Joseph Brodsky: a literary life

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Average Rating
Author
Publisher
Yale University Press
Publication Date
[2011]
Language
English

Description

The work of Joseph Brodsky (1940–1996), one of Russia’s great modern poets, has been the subject of much study and debate. His life, too, is the stuff of legend, from his survival of the siege of Leningrad in early childhood to his expulsion from the Soviet Union and his achievements as a Nobel Prize winner and America’s poet laureate.

In this penetrating biography, Brodsky’s life and work are illuminated by his great friend, the late poet and literary scholar Lev Loseff. Drawing on a wide range of source materials, some previously unpublished, and extensive interviews with writers and critics, Loseff carefully reconstructs Brodsky’s personal history while offering deft and sensitive commentary on the philosophical, religious, and mythological sources that influenced the poet’s work. Published to great acclaim in Russia and now available in English for the first time, this is literary biography of the first order, and sets the groundwork for any books on Brodsky that might follow.

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ISBN
9780300141191
030014119

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Published Reviews

Choice Review

Avoiding the stylistic peculiarities of the original vernacular work, Miller (who has translated the works of Brodsky and others) affords the Anglophone reader a delightful literary biography of Nobelist and US poet laureate Joseph Brodsky. That Loseff (who died in 2009), a scholar and poet himself, was a friend of Brodsky is evident. The author draws the reader into the life of the young Brodsky by describing the architecture of his environment, not unlike the poet Andrei Bely did in his superb Petersburg. The material world is intertwined with the aesthetic and spiritual worlds throughout this captivating narrative. The poems Loseff chose to highlight the events of Brodsky's troubled life are circumscribed by friendship. This biography reveals what Brodsky's intimates and his poet colleagues thought of him and his poetry. Analysis is limited to relevant poems and passages that support the writer's view without a question. Still, this work is a pleasure, and it sheds light on unexpected details about the poet. Summing Up: Recommended. With reservations. Upper-division undergraduates through faculty; general readers. D. Hutchins Buena Vista University

Copyright American Library Association, used with permission.
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Booklist Review

*Starred Review* Distinguished literary scholar Loseff declares, There were a number of reasons for me not to write this book. The most obvious being the fact that he and Joseph Brodsky (1940-96) were close friends. But, of course, that very intimacy makes for a uniquely knowledgeable and elucidative biography. Like Brodsky, Loseff (1937-2009) was a Russian poet who came to America in the 1970s, albeit without suffering persecution and exile as did the revered Nobel laureate. With dramatic on-the-scene documentation, Loseff tells the complete story of Brodsky's now legendary arrest in 1964 for parasitism, his travesty of a trial, and his exile to a remote village. Brodsky became an international cause celèbre, only to be abruptly ejected from the USSR eight difficult years later. Loseff chronicles pivotal chapters in Brodsky's thoroughly literary life, but he concentrates most zealously on Brodsky's writing and philosophy, irony and gratitude. He traces Brodsky's influences from Akhmatova to Orwell to Auden, performs exhilarating close readings of Brodsky's complex and powerful poetry and exquisite essays, and delineates the formidable challenge of translating his Russian prosody into English. Loseff's commanding portrait reasserts Brodsky's standing as an artistic genius of rectitude who called for justice, sought inner freedom, and became a true citizen of the world and poet for all.--Seaman, Donna Copyright 2010 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
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Publisher's Weekly Review

Nobel Prize-winning poet Brodsky grew up in the Soviet Union in the midst of WWII. "If anyone profited from the war," he writes, "it was us: its children...we were richly provided with stuff to romanticize..." A middling student, Brodsky dropped out at 15 and began his informal education. Rejected from submarine training, he held many jobs, including machinist, morgue assistant, and bath house stoker, which attracted the attention of the KGB. They arrested Brodsky in 1962, marking the start of his troubles with his government. He would soon be found guilty of "parisitism" and face exile, first to rural Norenskaya, where he read, wrote, and worked the land, and then to Vienna, where he flourished as a poet, essayist, and intellectual. But success was bittersweet, as Brodsky never returned to his homeland or saw his parents again. Loseff counts himself a longtime friend of his subject's and this account brims with respect and enthusiasm: "I cannot comment on Joseph's life and work dispassionately, not only because I loved him, but also because I thought him a genius." Yet he does employ restraint in capturing the poet's individualism, originality, whimsicality, and eccentricity, lovingly illuminating the man behind the work. (Jan.) © Copyright PWxyz, LLC. All rights reserved.

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Library Journal Review

Loseff (1937-2009) was a professor of Russian language and literature at Dartmouth and a longtime friend of 1987 Nobel Prize-winning poet Joseph Brodsky (1940-96), both of them Leningrad (today's St. Petersburg) natives who left the then Soviet Union for the United States, although under different circumstances. Loseff describes Brodsky's life in the USSR, Brodsky's parents, his early departure from formal education, the variety of work he sought, and his relationship with Marina Basmanova, with whom he had a son. Loseff explains the history and nature of Russian poetry, Brodsky's differences from the Leningrad poets of the 1950s, and the particular influence of Anna Akhmatova (as well as John Donne, W.H. Auden, and Robert Frost). Brodsky's denunciation as anti-Soviet, his 1964 trial, and his internal exile are carefully detailed. Loseff writes of Brodsky's major poems and essays and his poetic ideas of eros, nature, politics, and ethics, noting that themes of guilt and forgiveness, Christian love, Neoplatonism, and existentialism are major forces in Brodsky's work. Loseff also covers Brodsky's life in the United States and the evolution of his politics and writing up to his early death. VERDICT Recommended for all readers and scholars of postwar Russian studies, Russian literature, or simply Brodsky's life.-Gene Shaw, Paramus P.L., NJ (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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Booklist Reviews

*Starred Review* Distinguished literary scholar Loseff declares, "There were a number of reasons for me not to write this book." The most obvious being the fact that he and Joseph Brodsky (1940–96) were close friends. But, of course, that very intimacy makes for a uniquely knowledgeable and elucidative biography. Like Brodsky, Loseff (1937–2009) was a Russian poet who came to America in the 1970s, albeit without suffering persecution and exile as did the revered Nobel laureate. With dramatic on-the-scene documentation, Loseff tells the complete story of Brodsky's now legendary arrest in 1964 for "parasitism," his travesty of a trial, and his exile to a remote village. Brodsky became an international cause célèbre, only to be abruptly ejected from the USSR eight difficult years later. Loseff chronicles pivotal chapters in Brodsky's thoroughly literary life, but he concentrates most zealously on Brodsky's writing and philosophy, irony and gratitude. He traces Brodsky's influences from Akhmatova to Orwell to Auden, performs exhilarating close readings of Brodsky's complex and powerful poetry and exquisite essays, and delineates the formidable challenge of translating his Russian prosody into English. Loseff's commanding portrait reasserts Brodsky's standing as an artistic genius of rectitude who called for justice, sought "inner freedom," and became a "true citizen of the world" and poet for all. Copyright 2011 Booklist Reviews.

Copyright 2011 Booklist Reviews.
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Library Journal Reviews

Loseff (1937–2009) was a professor of Russian language and literature at Dartmouth and a longtime friend of 1987 Nobel Prize-winning poet Joseph Brodsky (1940–96), both of them Leningrad (today's St. Petersburg) natives who left the then Soviet Union for the United States, although under different circumstances. Loseff describes Brodsky's life in the USSR, Brodsky's parents, his early departure from formal education, the variety of work he sought, and his relationship with Marina Basmanova, with whom he had a son. Loseff explains the history and nature of Russian poetry, Brodsky's differences from the Leningrad poets of the 1950s, and the particular influence of Anna Akhmatova (as well as John Donne, W.H. Auden, and Robert Frost). Brodsky's denunciation as anti-Soviet, his 1964 trial, and his internal exile are carefully detailed. Loseff writes of Brodsky's major poems and essays and his poetic ideas of eros, nature, politics, and ethics, noting that themes of guilt and forgiveness, Christian love, Neoplatonism, and existentialism are major forces in Brodsky's work. Loseff also covers Brodsky's life in the United States and the evolution of his politics and writing up to his early death. VERDICT Recommended for all readers and scholars of postwar Russian studies, Russian literature, or simply Brodsky's life.—Gene Shaw, Paramus P.L., NJ

[Page 73]. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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PW Annex Reviews

Nobel Prize-winning poet Brodsky grew up in the Soviet Union in the midst of WWII. "If anyone profited from the war," he writes, "it was us: its children...we were richly provided with stuff to romanticize..." A middling student, Brodsky dropped out at 15 and began his informal education. Rejected from submarine training, he held many jobs, including machinist, morgue assistant, and bath house stoker, which attracted the attention of the KGB. They arrested Brodsky in 1962, marking the start of his troubles with his government. He would soon be found guilty of "parisitism" and face exile, first to rural Norenskaya, where he read, wrote, and worked the land, and then to Vienna, where he flourished as a poet, essayist, and intellectual. But success was bittersweet, as Brodsky never returned to his homeland or saw his parents again. Loseff counts himself a longtime friend of his subject's and this account brims with respect and enthusiasm: "I cannot comment on Joseph's life and work dispassionately, not only because I loved him, but also because I thought him a genius." Yet he does employ restraint in capturing the poet's individualism, originality, whimsicality, and eccentricity, lovingly illuminating the man behind the work. (Jan.)

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