We still belong

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Description

A thoughtful and heartfelt middle grade novel by American Indian Youth Literature Honor–winning author Christine Day (Upper Skagit), about a girl whose hopeful plans for Indigenous Peoples’ Day (and plans to ask her crush to the school dance) go all wrong—until she finds herself surrounded by the love of her Indigenous family and community at an intertribal powwow.

Wesley is proud of the poem she wrote for Indigenous Peoples’ Day—but the reaction from a teacher makes her wonder if expressing herself is important enough. And due to the specific tribal laws of her family’s Nation, Wesley is unable to enroll in the Upper Skagit tribe and is left feeling “not Native enough.” Through the course of the novel, with the help of her family and friends, she comes to embrace her own place within the Native community.

Christine Day's debut, I Can Make This Promise, was an American Indian Library Association Youth Literature Award Honor Book, was named a Best Book of the Year by Kirkus, School Library Journal, the Chicago Public Library, and NPR, and was also picked as a Charlotte Huck Honor Book. Her sophomore novel, The Sea in Winter, was an American Indian Library Association Youth Literature Award Honor Book, as well as named a Best Book of the Year by Kirkus and School Library Journal.

We Still Belong is an accessible, enjoyable, and important novel from an author who always delivers.

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NoveList provides detailed suggestions for titles you might like if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
These books have the appeal factors emotionally intense, thoughtful, and own voices, and they have the theme "coming of age"; the genre "realistic fiction"; and the subjects "identity," "family relationships," and "crushes."
These books have the appeal factors moving, thoughtful, and own voices, and they have the themes "coming of age" and "write it out"; the genre "realistic fiction"; the subjects "child poets," "boy-girl relations," and "friendship"; and characters that are "well-developed characters" and "authentic characters."
Administrative complications around Indigenous identity -- Belong's Wesley can't be formally enrolled as Upper Skagit due to her white father; No More's Regina's Umpqua tribe loses its federal designation -- inform these thoughtful, own voices novels with well-developed characters. -- NoveList Advisor
Middle schoolers find solace in embracing their Upper Skagit (We Still Belong) and Ojibwe (The Brave) heritage after challenges at school in these moving, character-driven novels. -- Basia Wilson
Characters reflect on their Blackfoot (Borders) and Upper Skagit (We Still Belong) heritage in these own voices novels. Straddling Canada and the United States, Borders highlights the complexity of national citizenship. We Still Belong considers the nuances of tribal citizenship. -- Basia Wilson
In these conversational, character-driven, own voices coming-of-age novels, sympathetic middle school girls (Merci is Cuban American; Wesley is Native American) deal with life among extended family, as well as such familiar adolescent concerns as a crush and upcoming school dance. -- NoveList Advisor
Issues specifically related to Native Americans -- Indigenous People's Day in Belong or the use of American Indian themed mascots in Mascot -- are at the heart of these sensitive, own voices novels with poetic protagonists. -- NoveList Advisor
Estranged from their fathers, biracial girls deal with issues around their Indigenous identity in these thoughtful, character-driven, own voices stories. In the graphic novel Tribe, Mia is Jewish and Muscogee while prose novel Belong's Mia is Upper Skagit and white. -- NoveList Advisor
Tweens find comfort in their Upper Skagit heritage (We Still Belong) or LGBTQIA identity (Alan Cole Doesn't Dance) after their hopes for the school dance don't go as planned in these moving, character-driven realistic fiction books. -- CJ Connor
Video gaming is a prominent element in these thoughtful, own voices stories where the young protagonists delve more deeply into their cultural heritage: Upper Skagit for the more serious Belong's Wesley or Buddhism for Enlighten's Binh, which incorporates humor. -- NoveList Advisor
Tween concerns about friendship and family drive these emotionally intense, conversational, character-driven novels. While the classic Margaret is also forthright about puberty and religion, the own voices Belong deals frankly with complications around Indigenous identity. -- NoveList Advisor
These thoughtful, tender, hopeful own voices novels star relatable tween girls who deal with serious issues affecting their close Indigenous communities: tribal enrollment requirements in We Still Belong or the Indian residential school system in Buffalo Dreamer. -- NoveList Advisor

Similar Authors From NoveList

NoveList provides detailed suggestions for other authors you might want to read if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
Christine Day and Violet Duncan pen moving children's books that explore Indigenous life, thoughtfully grappling with complicated history and championing the present-day importance of celebrating native heritage. -- Basia Wilson
These authors' works have the subjects "family secrets," "indigenous peoples of north america," and "north american people"; and include the identity "indigenous."
These authors' works have the appeal factors first person narratives, and they have the subjects "family secrets," "birthparents," and "north american people"; and characters that are "sympathetic characters" and "authentic characters."
These authors' works have the appeal factors own voices and first person narratives, and they have the genres "realistic fiction" and "african american fiction"; the subjects "identity," "girls," and "american people"; include the identity "black"; and characters that are "sympathetic characters."
These authors' works have the appeal factors thoughtful and first person narratives, and they have the genre "realistic fiction"; and the subjects "identity," "family secrets," and "belonging."

Published Reviews

Booklist Review

Wesley--seventh-grader, gamer, and member of the Upper Skagit tribe--has two important things in her backpack: the poem she wrote for Indigenous People's Day and a card for Ryan from Gamer Club asking him to the school dance. But the school's reception to her poem is lackluster at best, and her perfect plan to reach Ryan keeps getting interrupted by girls she barely knows. Why can't she celebrate her heritage in the way that feels right, not however other people expect her to? And will she ever get to talk to Ryan? Award-winning author Day (Upper Skagit) writes with compassion and precision in this story that digs into the magnitude of small moments. Readers will root for levelheaded Wesley as she navigates familiar adolescent curveballs: family changes, unexpected allies, and the frustration of not being seen. Cozy descriptions, likable characters, and teachable moments animate this occasionally didactic but ultimately heartwarming story about belonging. Acutely relatable and contemporary, this snapshot of a single day in Wesley's life authentically captures the struggle of being 12 and of finding--and using--your voice.

From Booklist, Copyright (c) American Library Association. Used with permission.
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Publisher's Weekly Review

During a "rough patch," 12-year-old Wesley Wilder and her mother move into her maternal grandfather's house in an Indigenous community outside of Seattle, which he shares with Wesley's aunt, uncle, and baby cousin. Seeking a place to fit in at her new school, Wesley joins the Native/Indigenous Student Union and the Gamer's Club, where she meets and crushes hard on white classmate Ryan. But when a teacher harshly criticizes a poem she writes celebrating Indigenous People's Day, and she discovers that Ryan is attending an upcoming school dance with another girl, Wesley struggles with feelings of inadequacy. These emotions amplify when she learns that she can never formally belong to the Upper Skagit Indian Tribe; because her verbally and physically abusive father, who left her mother before she was born, is white, Wesley's "blood quantum is too low to gain citizenship." Upper Skagit author Day (The Sea in Winter) presents Wesley's multilayered emotions, as well as myriad facets of Native life (including citizenship parameters), with crystal-clear prose. Via Wesley's self-aware and astoundingly perceptive first-person voice, Day highlights everyday tween conflicts about fitting in alongside experiential concerns surrounding identifying with one's heritage in this warmhearted approach to searching for--and finding--community and inclusion. Ages 8--12. Agent: Suzie Townsend, New Leaf Literary. (Aug.)

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School Library Journal Review

Gr 5 Up--Twelve-year-old Wesley, descended from the Upper Skagit Indian Tribe, starts Indigenous People's Day with exciting expectations: seeing her commemorative poem published in the school paper; discussing it in English class; and (the main reason for sleep deprivation) asking Ryan to the school dance. By that evening's celebratory powwow, the day's events will have veered far and wide from Wesley's careful planning. Day adds plenty of backstory to ensure Indigenous (Cherokee and Chicasaw) narrator Rich has a memorable cast to channel. Rich is especially empathic voicing Wesley's quick-changing emotions--nervous, disappointed, bewildered, joyful--and switching effortlessly between middle schoolers and adults; she's incisively affecting as Wesley's wise Grandpa and her unpredictable biofather. Day's treatment of Wesley's "blood quantum," further explicated in her author's note, is notably informative. VERDICT "We Still Belong, " the title of Wesley's poem, becomes an essential invitation for children of all backgrounds.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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Horn Book Review

Twelve-year-old Wesley Wilder is excited to have her poem, "We Still Belong: An Indigenous People's Day Poem!" published in the school paper. When the time comes, she's unprepared for some of the reactions she receives, for better or worse. The story takes place during one day -- Indigenous People's Day -- with well-timed extended flashbacks and first-person rumination rounding out the characters, setting (Everett, Washington), and main narrative. Wesley lives with her single mother, grandfather, aunt, uncle, and baby cousin; her matrilineal tribal affiliation is Upper Skagit, though she does not qualify for enrollment. She has a supportive best friend, Hanan, and wants to ask a cute fellow gamer to the school dance. Readers learn these details organically as the day unfolds; it's an effective, relaxed way for Day (The Sea in Winter, rev. 3/21) to convey information and endear readers to her protagonist. As Hanan says, when Wesley's poem is discounted by a teacher for not having a "clear thesis statement": "You are enough...You always have been. You have nothing to prove...You're a gamer and a poet and a good friend. You're kind and funny and nerdy and weird." This is a story of quiet determination and triumph, with well-defined characters who push each other and are there for each other, and which culminates in sweet heart-to-heart conversations at a powwow in a high-school gym. An appended author's note provides further detail about the story's setting, tribal citizenship (Day is a tribal citizen of the Upper Skagit Tribe), and names and naming. (c) Copyright 2024. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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Kirkus Book Review

A coming-of-age story bringing awareness to Indigenous Peoples' Day, "a holiday no one in this school seems to care about." Seventh grader Wesley Wilder, an Upper Skagit Indian Tribe descendant living just north of Seattle, proudly awaits the publication of her celebratory work, "We Still Belong: An Indigenous Peoples' Day Poem!" But when her English teacher doesn't mention her poem, despite always giving extra credit and class discussion time to students who are published in the school paper, she feels hurt and confused. Later, Wesley's plans to ask the boy she's crushing on to the school dance are derailed, adding to her emotional roller coaster. Day (Upper Skagit) crafts believable, complex characters: Wesley lives in a multigenerational Native family, is an outstanding student, a musician, and a gamer. She is kind and helps others in need. Her grandfather's words--"the things that scare us the most in this world are usually the most worthwhile things in our lives"--help ease her vulnerability and self-doubt. This story, which weaves diversity into the supporting cast, incorporates layers of Native identity throughout, as Wesley connects with a new friend who is a young Native activist, learning more about Christopher Columbus. The triumphant ending shows Wesley raised up by family, friends, and community. A rich, captivating story that will resonate with readers. (author's note, note from Cynthia Leitich Smith of Heartdrum, We Need Diverse Books statement) (Fiction. 9-12) Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.
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Booklist Reviews

Wesley—seventh-grader, gamer, and member of the Upper Skagit tribe—has two important things in her backpack: the poem she wrote for Indigenous People's Day and a card for Ryan from Gamer Club asking him to the school dance. But the school's reception to her poem is lackluster at best, and her perfect plan to reach Ryan keeps getting interrupted by girls she barely knows. Why can't she celebrate her heritage in the way that feels right, not however other people expect her to? And will she ever get to talk to Ryan? Award-winning author Day (Upper Skagit) writes with compassion and precision in this story that digs into the magnitude of small moments. Readers will root for levelheaded Wesley as she navigates familiar adolescent curveballs: family changes, unexpected allies, and the frustration of not being seen. Cozy descriptions, likable characters, and teachable moments animate this occasionally didactic but ultimately heartwarming story about belonging. Acutely relatable and contemporary, this snapshot of a single day in Wesley's life authentically captures the struggle of being 12 and of finding—and using—your voice. Grades 4-7. Copyright 2023 Booklist Reviews.

Copyright 2023 Booklist Reviews.
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Publishers Weekly Reviews

During a "rough patch," 12-year-old Wesley Wilder and her mother move into her maternal grandfather's house in an Indigenous community outside of Seattle, which he shares with Wesley's aunt, uncle, and baby cousin. Seeking a place to fit in at her new school, Wesley joins the Native/Indigenous Student Union and the Gamer's Club, where she meets and crushes hard on white classmate Ryan. But when a teacher harshly criticizes a poem she writes celebrating Indigenous People's Day, and she discovers that Ryan is attending an upcoming school dance with another girl, Wesley struggles with feelings of inadequacy. These emotions amplify when she learns that she can never formally belong to the Upper Skagit Indian Tribe; because her verbally and physically abusive father, who left her mother before she was born, is white, Wesley's "blood quantum is too low to gain citizenship." Upper Skagit author Day (The Sea in Winter) presents Wesley's multilayered emotions, as well as myriad facets of Native life (including citizenship parameters), with crystal-clear prose. Via Wesley's self-aware and astoundingly perceptive first-person voice, Day highlights everyday tween conflicts about fitting in alongside experiential concerns surrounding identifying with one's heritage in this warmhearted approach to searching for—and finding—community and inclusion. Ages 8–12. Agent: Suzie Townsend, New Leaf Literary. (Aug.)

Copyright 2023 Publishers Weekly.

Copyright 2023 Publishers Weekly.
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School Library Journal Reviews

Gr 5 Up—Wesley Wilder, whose family are members of the Upper Skagit Tribe, is about to have a big day. Not only is it Indigenous People's Day, but her poem celebrating the occasion has been published in the school newspaper and will be discussed in her seventh grade English class. She has also prepared the perfect card referencing her favorite online game to ask blond-haired, green-eyed, suntanned, good-smelling Ryan to the school dance. The school day does not go according to plan, and though comforted by her best friend Hanan, she arrives home in tears. Things only get worse as her grandpa and mom have a fight about her job, and Wesley learns her aunt and uncle might move out of the house with her baby cousin. In the midst of all this, Wesley makes a new friend and by the time the family arrives at the local powwow, she is looking forward to the dancing and food. Her day has turned completely around and ends on the highest note. Wesley is a believable seventh grader who struggles with family, social, and identity issues as an Indigenous student in Washington state. All of that and more happening in just one day might stretch believability, but there is enough background from past scenes to provide context, and readers will get a well-rounded view of her life. There is also context of Upper Skagit tribal culture and politics to provide even unfamiliar readers an understanding of this central theme. The text realistically touches on discrimination by dismissal, lack of understanding, and complete ignorance, encouraging tweens to consider why Wesley had to write a poem called "We Still Belong." VERDICT A creative peek into the life of a relatable gamer girl who is finding her place in the social and emotional world of middle school while dealing with the ways Indigenous peoples are ignored and celebrated.—Clare A. Dombrowski

Copyright 2023 School Library Journal.

Copyright 2023 School Library Journal.
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