A feast for crows

The crow is the traditional scavenger bird of the medieval battlefield, and this fourth volume of Martin's monumental Song of Ice and Fire is appropriately named. King Robert is dead. His widow, Ceris, occupies the Iron Throne, surrounded but not supported by her relatives. Outlaw leader Robb Stark is also dead, and what he has left behind aren't kindred noblemen and -women but warlords and bandit chiefs, all squabbling over the pieces of the Seven Kingdoms that they anticipate grasping. Martin confesses that he could not find room to continue all the characters of the preceding series entries-- A Game of Thrones0 (1996), A Clash of Kings0 (1999), and A Storm of Swords0 (2000)--and that those neglected here will be seen next year in A Dance with Dragons0 . Martin's command of English and of characterization and setting remains equal to the task of the fantasy megasaga, which is good because Martin's Song is starting to rival the page count of Robert Jordan's 12-volume Wheel of Time. Good news for readers of robust appetite. --Roland Green Copyright 2005 Booklist

Long-awaited doesn't begin to describe this fourth installment in bestseller Martin's staggeringly epic Song of Ice and Fire. Speculation has run rampant since the previous entry, A Storm of Swords, appeared in 2000, and Feast teases at the important questions but offers few solid answers. As the book begins, Brienne of Tarth is looking for Lady Catelyn's daughters, Queen Cersei is losing her mind and Arya Stark is training with the Faceless Men of Braavos; all three wind up in cliffhangers that would do justice to any soap opera. Meanwhile, other familiar faces-notably Jon Snow, Tyrion Lannister and Daenerys Targaryen-are glaringly absent though promised to return in book five. Martin's Web site explains that Feast and the forthcoming A Dance of Dragons were written as one book and split after they grew too big for one volume, and it shows. This is not Act I Scene 4 but Act II Scene 1, laying groundwork more than advancing the plot, and it sorely misses its other half. The slim pickings here are tasty, but in no way satisfying. (Nov.) (c) Copyright PWxyz, LLC. All rights reserved

First previewed in Prepub Alert, LJ 5/15/03, the fourth book in Martin's "Song of Ice and Fire" series finally arrives. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

A Dance with Dragons runs concurrently and features characters and locations barely mentioned here. The action picks up directly following the events of A Storm of Swords (2000). The setting resembles a Medieval Europe where magic works, and every petty monarch nurses ambitions of empire--and behaves accordingly. Narrative complexity is an end in itself, with the plot unfolding from a dozen different points of view. Some of the highlights: In King's Landing, following the murder of young King Joffrey Baratheon, Joffrey's eight-year-old brother Tommen now rules, although the real power is his scheming mother, Queen Regent Cersei Lannister. Having successfully intrigued her way to power, however, Cersei proves a less than effective ruler, drinking heavily, surrounding herself with sycophants and becoming estranged from her brother and former lover Jaime. Another brother, Tyrion the dwarf, who apparently murdered both their father Tywin and Joffrey, has escaped the dungeons and vanished. In the Iron Islands, the priest Aeron Damphair calls a Kingsmoot to elect a successor to King Balon Greyjoy; Damphair's brother, Euron Greyjoy, ignites the Islanders' perennial dreams of conquest by claiming that he can control dragons. Sword-maid Brienne of Tarth pursues her quest to find the missing Sansa Stark, while Arya Stark arrives in Braavos and drifts to the House of Black and White, a temple dedicated to the Faceless Men assassin cult. One of Martin's real innovations is his willingness to kill off important characters--but don't worry, with a cast of thousands, there are always thousands more. The best characters are carefully nuanced, though too many others blend into the backdrop, so the near 60-page-long who's who is little help in sorting them out; still others indulge in long, intricate, mannered conversations that serve to advance the plot--if you have the faintest clue what's going on in the first place. Another full-immersion experience and, once again, strictly for addicts.]] Copyright Kirkus Reviews, used with permission.

The crow is the traditional scavenger bird of the medieval battlefield, and this fourth volume of Martin's monumental Song of Ice and Fire is appropriately named. King Robert is dead. His widow, Ceris, occupies the Iron Throne, surrounded but not supported by her relatives. Outlaw leader Robb Stark is also dead, and what he has left behind aren't kindred noblemen and -women but warlords and bandit chiefs, all squabbling over the pieces of the Seven Kingdoms that they anticipate grasping. Martin confesses that he could not find room to continue all the characters of the preceding series entries--A Game of Thrones (1996), A Clash of Kings (1999), and A Storm of Swords (2000)--and that those neglected here will be seen next year in A Dance with Dragons. Martin's command of English and of characterization and setting remains equal to the task of the fantasy megasaga, which is good because Martin's Song is starting to rival the page count of Robert Jordan's 12-volume Wheel of Time. Good news for readers of robust appetite. ((Reviewed November 15, 2005)) Copyright 2005 Booklist Reviews.

First previewed in Prepub Alert, LJ 5/15/03, the fourth book in Martin's "Song of Ice and Fire" series finally arrives. Copyright 2005 Reed Business Information.

As the dead king's widow, Cersei Lannister rules as Queen Regent in King's Landing, but her regency is far from secure. Though a few legitimate claimants to the Iron Throne of the Seven Kingdoms still exist, many have died and new threats arise. With the death of Balon, King of the Isles, his remaining brother, the leader of a fanatical religious cult of the Drowned God, seeks Balon's throne and, after that, the Iron Throne. Rebellions, bandit raids, and unexpected enemies beset the land as only destruction looms in the future. The fourth novel in Martin's popular mega-fantasy (A Game of Thrones; A Clash of Kings; A Storm of Swords ) introduces new plot twists and characters that continue to flesh out one of the genre's most detailed and intriguing worlds. A must-purchase for libraries owning the series, this panoramic fantasy adventure is highly recommended. [See Prepub Alert, LJ 7/05.]

In the fourth volume of Martin's "A Song of Ice and Fire" saga, the evil king is finally dead-and trouble is starting to brew. Copyright 2002 Cahners Business Information.

A Game of Thrones. A Storm of Swords. And now A Feast of Crows, the continuation of Martin's epic fantasy series. With the bad old king dead, who will occupy the Iron Throne? Copyright 2003 Reed Business Information.

Long-awaited doesn't begin to describe this fourth installment in bestseller Martin's staggeringly epic Song of Ice and Fire. Speculation has run rampant since the previous entry, A Storm of Swords , appeared in 2000, and Feast teases at the important questions but offers few solid answers. As the book begins, Brienne of Tarth is looking for Lady Catelyn's daughters, Queen Cersei is losing her mind and Arya Stark is training with the Faceless Men of Braavos; all three wind up in cliffhangers that would do justice to any soap opera. Meanwhile, other familiar faces--notably Jon Snow, Tyrion Lannister and Daenerys Targaryen--are glaringly absent though promised to return in book five. Martin's Web site explains that Feast and the forthcoming A Dance of Dragons were written as one book and split after they grew too big for one volume, and it shows. This is not Act I Scene 4 but Act II Scene 1, laying groundwork more than advancing the plot, and it sorely misses its other half. The slim pickings here are tasty, but in no way satisfying. (Nov.)