Nobody's fool

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English

Description

In 1750, without warning or apparent reason, the mineral springs of the colonial resort town of Bath, New York, ran dry. A little more than two hundred years later, after numerous warnings and for too many reasons, Sully, the unluckiest man in this unlucky town, isn't doing too hot either. He's broke, out of a job, and the owner of a dead pickup truck. The good news? Sully has the dumbest man in North Bath as his devoted friend, a long-suffering, long-married woman who loves him, a forgiving eighty-year-old landlady who converses with her late husband, a spastic doberman as a watchdog, and the finest one-legged drunken Jewish lawyer this side of Albany. Now, if Sully could only banish his father's slyly grinning ghost and earn his own son's respect, he might just turn the whole damn thing around.Nobody's Fool is a funny, roguish novel that captures the imagination and provides a rich journey into a special world peopled by characters so real, so vital, we feel we've known them all our lives. As he did with his critically acclaimed Mohawk and The Risk Pool, Richard Russo brilliantly invents an unforgettable and luminously magical time and place. And, in doing so, Russo secures his place among America's great writers and most captivating storytellers.

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Contributors
McLarty, Ron Narrator
Russo, Richard Author
ISBN
9780679753339
9780307933454
9780307809926

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Also in this Series

  • Nobody's fool (Nobody's fool Volume 1) Cover
  • Everybody's fool (Nobody's fool Volume 2) Cover
  • Somebody's fool (Nobody's fool Volume 3) Cover

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Similar Series From Novelist

NoveList provides detailed suggestions for series you might like if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
These engaging literary series are known for their likable recurring characters and psychological depth. While all the Frank Bascombe novels are structured around the lead character, Nobody's Fool features novels of place, painting a portrait of small-town life. -- Michael Shumate
These character-driven, leisurely paced, and witty novels center on the everyday lives of indomitable individuals: 60-year old Sully in Nobody's Fool and 70-year old Olive as they interact with the drama and complexities of life in their small town communities. -- Andrienne Cruz
Readers looking for engaging slice-of-life stories involving beleaguered and relatable men in English academia (Dear Committee Members) or blue-collar American towns (Nobody's Fool) will enjoy these character-driven, sardonic, and leisurely paced series. -- Andrienne Cruz
These series have the appeal factors offbeat, sardonic, and witty, and they have the genre "literary fiction"; the subjects "police" and "detectives"; and characters that are "complex characters" and "introspective characters."
These series have the appeal factors offbeat, witty, and first person narratives.
These series have the appeal factors moving, and they have the subjects "small town life," "coping," and "small towns."
These series have the appeal factors moving and character-driven, and they have the theme "sad small towns"; the genres "literary fiction" and "psychological fiction"; the subjects "small town life," "coping," and "small towns"; and characters that are "sympathetic characters" and "authentic characters."
These series have the appeal factors moving and character-driven, and they have the genres "literary fiction" and "psychological fiction"; and the subject "coping."
These series have the appeal factors offbeat, sardonic, and first person narratives.

Similar Titles From NoveList

NoveList provides detailed suggestions for titles you might like if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
These books have the appeal factors offbeat, sardonic, and witty, and they have the genres "literary fiction" and "satire and parodies"; and characters that are "complex characters."
These books have the appeal factors offbeat, sardonic, and character-driven, and they have the genre "literary fiction"; the subjects "blue collar workers" and "working class"; and characters that are "complex characters" and "flawed characters."
NoveList recommends "Olive novels" for fans of "Nobody's fool". Check out the first book in the series.
NoveList recommends "Frank Bascombe novels" for fans of "Nobody's fool". Check out the first book in the series.
These books have the appeal factors offbeat, sardonic, and witty, and they have characters that are "complex characters" and "flawed characters."
These books have the appeal factors offbeat, sardonic, and witty, and they have the genre "literary fiction"; the subject "misadventures"; and characters that are "authentic characters."
These books have the appeal factors moving, offbeat, and witty, and they have the genre "literary fiction."
These books have the appeal factors offbeat, sardonic, and witty, and they have the genre "literary fiction."
These books have the appeal factors moving, offbeat, and witty, and they have the genre "literary fiction."
These books have the appeal factors stylistically complex and multiple perspectives, and they have the theme "sad small towns"; the genre "literary fiction"; the subjects "unemployed people," "small town life," and "rural life"; and characters that are "complex characters."
These books have the appeal factors moving, witty, and first person narratives, and they have the genre "literary fiction"; and characters that are "complex characters."
NoveList recommends "Dear committee members" for fans of "Nobody's fool". Check out the first book in the series.

Similar Authors From NoveList

NoveList provides detailed suggestions for other authors you might want to read if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
These authors write literary fiction about male protagonists stumbling through the second halves of their lives. Their novels question what it means to be an American man in the late 20th to early 21st centuries, and although the underlying tone of their work is serious, there is also humor. -- Becky Spratford
Richard Russo and Russell Banks write accessible literary fiction about men dealing with real-life problems. Their deep, believable characters frequently deal with typical afflictions of working men: career, relationships, and identity. Russo writes with a lighter tone than Banks, but Russo's is a dark humor that leaves no doubt as to the occasional bleakness of life. -- Katherine Johnson
Tom Perrotta and Richard Russo write realistic fiction with a satirical edge -- but their sting is softened by compassion for their all-too-human characters with their all-too-human flaws. While Russo tends to depict disappearing ways of life (often in failing factory towns), Perrotta pokes at the underside of ordinary suburbia. -- Shauna Griffin
Both Clyde Edgerton and Richard Russo write character-centered regional novels that accurately depict small-town life and handle controversial issues with sensitivity and humor. They excel in depicting dialect and dialogue that reflect the cadences of their characters' speech. Although Russo writes longer novels, both capture the feel of time and place. -- Joyce Saricks
Utterly convincing characters who speak with utterly convincing dialogue propel the stories of J. D. Salinger and Richard Russo, literary fiction writers who capture the struggles of ordinary life in America. -- Jessica Zellers
Exploring men's lives and more in a fictional setting is a common theme for Pulitzer winners Michael Chabon and Richard Russo. The skillful dialogue, a community of characters, stalled lives and relationships, skewering of academia, and humor mixed with tenderness toward their characters should please fans of both, Chabon's nonfiction included. -- Krista Biggs
Jim Harrison and Richard Russo write vividly atmospheric character-driven fiction set in rural American communities. Their stories are noted for their lyrical and understated prose, gentle humor, and compelling portraits of ordinary people facing tragic losses and undergoing personal transformations. -- Derek Keyser
Tom McNeal's and Richard Russo's work often features small towns and complex characters. Both writers focus on ordinary life with its petty dramas, modest triumphs, and all-too-common tragedies. -- Mike Nilsson
Ernest Hemingway and Richard Russo's novels deal with the problems of ordinary men. Both depict morally aware, sensitive characters who grapple with life's harsh realities and society's broader issues. Their writing styles, tone, and frequently bittersweet -- even unhappy -- endings may appeal to readers with similar tastes. -- Katherine Johnson
Anne Tyler's and Richard Russo's literary novels share a penchant for quirky characters, settings in small towns or close-knit communities, and the ability to illuminate bigger issues through small details. -- Krista Biggs
In their satisfying, character-centered novels, Barbara Kingsolver and Richard Russo create familiar worlds, stories, and people, exploring social issues in ultimately serious stories with touches of humor. -- Krista Biggs
In small-town settings where the people's lives resemble swift streams with hidden depths, the characters in Elizabeth Strout's and Richard Russo's fiction reveal their perceptions in surprising ways, providing a richly satisfying reading experience. -- Katherine Johnson

Published Reviews

Booklist Review

Russo (The Risk Pool [1989]) has created a masterpiece with this offbeat tale of life in North Bath, New York. Just north of Albany, North Bath is a town that is not merely unlucky, but is without luck, and Russo's main character here is the unluckiest one in town. Long divorced, and, at 60, living in a rented flat, he survives doing piecemeal construction work. He is assisted in his "Jack-Off, All Trades" work by his buddy Rub, as dull-witted as Sully is unlucky, and in his life by a host of characters, including his former eighth-grade teacher, now his landlady; his philandering construction boss; his one-legged, drunk, Jewish/Buddhist lawyer; and his son and grandson. Sully survives on his detached, wisecracking humor, and his life, while in utter disarray, is, as he realizes, fun. And as he struggles to resolve things with his dead father and rebuild his relationship with his son and grandson, Sully discovers that he might just stop his "stupid streak" once and for all. High praise for this wonderful, quirky tale of small-town life. ~--David Cline

From Booklist, Copyright (c) American Library Association. Used with permission.
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Publisher's Weekly Review

Set in the economically desperate ex-resort town of North Bath, N.Y., Russo's novel displays his characteristic verbal panache and biting wit. (May) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
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Library Journal Review

Sixty-year-old Sully is ``nobody's fool,'' except maybe his own. Out of work (undeclared-income work is what he does, when he can), down to his last few bucks, hampered by an arthritic broken knee, Sully is worried that he's started on a run of bad luck. And he has. The banker son of his octogenarian landlady wants him evicted; Sully's estranged son comes home for Thanksgiving only to have his wife split; Sully's own high-strung ex-wife seems headed for a nervous breakdown; and his longtime lover is blaming him for her daughter's winding up in the hospital with a busted jaw. But Sully's biggest problem is the memory of his own abusive father, a ghost who haunts his every day. As he demonstrated in Mohawk (Random, 1986) and The Risk Pool (Random, 1989), Russo knows the small towns of upstate New York and the people who inhabit them; he writes with humor and compassion. A delight. Previewed in Prepub Alert, LJ 2/1/93.-- Charles Michaud, Turner Free Lib., Randolph, Mass. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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Kirkus Book Review

Set in upstate New York like its predecessors (Mohawk, 1986; The Risk Pool, 1988), Russo's third is a slice of small-town life: thick slice, big cast, much bustle, but no storyline, no climax, no epiphanies. It is Donald Sullivan, known as Sully, who is ``nobody's fool'' (both meanings apply). The 60-year-old handyman, who has lived all his life in the Adirondacks town of New Bath, has relied on his ability to roll with the punches to see him through a harsh childhood (dominated by his brutal father, Big Jim), a brief marriage to the demanding Vera, and other adversities, some the result of his own ``stupid streaks.'' During the midwinter weeks in 1984 that are the novel's span, the fun-loving but self-destructive Sully's latest stupid streak will end his long relationship with his mistress Ruth, a married woman, and jeopardize his tenancy (Sully lives in the home of his retired eighth-grade teacher, Miss Beryl, a spry, good-hearted octogenarian); he will also deck a cop and spend time in jail. More positively, he will become partially reconciled with his son Peter, whose own marriage has just fallen apart. As we follow Sully from his various workplaces to his hangouts (Hattie's diner, the bar, the OTB) and listen to the endless joshing between him and his sidekick Rub, a loyal half-wit, his equally loyal lawyer Wirf, and his tomcatting boss Carl Roebuck, we realize that Russo's novel is about the compensations of male camaraderie for the unsuccessful husband, father, and lover. Russo does small-town life as well as anyone, but his latest is too much of a good thing. He leaves the impression of a writer who has reached a plateau but is unwilling or unable to move on.

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Library Journal Reviews

Sixty-year-old Sully is ``nobody's fool,'' except maybe his own. Out of work (undeclared-income work is what he does, when he can), down to his last few bucks, hampered by an arthritic broken knee, Sully is worried that he's started on a run of bad luck. And he has. The banker son of his octogenarian landlady wants him evicted; Sully's estranged son comes home for Thanksgiving only to have his wife split; Sully's own high-strung ex-wife seems headed for a nervous breakdown; and his longtime lover is blaming him for her daughter's winding up in the hospital with a busted jaw. But Sully's biggest problem is the memory of his own abusive father, a ghost who haunts his every day. As he demonstrated in Mohawk (Random, 1986) and The Risk Pool (Random, 1989), Russo knows the small towns of upstate New York and the people who inhabit them; he writes with humor and compassion. A delight. Previewed in Prepub Alert, LJ 2/1/93.-- Charles Michaud, Turner Free Lib., Randolph, Mass. Copyright 1993 Cahners Business Information.

Copyright 1993 Cahners Business Information.
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Publishers Weekly Reviews

It's about time that people looking for a good read discovered the novels of Richard Russo. It's not just that he writes with panache, his verbal dexterity a mixture of biting wit and potent insight. He also endows his subjects-- blue-collar people living in economically desperate communities--with dignity, finding in their humble circumstances the essential questions of existence. Yet here as in his previous novels, Mohawk and The Risk Pool , the events in his protagonist's life are the material of rollicking high comedy. A succession of contretemps conspire to keep Donald ``Sully'' Sullivan mired in a morass of bad luck, compounded at every turn by his own stubborn, self-destructive streak. Financial solvency has always eluded Sully, an unemployed construction worker. At 60, he is suffering from a badly mangled, constantly aching knee, the consequence of a typically foolish accident; his pickup truck is moribund; his long-time mistress is restive; his ex-wife is on the verge of a nervous breakdown and his son Peter has come home for Thanksgiving with news that his marriage is disintegrating and that he has lost his job. Sully's sagging fortunes are mirrored by his community's decline. North Bath, N.Y., is a town prosperity has shunned: its signature hot springs mysteriously dried up years ago and a projected Ultimate Escape theme park is doomed never to materialize. Sully's financial problems might be solved by the sale of his dead father's dilapidated house, but Sully's gnawing hatred of Big Jim, a viciously mean, hypocritical bully, renders him incapable of profiting from his father's estate. His emotional distance from Big Jim left Sully incapable of forging a bond with Peter, or indeed, of establishing any relationship that he cannot address with a wisecrack or a teasing quip. In fact (and somewhat improbably), all the characters in the novel have the gift of a silver tongue: the dialogue often consists of verbal sparring, insults exhanged in comradely fashion. The narrative brims with memorable portraits: Sully's mentally dim and odoriferous sidekick, Rub Squeers; his feisty 80-year-old landlady and former grade-school teacher, Miss Beryl; his ex-wife, a woman animated by moral outrage and self pity; his mistress's stiletto-tongued daughter and her waif-like, wall-eyed child; his one-legged alcoholic lawyer--even his thoroughly wicked grandson, the pint-sized reincarnation of Big Jim. In delivering these personalities with a Dickensian skill, Russo again proves himself a shrewd observer of human nature, whose universal failings he scrutinizes with a comic eye and a compassionate heart. 50,000 first printing; major ad/promo; author tour. (June) Copyright 1993 Cahners Business Information.

Copyright 1993 Cahners Business Information.
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Publishers Weekly Reviews

Set in the economically desperate ex-resort town of North Bath, N.Y., Russo's novel displays his characteristic verbal panache and biting wit. (May) Copyright 1994 Cahners Business Information.

Copyright 1994 Cahners Business Information.
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