Lone women

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NATIONAL BESTSELLER • Blue skies, empty land—and enough wide-open space to hide a horrifying secret. A woman with a past, a mysterious trunk, a town on the edge of nowhere, and an “absorbing, powerful” (BuzzFeed) new vision of the American West, from the award-winning author of The Changeling.“Propulsive . . . LaValle combines chills with deep insights into our country’s divides.”—Los Angeles TimesONE OF BOOKPAGE'S TEN BEST BOOKS OF THE YEAR • FINALIST FOR THE LOS ANGELES TIMES BOOK PRIZE AND LOCUS AWARD • LONGLISTED FOR THE MARK TWAIN AMERICAN VOICE IN LITERATURE AWARDA BEST BOOK OF THE YEAR: The New York Times Book Review, Time, NPR, Chicago Tribune, Los Angeles Times, The Washington Post, Esquire, Vulture, Paste, Tordotcom, Book Riot, Polygon, Chicago Public Library, Kirkus Reviews, Library JournalAdelaide Henry carries an enormous steamer trunk with her wherever she goes. It’s locked at all times. Because when the trunk opens, people around Adelaide start to disappear.The year is 1915, and Adelaide is in trouble. Her secret sin killed her parents, forcing her to flee California in a hellfire rush and make her way to Montana as a homesteader. Dragging the trunk with her at every stop, she will become one of the “lone women” taking advantage of the government’s offer of free land for those who can tame it—except that Adelaide isn’t alone. And the secret she’s tried so desperately to lock away might be the only thing that will help her survive the harsh territory.Crafted by a modern master of magical suspense, Lone Women blends shimmering prose, an unforgettable cast of adventurers who find horror and sisterhood in a brutal landscape, and a portrait of early-twentieth-century America like you’ve never seen. And at its heart is the gripping story of a woman desperate to bury her past—or redeem it.

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ISBN
9780525512103
9780525512097
9780525512080
9780593611067
052551208

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Similar Titles From NoveList

NoveList provides detailed suggestions for titles you might like if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
In these creepy and intricately plotted novels, Black women in Reconstruction era Indiana (American Ghoul) and 1915 Montana (Lone Women) find their efforts to set down roots compounded by horrors both real and supernatural. -- Kaitlin Conner
These creepy reads will interest fans of historical horror that centers marginalized identities as a trans man (Woods All Black) and a Black woman (Lone Women) set out on their own in 20th century America. -- Basia Wilson
Atmospheric and creepy, these horror novels with a weird western setting star women who risk everything to keep a dangerous secret hidden. -- CJ Connor
While Lone Women's horror elements distinguish it from the bittersweet My Antonia, both are character-driven books featuring bold women who set out to live as pioneers after losing parents. -- Basia Wilson
Themes of "othering" are explored in these horror novels featuring strong women in exile: a Black woman running from secrets in 1915 Montana (Lone Women) and a mother with her "striga" (two-hearted) daughter in a remote, superstitious village (Second Bell). -- Michael Shumate
In these atmospheric historical novels, a Mexican bandido (Bullet) and a Black woman homesteader (Women) grapple with the harsh landscape of the American West and their fraught pasts. Both include supernatural elements -- Bullet is magical realism; Women is horror. -- Kaitlin Conner
In these haunting and atmospheric horror novels, sinister secrets from their pasts catch up with women looking for a fresh start in a rural twentieth-century town. -- CJ Connor
Both creepy weird Westerns, set in the American frontier in the 1880s (The Country Under Heaven) and 1910s (Lone Women), star characters looking for a fresh start while battling personal and supernatural demons. -- Kaitlin Conner
Equally creepy and emotionally resonant, these historical horror novels take on supernatural monsters and racism in the early 20th century West (Lone Women) and the 1950s South (Destroyer). -- Michael Shumate
These books have the appeal factors creepy and intricately plotted, and they have the genre "horror"; the subjects "african american women," "secrets," and "north american people"; and include the identity "black."
These horror novels exploring retributive justice are set in early 20th-century Montana and star Black (Lone Women) and Indigenous (The Buffalo Hunter Hunter) characters. -- Kaitlin Conner
Combining horror and historical fiction with social relevance, these atmospheric own voices novels feature strong female characters facing anti-Black racism in the American West (Lone Women) and an Indigenous woman accused of witchcraft in British colonial Ceylon (Island Witch). -- Michael Shumate

Similar Authors From NoveList

NoveList provides detailed suggestions for other authors you might want to read if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
Respected, prolific horror authors Stephen King and Victor D. Lavalle both pen suspenseful reads rooted in an atmospheric sense of American history. LaValle also writes graphic novels; King does not. -- Autumn Winters
Victor LaValle and Tananarive Due write own voices Black horror fiction. Combining supernatural horror with the gruesome history of racism, their menacing novels vary from contemporary to historical, including both the Harlem Renaissance (Lavalle) and the Jim Crow South (Due). -- Michael Shumate
In their moody and thought-provoking horror tales, both Mary Shelley and Victor D. LaValle highlight characters who must find a way to either confront or escape the mistakes and trauma of the past. Some of LaValle's work is directly inspired by Shelley. -- Stephen Ashley
Both authors profess to be influenced by horror grandmaster Stephen King. Victor LaValle finds inspiration in his working-class settings and evocations of children in peril; Joe Hill, in his colloquial language and simply by the fact that Stephen King is, inescapably, his dad. Both authors also pen graphic novels. -- Autumn Winters
Fans of atmospheric horror stories that focus on complex Black characters should explore the works of both Jewelle Gomez and Victor D. LaValle. There is a bit more humor to be found in LaValle's writing than Gomez's. -- Stephen Ashley
These authors' works have the appeal factors stylistically complex and nonlinear, and they have the genres "literary fiction" and "psychological fiction"; the subjects "north american people," "american people," and "loss"; and characters that are "sympathetic characters" and "complex characters."
These authors' works have the appeal factors offbeat, melancholy, and thoughtful, and they have the genres "contemporary fantasy" and "magical realism"; the subjects "parenthood," "pregnancy," and "self-fulfillment"; and characters that are "sympathetic characters."
These authors' works have the appeal factors disturbing, and they have the genre "african american fiction"; and the subjects "african americans," "african american women," and "mothers of murder victims."
These authors' works have the appeal factors menacing, creepy, and intensifying, and they have the subjects "married people" and "marital conflict."
These authors' works have the appeal factors menacing, disturbing, and stylistically complex, and they have the subjects "antiquarian booksellers," "death of parents," and "family violence"; and characters that are "complex characters" and "brooding characters."
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Published Reviews

Booklist Review

In 1915, Montana allows unmarried, Black women the opportunity to claim a homestead, so, having lived her entire life in a California farming community with her parents, Adelaide Henry, 31, sets off. But before she leaves, Adelaide places her murdered parents in bed and burns the house down. Taking only an overnight bag and a heavy, securely locked trunk containing her family's curse, one that she is now solely responsible for controlling, Adelaide will attempt to flee her past while still shackled to it, thus setting LaValle's latest, a pervasively uneasy and brilliantly plotted horror-western hybrid, in absorbing motion. Readers are led to Big Sandy to meet its marginalized and outcast citizens, feel the wide open, unforgiving landscape, and watch the captivating drama, both real and supernatural, unfold. Told with a pulp sensibility, this masterfully paced tale, with short chapters, heart-pounding suspense, a monster that is both utterly terrifying and heartbreakingly beautiful, and a story line focused on the power of women, bursts off the page. Great for fans of thought-provoking horror that probes the inherent terror of marginalization without sacrificing the visceral action, as written by Stephen Graham Jones, Alma Katsu, and Silvia Moreno-Garcia.

From Booklist, Copyright (c) American Library Association. Used with permission.
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Publisher's Weekly Review

World Fantasy Award winner LaValle (The Changeling) returns with a haunting historical horror novel. In 1915, Adelaide Henry flees her California hometown following the death of her parents, for which she feels responsible. Inspired by a testimonial from a single woman who took advantage of a loophole in a homesteading opportunity offered by the federal government, Adelaide makes the trek to Montana with a mysterious steamer trunk in tow. The trunk contains her deepest, darkest secrets, and as her journey unfolds, readers will get a sense of creeping wrongness about the object, which, Adelaide is adamant, must remain locked at all times. When she arrives in Montanna, Adelaide is unprepared for the harsh winter and the unfamiliar ways of her neighbors: "A woman on her own, a Black woman out here in Montana, far from the Black community she'd known in Lucerne Valley, must remain vigilant for her own sense of safety. In truth, she'd never been around so many white people." As she adjusts to her new life, she finds that escaping her past is not as easy as she hoped, and that her secrets, once out, could spell death for everyone around her. A counter to the typical homesteading narrative, this moody and masterful western fires on all cylinders. Readers are sure to be impressed. Agent: Gloria Loomis, Watkins/Loomis Agency. (Mar.)

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Library Journal Review

Shirley Jackson Award winner LaValle (The Changeling) beautifully captures the vastness of the 1915 Montana frontier and the subtlety of terror in his latest. Adelaide Henry has a dark secret: a terrible curse gifted to her family the day she was born. Destined to live in shame or die from it, Adelaide flees her family farm in California to be a homesteader. Desperate to start over, she buys property in Montana, sight unseen, and brings with her only a steamer trunk that holds the secret she can't keep for long, though as a tall Black woman, she finds it difficult to blend in. The history of Adelaide is as murky as her future is unpredictable, but the only way to move forward is to face her demons and tell her truth. A chilling tale of isolation, shame, regret, and survival, LaValle's novel is incredibly immersive--readers will hear the wind of the prairie, smell the wood smoke, see the bloodstains, and feel the fear. VERDICT LaValle grips readers with the subtle terror of inevitability, only to hold tight with tenderness.--Alana Quarles

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Kirkus Book Review

A woman heads to Big Sky Country with some unusual baggage--actual, metaphorical, and psychological. As LaValle's beguiling, genre-blending fifth novel opens, it's 1915, and something so awful has happened to Adelaide Henry's parents that she's set the family's California farmhouse ablaze with their corpses inside. With little but rumor to go on, she high-tails it to Montana, believing the state will be welcoming toward a young Black woman with farming skills and an urge to erase an ugly past. Early on, she seems proven right--the residents of Big Sandy are friendly, supportive, and not too inquisitive about what's inside her unusually heavy steamer trunk. But in time the region's secretive nature comes into view, starting with a woman with four blind children who prove to be at the center of a host of deceits. And once the contents of that steamer trunk are unleashed, Adelaide is further pushed into self-preservation mode than she already was as the sole Black woman in a very White and very cold place. LaValle is prodigiously talented at playing with stylistic modes, and here he deftly combines Western, suspense, supernatural, and horror--his prose is unfussy and plainspoken, which makes it easier to seamlessly skate across genres. But LaValle's fluidity when it comes to style is balanced by a focused thematic vision: Through Adelaide (and that steamer trunk), he explores isolation and division across race, within families, and through communities. Her struggle to find her place is complicated by everyone being tight-lipped and eager to create pariahs. ("The silence is the worst part of this suffering," as Adelaide puts it.) The closing chapters get somewhat knotted as LaValle labors to corral a Pandora's box full of plot points. But the novel overall is a winning blend of brains and (occasionally violent) thrills. Acrobatic storytelling, both out there and down-home. Copyright (c) Kirkus Reviews, used with permission.

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Booklist Reviews

*Starred Review* In 1915, Montana allows unmarried, Black women the opportunity to claim a homestead, so, having lived her entire life in a California farming community with her parents, Adelaide Henry, 31, sets off. But before she leaves, Adelaide places her murdered parents in bed and burns the house down. Taking only an overnight bag and a heavy, securely locked trunk containing her family's curse, one that she is now solely responsible for controlling, Adelaide will attempt to flee her past while still shackled to it, thus setting LaValle's latest, a pervasively uneasy and brilliantly plotted horror-western hybrid, in absorbing motion. Readers are led to Big Sandy to meet its marginalized and outcast citizens, feel the wide open, unforgiving landscape, and watch the captivating drama, both real and supernatural, unfold. Told with a pulp sensibility, this masterfully paced tale, with short chapters, heart-pounding suspense, a monster that is both utterly terrifying and heartbreakingly beautiful, and a story line focused on the power of women, bursts off the page. Great for fans of thought-provoking horror that probes the inherent terror of marginalization without sacrificing the visceral action, as written by Stephen Graham Jones, Alma Katsu, and Silvia Moreno-Garcia. Copyright 2023 Booklist Reviews.

Copyright 2023 Booklist Reviews.
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Library Journal Reviews

In 1915, having inadvertently killed her parents, Adelaide dashes frantically from Redondo, CA, to Montana, where she plans to homestead on land given out by the government. With her is a trunk she keeps securely locked because when it's opened, people start to disappear. But can she really keep her secrets all locked up? From Shirley Jackson and Ernest Gaines Award winner LaValle.

Copyright 2022 Library Journal.

Copyright 2022 Library Journal.
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Library Journal Reviews

Shirley Jackson Award winner LaValle (The Changeling) beautifully captures the vastness of the 1915 Montana frontier and the subtlety of terror in his latest. Adelaide Henry has a dark secret: a terrible curse gifted to her family the day she was born. Destined to live in shame or die from it, Adelaide flees her family farm in California to be a homesteader. Desperate to start over, she buys property in Montana, sight unseen, and brings with her only a steamer trunk that holds the secret she can't keep for long, though as a tall Black woman, she finds it difficult to blend in. The history of Adelaide is as murky as her future is unpredictable, but the only way to move forward is to face her demons and tell her truth. A chilling tale of isolation, shame, regret, and survival, LaValle's novel is incredibly immersive—readers will hear the wind of the prairie, smell the wood smoke, see the bloodstains, and feel the fear. VERDICT LaValle grips readers with the subtle terror of inevitability, only to hold tight with tenderness.—Alana Quarles

Copyright 2023 Library Journal.

Copyright 2023 Library Journal.
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Publishers Weekly Reviews

World Fantasy Award winner LaValle (The Changeling) returns with a haunting historical horror novel. In 1915, Adelaide Henry flees her California hometown following the death of her parents, for which she feels responsible. Inspired by a testimonial from a single woman who took advantage of a loophole in a homesteading opportunity offered by the federal government, Adelaide makes the trek to Montana with a mysterious steamer trunk in tow. The trunk contains her deepest, darkest secrets, and as her journey unfolds, readers will get a sense of creeping wrongness about the object, which, Adelaide is adamant, must remain locked at all times. When she arrives in Montanna, Adelaide is unprepared for the harsh winter and the unfamiliar ways of her neighbors: "A woman on her own, a Black woman out here in Montana, far from the Black community she'd known in Lucerne Valley, must remain vigilant for her own sense of safety. In truth, she'd never been around so many white people." As she adjusts to her new life, she finds that escaping her past is not as easy as she hoped, and that her secrets, once out, could spell death for everyone around her. A counter to the typical homesteading narrative, this moody and masterful western fires on all cylinders. Readers are sure to be impressed. Agent: Gloria Loomis, Watkins/Loomis Agency. (Mar.)

Copyright 2022 Publishers Weekly.

Copyright 2022 Publishers Weekly.
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