The philosophy of Stanley Kubrick

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Publisher:
University Press of Kentucky,
Pub. Date:
c2007.
Language:
English
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In the course of fifty years, director Stanley Kubrick produced some of the most haunting and indelible images on film. His films touch on a wide range of topics rife with questions about human life, behavior, and emotions: love and sex, war, crime, madness, social conditioning, and technology. Within this great variety of subject matter, Kubrick examines different sides of reality and unifies them into a rich philosophical vision that is similar to existentialism. Perhaps more than any other philosophical concept, existentialism -- the belief that philosophical truth has meaning only if it is chosen by the individual -- has come down from the ivory tower to influence popular culture at large. In virtually all of Kubrick's films, the protagonist finds himself or herself in opposition to a hard and uncaring world, whether the conflict arises in the natural world or in human institutions. Kubrick's war films (Fear and Desire, Paths of Glory, Dr. Strangelove, and Full Metal Jacket) examine how humans deal with their worst fears -- especially the fear of death -- when facing the absurdity of war. Full Metal Jacket portrays a world of physical and moral change, with an environment in continual flux in which attempting to impose order can be dangerous. The film explores the tragic consequences of an unbending moral code in a constantly changing universe. Essays in the volume examine Kubrick's interest in morality and fate, revealing a Stoic philosophy at the center of many of his films. Several of the contributors find his oeuvre to be characterized by skepticism, irony, and unfettered hedonism. In such films as A Clockwork Orange and 2001: A Space Odyssey, Kubrick confronts the notion that we will struggle against our own scientific and technological innovations. Kubrick's films about the future posit that an active form of nihilism will allow humans to accept the emptiness of the world and push beyond it to form a free and creative view of humanity. Taken together, the essays in The Philosophy of Stanley Kubrick are an engaging look at the director's stark vision of a constantly changing moral and physical universe. They promise to add depth and complexity to the interpretation of Kubrick's signature films.

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ISBN:
9780813172569
081317256
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full_title philosophy of stanley kubrick
author jerold j abrams
grouping_category book
lastUpdate 2017-08-14 05:04:33AM

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physical ix, 278 p. ; 24 cm.
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series Philosophy of popular culture
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table_of_contents pt. 1. The subject at war. Understanding the enemy : the dialogue of fear in Fear and desire and Dr. Strangelove / Elizabeth F. Cooke ; Chaos, order, and morality : Nietzche's influence on Full metal jacket / Mark T. Conard ; Existential ethics : where the paths of glory lead / Jason Holt -- pt. 2. The subject in love. Where the rainbow ends : Eyes wide shut / Karen D. Hoffman ; Knockout! Killer's kiss, the somatic, and Kubrick / Kevin S. Decker ; The logic of Lolita : Kubrick, Nabokov, and Poe / Jerold J. Abrams -- pt. 3. The subject in history. Spartacus and the second part of the soul / Gordon Braden ; The shape of man : the absurd and Barry Lyndon / Chris P. Pliatska ; The shining and anti-nostalgia : postmodern notions of history / R. Barton Palmer -- pt. 5. The subject of the future. Nihilism and freedom in the films of Stanley Kubrick / Daniel Shaw ; "Please make me a real boy" : the prayer of the artificially intelligent / Jason T. Eberl ; Nietzche's Overman as posthuman star child in 2001 : a space odyssey / Jerold J. Abrams.
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title The philosophy of Stanley Kubrick
title_display The philosophy of Stanley Kubrick
title_full The philosophy of Stanley Kubrick [electronic resource] / edited by Jerold J. Abrams
title_short The philosophy of Stanley Kubrick
title_sort philosophy of stanley kubrick