scope for his quirky humor, accessible erudition, flights of fantasy, and astute, accurate scientific observations. He also offers heartfelt and passionate arguments for protecting individual animals and species. -- Katherine Johnson
Bill Bryson fans might enjoy Calvin Trillin, who travels in search of interesting food and adventures, and whose accounts resonate with insights into people and places. His conversational (often playful) literary style, his pleasure in adventures and discoveries, his ability to put himself into the story, and his self-deprecating humor resemble Bryson's writing. -- Katherine Johnson
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Charles Kuralt, famous for introducing his audience to Americans unlikely to appear on television, was able to create stories from the slightest events. Like Bryson, he put characters first, and his quiet humor and incisive commentary allowed him to explore social and cultural issues linked to his out-of-the-way locations. -- Katherine Johnson
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Published Reviews

Booklist Review

Travel books, by intent, tend to fall into either of two types, "how-to" or "arm-chair." American journalist Bryson's splendidly provocative example of the genre definitely falls into the latter category. The author of the widely applauded Mother Tongue, a superb account of the use of the English language worldwide, Bryson here records his experiences as he recently duplicated a route he took through Europe 20 years ago. As he balances former impressions with fresh new observations, he's not exactly weaving golden, brochure-type prose. He's got mixed feelings about most places--readers who adore the Italian city of Florence risk bruising by his comments--but he's so hilarious and simultaneously honest that he's got to be, if not forgiven, at least excused for stepping on toes. "Germans," says he, "are flummoxed by humor, the Swiss have no concept of fun, the Spanish think there is nothing at all ridiculous about eating dinner at midnight, and the Italians should never, ever have been let in on the invention of the motorcar." How's that for contentiousness? The truth of the matter is, his sarcasms are couched in a sincere appreciation of the richness that differences in nationalities provide the American traveler fortunate enough to experience these variations in attitude and life-style. (Reviewed Dec. 1, 1991)0688103111Brad Hooper

From Booklist, Copyright (c) American Library Association. Used with permission.
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Publisher's Weekly Review

After 20 years as a London-based reporter, American journalist Bryson ( The Mother Tongue ) set out to retrace a youthful European backpacking trip, from arctic Norway's northern lights to romantic Capri and the ``collective delirium'' of Istanbul. Descriptions of historic and artistic sights in the Continent's capitals are cursory; Bryson prefers lesser-known locales, whose peculiar flavor he skillfully conveys in anecdotes that don't scant the seamy side and often portray eccentric characters encountered during untoward adventures of the road. He enlivens the narrative with keen, sometimes acerbic observations of national quirks like the timed light switches in French hallways, but tends to strive too hard for comic effects, some in dubious taste. He also joins other travelers in deploring the growing hordes of peddlers who overrun major tourist meccas. (Feb.) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
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Library Journal Review

Born in Iowa, Bryson (A Walk in the Clouds) backpacked through Europe as a young man. While living in England some 20 years later, he revisited many of the same places, and here he jumps back and forth between old memories and new experiences. He begins with rather negative incidents and throughout spends a great deal of time on his woes, often due to hangovers, missed opportunities with young women, and difficulties with transportation and hotel personnel. Bryson is a rather talented, opinionated writer who obviously has spent a fair amount of time walking and traveling by bus and train in Europe. Since he is given to serious profanity at times and brushes upon topics such as sex with animals and prostitutes, this is definitely not family entertainment. His descriptive ability is considerable, and his commentary, while rambling, is generally interesting. His enunciation and inflection are good, but an affected British accent creeps in at times. It's like a self-indulgent memoir of which few will care and some will be offended. Only libraries willing to risk patron indignation at his profanity, some of his topics, and his repeated generalizations about nations and their people should consider.ÄCarolyn Alexander, Brigadoon Lib., Salinas, CA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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Kirkus Book Review

Having groused his way across America in The Lost Continent (1989), Bryson (The Mother Tongue, 1990) now turns his attention to Europe. If it is any consolation to Americans, Bryson, an ex- midwesterner who has lived in England for the past 15 years, finds almost nothing to praise between the Arctic Circle and the Bosporus. Bryson's crankiness could have proved amusing--after all, Mark Twain's did in Innocents Abroad--but the humor here is meanspirited and juvenile (in Copenhagen, a hung-over Bryson notes that ``I needed coffee the way Dan Quayle needs help with an I.Q. test''), with defecation, flatulence, and eructation far too often figuring into the comic repertoire. Nor do original insights abound as Bryson retraces the steps of a journey he took two decades before, traveling from Norway to Istanbul, stopping at many of Europe's capitals (Paris, Brussels, Stockholm, Rome, etc.) along the way. He offers such comments as: ``Parisians are rude,'' ``Swedes are heavy drinkers,'' and ``the Swiss are dull and conventional.'' Consistency is not Bryson's strong suit either. While in Naples, for instance, he complains, ``I found...mean, cavernous, semipaved alleyways with...washing hung like banners between balconies that never saw sunlight.'' Yet when he reaches modern and manicured Milan, he pines, ``I wanted pandemonium and street life...washing hanging across the streets.'' Meanwhile, lines like ``let's be frank, the Italians' technological contribution to humankind stopped with the pizza oven'' are also no help. Smart-alecky and obvious, with the wit of Bryson's first two books curdled into waspishness. (Maps.)

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Library Journal Reviews

Bryson, a baby boomer, retraces his journeys through Europe in 1972 and 1973, when he and an Iowa high school buddy backpacked through the continent's major capitals and cities. In this account, Bryson revisits many of those places, and his tales about the changes in the sites--and within himself--are fascinating and often hilarious. The interests of Bryson and his unforgettable buddy, Stephen Katz, were quite different almost 20 years ago; they were in a constant search for beer and women and their favorite and least favorite places were judged accordingly. His interests on this latest trip are a bit more sophisticated. Bryson blends the accounts of the two journeys, offering insight into the various countries as well as his own life. This book is fun for travelers or armchair travelers, especially for anyone who journeyed through Europe in the hippie days of the early 1970s.-- Melinda Stivers Leach, Precision Editorial Svces., Wondervu, Col. Copyright 1991 Cahners Business Information.

Copyright 1991 Cahners Business Information.
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Publishers Weekly Reviews

After 20 years as a London-based reporter, American journalist Bryson ( The Mother Tongue ) set out to retrace a youthful European backpacking trip, from arctic Norway's northern lights to romantic Capri and the ``collective delirium'' of Istanbul. Descriptions of historic and artistic sights in the Continent's capitals are cursory; Bryson prefers lesser-known locales, whose peculiar flavor he skillfully conveys in anecdotes that don't scant the seamy side and often portray eccentric characters encountered during untoward adventures of the road. He enlivens the narrative with keen, sometimes acerbic observations of national quirks like the timed light switches in French hallways, but tends to strive too hard for comic effects, some in dubious taste. He also joins other travelers in deploring the growing hordes of peddlers who overrun major tourist meccas. (Feb.) Copyright 1992 Cahners Business Information.

Copyright 1992 Cahners Business Information.
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