The orchardist: a novel

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Language
English

Description

At once intimate and epic, The Orchardist is historical fiction at its best, in the grand literary tradition of William Faulkner, Marilynne Robinson, Michael Ondaatje, Annie Proulx, and Toni Morrison.

In her stunningly original and haunting debut novel, Amanda Coplin evokes a powerful sense of place, mixing tenderness and violence as she spins an engrossing tale of a solitary orchardist who provides shelter to two runaway teenage girls in the untamed American West, and the dramatic consequences of his actions. 

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Contributors
Blackstone Audio, Inc
Bramhall, Mark narrator., nrt, Narrator
Coplin, Amanda Author
ISBN
9780062188502
9780062188526
006218850
9781481510639
UPC
9781470827793

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Similar Titles From NoveList

NoveList provides detailed suggestions for titles you might like if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
These books have the appeal factors strong sense of place and evocative, and they have the theme "novels of place"; the genre "literary fiction"; and the subject "families."
These books have the appeal factors haunting and lyrical, and they have the genres "historical fiction" and "literary fiction"; and the subjects "families" and "loss."
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These moving historical literary novels combine a strong sense of place with questions of crime, tragedy, and justice -- Long Man on an immediate, suspenseful scale and The Orchardist over the longer term. -- Melissa Gray
The sisters - Jensen, Nancy
Moving, lyrical, and character-driven, these historical novels feature sisters driven to desperate measures by the need to escape abusive situations. Although they find temporary sanctuaries, decisions made in haste lead to separation, estrangement, and tragic repercussions that last for decades. -- NoveList Contributor
At the heart of these novels are intimate domestic troubles taken on by isolated individuals, leading to tragedy as others become involved. Set in the early 20th century, these haunting, forceful debuts both take place amid vividly rendered landscapes. -- Shauna Griffin
Although The Cold Millions is more dramatic and The Orchardist is more haunting, young siblings follow different paths in both of these literary novels set in the Pacific Northwest during the turn of the century. -- Ellen Jaquette
A strong sense of place and solitary characters with damaged souls make these literary, character-driven novels similarly appealing. Both are haunting, moving portraits of unexceptional people touched by hardship and loss, who find solace in love and compassion. -- Jen Baker
These books have the appeal factors haunting and lyrical, and they have the theme "coming of age"; the genres "literary fiction" and "psychological fiction"; and the subjects "sisters," "courage," and "fathers and daughters."
These books have the appeal factors haunting and lyrical, and they have the theme "coming of age"; the genre "historical fiction"; and the subjects "fruit growers," "orchards," and "farms."
These books have the appeal factors moving, bittersweet, and character-driven, and they have the genre "literary fiction"; and the subjects "farms" and "farm life."
These lyrical historical novels follow deeply realized characters living on the edge of civilization who, finding their families disintegrating, are determined to hold on to what they still have. Whiskey is violent and dramatic; the Orchardist is haunting and moving. -- Mike Nilsson

Similar Authors From NoveList

NoveList provides detailed suggestions for other authors you might want to read if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
These authors' works have the appeal factors haunting and lyrical, and they have the genre "historical fiction"; and the subjects "fruit growers," "orchards," and "farms."
These authors' works have the appeal factors haunting and lyrical, and they have the genres "literary fiction" and "psychological fiction"; and the subjects "sisters," "courage," and "fathers and daughters."
These authors' works have the appeal factors moving, strong sense of place, and first person narratives, and they have the genre "historical fiction"; and the subjects "families," "runaways," and "family relationships."
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These authors' works have the appeal factors haunting, lyrical, and multiple perspectives, and they have the genres "historical fiction" and "literary fiction"; and the subjects "families," "farms," and "family relationships."
These authors' works have the appeal factors haunting and lyrical, and they have the genres "literary fiction" and "psychological fiction"; and the subjects "orchards," "sisters," and "aunt and niece."
These authors' works have the appeal factors haunting, melancholy, and lyrical, and they have the genres "historical fiction" and "literary fiction"; the subject "loss"; and characters that are "sympathetic characters."
These authors' works have the appeal factors haunting, bittersweet, and lyrical, and they have the genre "literary fiction"; the subjects "families," "compassion," and "loss"; and characters that are "sympathetic characters."
These authors' works have the appeal factors haunting and lyrical, and they have the genre "literary fiction"; and the subjects "sisters," "families," and "compassion."
These authors' works have the appeal factors haunting and lyrical, and they have the subjects "sisters," "men and nature," and "fathers and daughters."
These authors' works have the appeal factors haunting and lyrical, and they have the genre "literary fiction"; the subjects "sisters," "families," and "mothers and daughters"; and characters that are "sympathetic characters."
These authors' works have the appeal factors haunting, lyrical, and first person narratives, and they have the genre "literary fiction"; and the subjects "families," "loss," and "farm life."

Published Reviews

Booklist Review

Coplin's mesmerizing debut stands out with its depictions of uniquely Western personalities and a stark, gorgeously realized landscape that will settle deeply into readers' bones. In the early twentieth century, Talmadge lives alone amid his huge spread of fruit trees in Washington's Wenatchee Valley. He remains haunted by his teenage sister's disappearance some 50 years earlier, so when two raggedy, smudge-faced girls appear on his land, untrusting, hungry, and pregnant, he feels immediately protective of their safety. Jane and Della have just escaped a terrible situation, and Talmadge aims to do right by them, but tragedy results when their former captor and his thugs come calling. He and a kindly neighbor guide Jane's daughter, Angelene, into young adulthood, and the tender affection this improvised family shares isn't diminished by their reluctance to speak their minds. The prose abounds with poetic imagery, and the quotation-mark-free dialogue, which could seem like an affectation in a different type of story, emphasizes the melding of these solitary characters with the vast, wild place they choose to call home.--Johnson, Sarah Copyright 2010 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
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Publisher's Weekly Review

The implacable hand of fate, and the efforts of a quiet, reclusive man to reclaim two young sisters from their harrowing past, are the major forces at play in this immensely affecting first novel. In a verdant valley in the Pacific Northwest during the early years of the 20th century, middle-aged Talmadge tends his orchards of plum, apricot, and apples, content with his solitary life and the seasonal changes of the landscape he loves. Two barely pubescent sisters, Jane and Della, both pregnant by an opium-addicted, violent brothel owner from whom they have escaped, touch Talmadge's otherwise stoic heart, and he shelters and protects them until the arrival of the girls' pursuers precipitates tragic consequences. Talmadge is left with one of the sisters, the baby daughter of the other, and an ardent wish to bring harmony to the lives entrusted to his care. Coplin relates the story with appropriate restraint, given Talmadge's reserved personality, and yet manages to evoke a world where the effects of two dramatic losses play out within a strikingly beautiful natural landscape. In contrast to the brothel owner, Michaelson, the other characters in Talmadge's community-an insightful, pragmatic midwife; a sensitive Nez Perce horse trader; a kindly judge-conduct their lives with dignity and wisdom. When Della fails to transcend the psychological trauma she's endured, and becomes determined to wreak revenge on Michaelson, Talmadge turns unlikely hero, ready to sacrifice his freedom to save her. But no miracles occur, as Coplin refuses to sentimentalize. Instead, she demonstrates that courage and compassion can transform unremarkable lives and redeem damaged souls. In the end, "three graves [lie] side by side," yet this eloquent, moving novel concludes on a note of affirmation. Agent: Bill Clegg, WME Entertainment. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
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Library Journal Review

Coplin's compelling, well-crafted debut tracks the growing obsession of orchardist William Talmadge, who has lived at the foothills of the Cascade Mountains since the summer of 1857, when he was nine. A loner shaped by the land he loves, Talmadge has carefully tended his orchard for nearly 50 years. His only real confidante is Caroline Middey, an herbalist, midwife, and natural healer. His orderly life is altered forever when two runaway girls, Jane and Della, arrive at the edge of his orchard, dirty, starving, and pregnant. A tragedy leaves Talmadge caring for Jane's baby, Angelene. Della has no interest in childcare or boring fruit picking and soon takes off with the horse wranglers who visit Talmadge's field every spring. Talmadge cannot accept Della's desire to leave the orchard, which in his mind strangely parallels the disappearance of his sister Elsbeth when they were children. Still tortured by Elsbeth's unexplained disappearance, he attempts to help Della in a way he couldn't help his sister, but this obsession leads Talmadge into increasingly dark terrain. VERDICT Coplin's lyrical style and forceful storytelling provide many unexpected twists before the poignant conclusion. A breathtaking work from a genuinely accomplished writer.-Donna Bettencourt, Mesa Cty. P.L., Grand Junction, CO (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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Kirkus Book Review

Set in early-20th-century Washington State, Coplin's majestic debut follows a makeshift family through two tragic decades. "You belong to the earth, and the earth is hard," 9-year-old Talmadge heard from his mother, who brought him and his sister Elsbeth to Washington in 1857 to cultivate an apple orchard after their father was killed. Their mother died three years later, and Elsbeth vanished five years after that, leaving Talmadge with a load of guilt that grew alongside his orchards. So when two starving, heavily pregnant teenage girls, Jane and Della, turn up on his land in 1900, he feels protective toward them even before he learns their history. They have run away from Michaelson, a monstrous opium addict who stocks his brothel with very young girls whom he sexually and physically abuses. When he turns up shortly after the girls have given birth, a shocking scene leaves only Della and Jane's baby, Angelene, alive to be nurtured by Talmadge and his close friend Caroline Middey, an herbalist who warns him that Della is likely to disappear as his sister did. Sure enough, Della soon heads off for a peripatetic life of hard drinking and aimless wandering, driven by the hatred and fear instilled by her youth with Michaelson. Angelene grows up devoted to Talmadge and the orchard, worried by the knowledge that he still pines for Della and Elsbeth. Della sees her erstwhile tormentor being led off in handcuffs when Angelene is 13, setting in motion a disastrous chain of events that engulfs Talmadge and everyone he cares for. "Why are we born?" wonders Della, a question that haunts all the characters. Coplin offers no answers, only the hard certainties of labor and of love that is seldom enough to ease a beloved's pain. Yet the novel is so beautifully written, so alive to the magnificence of the land and the intricate mysteries of human nature, that it inspires awe rather than depression. Superb work from an abundantly gifted young writer.]] Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.
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Booklist Reviews

Coplin's mesmerizing debut stands out with its depictions of uniquely Western personalities and a stark, gorgeously realized landscape that will settle deeply into readers' bones. In the early twentieth century, Talmadge lives alone amid his huge spread of fruit trees in Washington's Wenatchee Valley. He remains haunted by his teenage sister's disappearance some 50 years earlier, so when two "raggedy, smudge-faced" girls appear on his land, untrusting, hungry, and pregnant, he feels immediately protective of their safety. Jane and Della have just escaped a terrible situation, and Talmadge aims to do right by them, but tragedy results when their former captor and his thugs come calling. He and a kindly neighbor guide Jane's daughter, Angelene, into young adulthood, and the tender affection this improvised family shares isn't diminished by their reluctance to speak their minds. The prose abounds with poetic imagery, and the quotation-mark-free dialogue, which could seem like an affectation in a different type of story, emphasizes the melding of these solitary characters with the vast, wild place they choose to call home. Copyright 2012 Booklist Reviews.

Copyright 2012 Booklist Reviews.
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Library Journal Reviews

At the turn of the 20th century, when two dirty, pregnant girls steal from an orchard in the foothills of the Pacific Northwest's Cascade Mountains that Talmadge has tended for 50 years, he lets them. Soon they return, tentatively befriending this sweet, solitary soul. Then armed and angry men invade the orchard. Exceptional in-house cheering for this debut, with rights sold to a half-dozen countries so far and a 75,000-copy first printing.

[Page 58]. (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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Library Journal Reviews

Coplin's compelling, well-crafted debut tracks the growing obsession of orchardist William Talmadge, who has lived at the foothills of the Cascade Mountains since the summer of 1857, when he was nine. A loner shaped by the land he loves, Talmadge has carefully tended his orchard for nearly 50 years. His only real confidante is Caroline Middey, an herbalist, midwife, and natural healer. His orderly life is altered forever when two runaway girls, Jane and Della, arrive at the edge of his orchard, dirty, starving, and pregnant. A tragedy leaves Talmadge caring for Jane's baby, Angelene. Della has no interest in childcare or boring fruit picking and soon takes off with the horse wranglers who visit Talmadge's field every spring. Talmadge cannot accept Della's desire to leave the orchard, which in his mind strangely parallels the disappearance of his sister Elsbeth when they were children. Still tortured by Elsbeth's unexplained disappearance, he attempts to help Della in a way he couldn't help his sister, but this obsession leads Talmadge into increasingly dark terrain. VERDICT Coplin's lyrical style and forceful storytelling provide many unexpected twists before the poignant conclusion. A breathtaking work from a genuinely accomplished writer.—Donna Bettencourt, Mesa Cty. P.L., Grand Junction, CO

[Page 89]. (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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Publishers Weekly Reviews

The implacable hand of fate, and the efforts of a quiet, reclusive man to reclaim two young sisters from their harrowing past, are the major forces at play in this immensely affecting first novel. In a verdant valley in the Pacific Northwest during the early years of the 20th century, middle-aged Talmadge tends his orchards of plum, apricot, and apples, content with his solitary life and the seasonal changes of the landscape he loves. Two barely pubescent sisters, Jane and Della, both pregnant by an opium-addicted, violent brothel owner from whom they have escaped, touch Talmadge's otherwise stoic heart, and he shelters and protects them until the arrival of the girls' pursuers precipitates tragic consequences. Talmadge is left with one of the sisters, the baby daughter of the other, and an ardent wish to bring harmony to the lives entrusted to his care. Coplin relates the story with appropriate restraint, given Talmadge's reserved personality, and yet manages to evoke a world where the effects of two dramatic losses play out within a strikingly beautiful natural landscape. In contrast to the brothel owner, Michaelson, the other characters in Talmadge's community—an insightful, pragmatic midwife; a sensitive Nez Perce horse trader; a kindly judge—conduct their lives with dignity and wisdom. When Della fails to transcend the psychological trauma she's endured, and becomes determined to wreak revenge on Michaelson, Talmadge turns unlikely hero, ready to sacrifice his freedom to save her. But no miracles occur, as Coplin refuses to sentimentalize. Instead, she demonstrates that courage and compassion can transform unremarkable lives and redeem damaged souls. In the end, "three graves side by side," yet this eloquent, moving novel concludes on a note of affirmation. Agent: Bill Clegg, WME Entertainment. (Sept.)

[Page ]. Copyright 2012 PWxyz LLC

Copyright 2012 PWxyz LLC
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