Strega Nona: Her story

Book Cover
Average Rating
Publisher
G.P. Putnam's
Publication Date
1996.
Language
English

Description

When Strega Nona leaves him alone with her magic pasta pot, Big Anthony is determined to show the townspeople how it works.

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ISBN
9780590370387
9780399228186

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These books have the appeal factors funny, and they have the genre "picture books for children"; the subjects "boys" and "girls"; and illustrations that are "cartoony illustrations" and "colorful illustrations."
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When used wisely, the magic pots in each of these classic tales provide plenty of food. But when mischievous boys get in the mix, mountains of food cause havoc. Set in rural villages, these funny stories are sure to delight. -- Beth Gerall
Based on traditional tales, these action-filled, comedic picture books with attention-grabbing artwork have distinctive characters whose crimes may have fitting punishments (or not), be it eating a village-sized fill of pasta (Strega Nona) or spending eternity as a statue (Gold!). -- NoveList Advisor
While Strega Nona is funnier than the evocative Mr. Lepron's Mystery Soup, both picture books about culinary mishaps follow well-intentioned characters who let things get out of hand and learn valuable life lessons. -- Malia Jackson
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In these amusing, whimsical picture books with detailed, cartoony illustrations, cooking goes awry in witches' kitchens, either because of A Spoonful of Frogs or Big Anthony's curiosity In Strega Nona. -- NoveList Advisor
Enchanted cooking pots belonging to magical old women are misused in these whimsical own voices stories with cartoony artwork rendered in sweet, earthy palettes. Culturally rich, the graphic reader Joon has Korean characters, while the storybook Strega Nona has Italian ones. -- NoveList Advisor
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Italian pasta takes center stage in these funny, action-packed picture books with attention-grabbing artwork. While Pasta, Pasta Lots of Pasta showcases a large, contemporary family, the classic Strega Nona highlights the witch and her medieval neighbors. -- NoveList Advisor

Similar Authors From NoveList

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Although Uri Shulevitz's art is sometimes more stylized than Tomie de Paola's, both use a gentle color palette and a blend of folksy and cartoony styles to create accessible, feel-good books, including traditional tales and original stories. -- Rebecca Honeycutt
Simple, sweet, and expressive illustrations combine with honest, uncomplicated storytelling in the picture books of these prolific author/illustrators. Wells' books typically star anthropomorphic animals, while de Paola's feature human characters. -- Rebecca Honeycutt
These authors' works have the genre "picture books for children"; and illustrations that are "cartoony illustrations," "colorful illustrations," and "fanciful illustrations."
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Published Reviews

Publisher's Weekly Review

PreS-Gr 2-Neither dePaola nor his most famous character, Strega Nona, need introductions in the United States. This video brings the same beloved story, first published in 1975 (S & S), to a young Spanish-speaking audience. The video features the minimally animated frames of dePaola's original illustrations. Drama arises from the stirring classical background music and the narrator's dramatic reading. The Spanish used in the translation is neutral enough to accommodate all audiences. A curriculum guide includes a summary of the story, suggested teaching objec- tives, and before- and after viewing activities. An excellent choice for school and public libraries. Maria Otero-Boisvert, Criticas w (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
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School Library Journal Review

PreS-Gr 3-Gr 3Tomie dePaola's Strega Nona (S&S, 1975) is as much fun in Spanish as it is in English. This is the tale of a charming Italian village where a friendly witch, Strega Nona, lives. She helps the villagers solve their problems with simple magic. When Strega Nona goes out of town one day her helper, Big Anthony, borrows one of her tricks to start her magic pasta pot going. He becomes a hero in the village until everyone realizes that he does not know how to make the magic stop. Soon the town is overrun with pasta, and only Strega Nona can save the day. This gentle story will bring a chorus of giggles from any audience. Tomi dePaola's classic illustrations have been animated for this production, and the male narrator creates different voices for each character. Operatic background music adds the final touch. This beautifully produced video will delight Spanish-speaking audiences.-Teresa Bateman, Brigadoon Elementary School, Federal Way, WA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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Horn Book Review

A terrific picture book, 'Strega Nona'--that wonderful Calabrian magic-cooking-pot tale--makes a terrible board book. It was never aimed at the very youngest children, and its lengthy text and detailed pictures are not suitable for the format. From HORN BOOK 1996, (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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Kirkus Book Review

In this charming Italian variant of ""The Wonderful Porridge Pot,"" a witch's helper named Big Anthony shows off to the villagers by commanding his absent mistress' magic kettle to produce pasta. But, as in other versions, Big Anthony hasn't learned the whole formula for turning the pot off, and the town is almost buried in pasta by the time the witch Strega Nons returns. When the men shout ""String him Up!"" Strega Nons has a better idea: ""The punishment must fit the crime. . . . Start eating!"" And so poor disheveled Big Anthony does, consuming all those rolling waves of spaghetti. De Paola's gesticulating people have the air of stuffed puppets, and his glowing little peasant community resembles a folk carver's toy village. Copyright ©Kirkus Reviews, used with permission.

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