Transcendent kingdom

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Varies, see individual formats and editions
Publication Date
2020.
Language
English

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NEW YORK TIMES BEST SELLER • A TODAY SHOW #ReadWithJenna BOOK CLUB PICK! • Finalist for the WOMEN'S PRIZEYaa Gyasi's stunning follow-up to her acclaimed national best seller Homegoing is a powerful, raw, intimate, deeply layered novel about a Ghanaian family in Alabama.Gifty is a sixth-year PhD candidate in neuroscience at the Stanford University School of Medicine studying reward-seeking behavior in mice and the neural circuits of depression and addiction. Her brother, Nana, was a gifted high school athlete who died of a heroin overdose after an ankle injury left him hooked on OxyContin. Her suicidal mother is living in her bed. Gifty is determined to discover the scientific basis for the suffering she sees all around her. But even as she turns to the hard sciences to unlock the mystery of her family's loss, she finds herself hungering for her childhood faith and grappling with the evangelical church in which she was raised, whose promise of salvation remains as tantalizing as it is elusive. Transcendent Kingdom is a deeply moving portrait of a family of Ghanaian immigrants ravaged by depression and addiction and griefa novel about faith, science, religion, love. Exquisitely written, emotionally searing, this is an exceptionally powerful follow-up to Gyasi's phenomenal debut.

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Contributors
Gyasi, Yaa Author
Turpin, Bahni Narrator
ISBN
9781524711771
9780593215326
9780525658184
9780525658191

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Similar Titles From NoveList

NoveList provides detailed suggestions for titles you might like if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
Introspective Black grad students in STEM reflect on their fraught Alabama upbringings and relationships in both lyrical and stylistically complex own voices novels. -- Kaitlin Conner
Ghanaian American graduate students navigate issues of family, identity, and belonging in both character-driven coming of age novels. -- Kaitlin Conner
Using a nonlinear structure and the perspectives of deeply introspective characters, these haunting and complex literary novels tell stories of a family's unraveling. -- Shauna Griffin
In these moving and lyrical literary fiction novels, a geologist (No More) or neurology grad student (Transcendent Kingdom) reflects on difficult family relationships and the role of science in dealing with complex real-life questions. -- CJ Connor
Young Ghanian (Transcendent Kingdom) and Zimbabwean (Digging Stars) women scientists navigate personal trauma, racism, and family drama amid their struggle to find success in America. Both are compelling literary fiction novels with complex protagonists. -- Andrienne Cruz
In these lyrical and character-driven books, American immigrants face internal conflicts, racism, and difficult relationships with their parents. Only Homeland Elegies weaves a fictionalized memoir into the narrative, but both are engaging own voices stories. -- Andrienne Cruz
A Ghanaian family in Alabama (Transcendent Kingdom) and a Nigerian family in Utah and Texas (A Particular Kind of Black Man) navigate immigrant life, fraught family dynamics, and mental illness in both spare own voices novels. -- Kaitlin Conner
These moving and introspective literary novels star a Ghanian American researcher (Transcendent Kingdom) or a young Nigerian woman (The Edge of Water) who redefine their relationship to their family and faith in the wake of tragedy. -- CJ Connor
A teenager (Go Tell It On the Mountain) or neuroscience student (Transcendent Kingdom) grapple with complicated questions about faith and family identity in these lyrical and stylistically complex literary fiction novels. -- CJ Connor
These lyrical, character-driven, literary fiction novels use non-linear storylines to tell stories of complex characters facing racism, but in Transcendent the story is told by a single character while Fortune uses multiple perspectives. -- Heather Cover
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Similar Authors From NoveList

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Ugandan Jennifer Makumbi employs magical realism in her novels, while Ghanian American Yaa Gyasi sticks to realistic literary fiction However, both write moving, stylistically-complex novels combining their native countries' histories with family sagas. Both also use more contemporary settings to portray the African diaspora in England (Makumbi) and America (Gyasi). -- Michael Shumate
The literary novels of Zimbabwean Petina Gappah and Ghanaian-American Yaa Gyasi are equally compelling whether they use well-researched historical settings in 18th and 19th century Africa or tell modern stories about the immigrant experience in America (Gyasi) or political corruption in modern Zimbabwe. Their character-driven stories use engaging narrators, sometimes include multiple perspectives. -- Michael Shumate
Liberian American Wayetu Moore and Ghanian American Yaa Gyasi write thought-provoking, culturally diverse literary and historical fiction. Both novelists compellingly explore the African diaspora, from the violent history of the Transatlantic Slave Trade and its legacy for African Americans to the challenges faced by contemporary African immigrants and refugees. -- Michael Shumate
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Published Reviews

Booklist Review

Following her spectacularly lauded, bestselling historical and ancestral debut, Homegoing (2016), Gyasi's turns to the contemporary, tracing the dissolution of a Ghanaian immigrant family. By the time Gifty leaves Alabama for Harvard, she's resolved to "build a new Gifty from scratch" by shedding the debilitating experiences of her young life: her father's abandonment and return to Ghana, her older brother Nana's heroin overdose, her mother's suicidal depression, her faltering faith. In Cambridge, she could be "confident, poised, smart . . . strong and unafraid." Four years later, she's untethered again, arriving at Stanford to work toward a neuroscience PhD. For all her groundbreaking research, she's really just trying to comprehend what happened to beloved Nana via cocaine-and-then-Ensure-addicted lab mice which became willing to risk physical damage for gratification. Six years into the program, Gifty's mother arrives, once more cripplingly withdrawn. Her silent presence will require some semblance of confrontation and reconciliation with their tragic past. Despite compounding challenges and tragedies, Gyasi never allows Gifty to devolve into paralyzing self-absorption and malaise. With deft agility and undeniable artistry, Gyasi's latest is an eloquent examination of resilient survival.

From Booklist, Copyright (c) American Library Association. Used with permission.
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Publisher's Weekly Review

Gyasi's meticulous, psychologically complex second novel (after Homegoing) examines the consequences of a Ghanian family's immigration to Huntsville, Ala. Gifty, the only member of the family born in the United States, is six years into a doctorate in neuroscience at Stanford, where she is attempting to see if she can alter the neural pathways leading to addiction and depression. Her project is motivated by the fate of her beloved older brother who died from a heroin overdose when she was in high school, and by the condition of her depressed mother, who is staying at Gifty's apartment. Though she now determinedly puts her faith in science, Gifty still feels the pull of her evangelical upbringing, and she struggles to reconcile the two opposing belief systems while juggling her dissertation and care for her mother, plus a growing attraction to her awkward lab mate. The narrative moves smoothly between the present and Gifty's childhood, with episodes such as a summer spent in Ghana with her aunt during a previous phase of her mother's depression rising in the background while Gifty works her way up in her field. Gyasi's constraint renders the emotional impact of the novel all the more powerful: her descriptions of the casual racism endured by the family, particularly at the hands of their nearly all-white church in Alabama, is more chilling for being so matter-of-fact. At once a vivid evocation of the immigrant experience and a sharp delineation of an individual's inner struggle, the novel brilliantly succeeds on both counts. (Sept.)

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Library Journal Review

Gyasi's (Homegoing) beautifully crafted story is a masterwork of intertwining time lines and narratives. Gifty, the daughter of Ghanaian immigrants, sees her family go from four to three to two when her father travels back to Ghana for a visit but never returns to the family home in Alabama and her brother, a star basketball player, injures his ankle, becomes hooked on pain pills, and dies of a heroin overdose. His death sends Gifty's mother into a deep depression. As an adult, Gifty is studying neuroscience at Stanford when her mother suffers from another bout of depression and is sent to stay with her in California. Gifty begins to examine the spiritual beliefs she grew up with in her evangelical church, the emotions surrounding her brother's addiction and her mother's depression, and how each of those has affected her relationships as an adult. Bahni Turpin weaves Ghanaian words and accents and scientific terminology effortlessly into the narration of the story. Though the story is told from Gifty's perspective, Turpin creates unique voices for the host of supporting characters and makes it feel like there is a cast of voice actors instead of just one. VERDICT A must read. This is one of the rare books that is so well crafted, the narrative(s) flow so effortlessly, that you only feel the power of the story and don't realize the complex structure underneath.--Courtney Pentland, Omaha, NE

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Kirkus Book Review

A scientist weighs the big questions that her private trauma bequeaths her. After Homegoing (2016) swept through seven generations, Gyasi's wise second novel pivots toward intimacy. It unspools entirely in the voice of watchful, reticent, brilliant Gifty, 28, nearly finished with her doctorate in neuroscience at Stanford's School of Medicine. Her formidable mother, a home health care aide, has plummeted into a second severe depression, and their family pastor has dispatched the limp woman toward Gifty via airplane from Huntsville, Alabama, "folding her up the way you would a jumpsuit." The first episode, when Gifty was 11, arrived after an opiate overdose stole the life of 16-year-old Nana, the firstborn son and more cherished child. Both times the Ghanaian matriarch has crawled mutely into bed, but this time not before asking adult Gifty if she still prays. "No," says Gifty, who turns her ontological questions on lab mice. She gets them addicted to Ensure and then opens their brains surgically, probing the neural pathways of recklessness, looking for clues to creating restraint. Gifty hopes to apply her results to "the species Homo Sapiens, the most complex animal, the only animal who believed he had transcended his Kingdom, as one of my high school biology teachers used to say." This work, Gifty insists, has zero to do with her brother's death. In 54 microchapters and precise prose, Gyasi creates an ache of recognition, especially for readers knowledgeable about the wreckage of addiction. Still, she leavens this nonlinear novel with sly humor, much more than in Homegoing, as the daughter of a traditional woman weighs what it means to walk in the world not quite a nonbeliever. The author is astute about childhood grandiosity and a pious girl's deep desire to be good; she conveys in brief strokes the notched, nodding hook of heroin's oblivion. In its wake, adult Gifty sits with the limits of both bench science and evangelical Christianity. Nowhere does Gyasi take a cheap shot. Instead, she writes a final chapter that gives readers a taste of hard-won deliverance. In a quietly poignant story, a lonely woman finds a way to be less alone. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.
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Booklist Reviews

Following her spectacularly lauded, bestselling historical and ancestral debut, Homegoing (2016), Gyasi's turns to the contemporary, tracing the dissolution of a Ghanaian immigrant family. By the time Gifty leaves Alabama for Harvard, she's resolved to "build a new Gifty from scratch" by shedding the debilitating experiences of her young life: her father's abandonment and return to Ghana, her older brother Nana's heroin overdose, her mother's suicidal depression, her faltering faith. In Cambridge, she could be "confident, poised, smart . . . strong and unafraid." Four years later, she's untethered again, arriving at Stanford to work toward a neuroscience PhD. For all her groundbreaking research, she's really just trying to comprehend what happened to beloved Nana via cocaine-and-then-Ensure-addicted lab mice which became willing to risk physical damage for gratification. Six years into the program, Gifty's mother arrives, once more cripplingly withdrawn. Her silent presence will require some semblance of confrontation and reconciliation with their tragic past. Despite compounding challenges and tragedies, Gyasi never allows Gifty to devolve into paralyzing self-absorption and malaise. With deft agility and undeniable artistry, Gyasi's latest is an eloquent examination of resilient survival. Copyright 2020 Booklist Reviews.

Copyright 2020 Booklist Reviews.
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Library Journal Reviews

Having won numerous honors (e.g., a National Book Foundation's 5 Under 35 shout-out) for her debut, Homecoming, Gyasi returns with the story of a Ghanaian American family based in Alabama. A sixth-year PhD candidate in neuroscience at Stanford University School of Medicine, Gifty hopes science can give her a better understanding of suffering when her brother dies of a heroin overdose after getting hooked on the OxyContin he took for an injury and her grief-stricken mother takes to her bed. But she also surprises herself by turning to her childhood faith.

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Library Journal Reviews

Gifty was still in elementary school when the solid pillars that bolstered her life tumbled down. Her dad returned to Ghana, her beloved brother Nana overdosed on OxyContin, her mother disappeared in a morass of despair, and God stopped listening. Mentored by a biology teacher, Gifty finds solace in her studies, escaping Alabama for a science lab and a PhD program at Stanford, a place where if you asked questions you'd get answers. She avoids human entanglements, preferring time spent with her mice and the research that might shed light on the science of addiction. An intuitive and introspective companion, Gifty toggles back and forth in time, unspooling her people's immigrant journey from a village in Ghana to Huntsville, AL, where racism manifested in a thousand tiny cuts. Confused, ashamed, and resentful of her family, Gifty surrounds herself with a protective wall of secrecy, pushing away anyone who tries to penetrate her carapace, until her mother's arrival in California forces a breakthrough. VERDICT Though it's a departure from her gorgeous historical debut, Homegoing, winner of the NBCC's John Leonard Prize, Gyasi's contemporary novel of a woman's struggle for connection in a place where science and faith are at odds is a piercingly beautiful tale of love and forgiveness. [See Prepub Alert, 2/14/20.]—Sally Bissell, formerly with Lee Cty. Lib. Syst., Fort Myers, FL

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Publishers Weekly Reviews

Gyasi's meticulous, psychologically complex second novel (after Homegoing) examines the consequences of a Ghanian family's immigration to Huntsville, Ala. Gifty, the only member of the family born in the United States, is six years into a doctorate in neuroscience at Stanford, where she is attempting to see if she can alter the neural pathways leading to addiction and depression. Her project is motivated by the fate of her beloved older brother who died from a heroin overdose when she was in high school, and by the condition of her depressed mother, who is staying at Gifty's apartment. Though she now determinedly puts her faith in science, Gifty still feels the pull of her evangelical upbringing, and she struggles to reconcile the two opposing belief systems while juggling her dissertation and care for her mother, plus a growing attraction to her awkward lab mate. The narrative moves smoothly between the present and Gifty's childhood, with episodes such as a summer spent in Ghana with her aunt during a previous phase of her mother's depression rising in the background while Gifty works her way up in her field. Gyasi's constraint renders the emotional impact of the novel all the more powerful: her descriptions of the casual racism endured by the family, particularly at the hands of their nearly all-white church in Alabama, is more chilling for being so matter-of-fact. At once a vivid evocation of the immigrant experience and a sharp delineation of an individual's inner struggle, the novel brilliantly succeeds on both counts. (Sept.)

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