Sisters of treason

Most historical fiction fans are familiar with the story of Lady Jane Grey, the -Tudor pawn who spent nine days on the English throne before being usurped by Mary I, but few know what became of her two sisters, -Catherine and Mary, in the tumult of royal succession after Edward VI's death. -Fremantle (Queen's Gambit) offers her own interpretation. After Mary Tudor executes Jane, the Grey family falls out of favor, but the sisters' Tudor blood means the monarchy must keep them close. Catherine, impetuous and beautiful, is constantly falling in love regardless of the consequences. Born with a crooked spine, younger sister Mary is treated in turns as a favorite pet or a pariah. Levina Teerlinc, a Bruges-born court artist famous for her miniature portraits, promises herself to watch out for these girls in the dangerous dance of court intrigue. Told from the perspectives of these three women, the novel presents a picture of court life full of secret affairs, treasonous plots, and very real dangers. VERDICT Tudor fiction fans will enjoy Fremantle's fresh take, marked by solid writing and absorbing detail, on a rather well-told tale.-Anna Nelson Karras, Naples Regional Lib., FL (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

In her second novel set in 16th-century Tudor England, Fremantle (Queens Gambit, 2013) imagines the lives of three historically obscure women: Katherine and Mary Grey, who have claims to the throne, and Levina Teerlinc, the court painter who looks out for them.Living a tenuous life at court following their elder sister Janes brief reign as queen and her subsequent imprisonment and execution, Katherine and Mary know that one misstep could lead them to a similar fate. After all, Tudor blood courses through their veins, and Queen Mary uses public executions to ensure her rule and her goals, including the reinstatement of Catholicism. The current sovereign suffers through several false pregnancies, but she fails to ensure a line of succession by producing a male heira matter that concerns the girls mother, Frances, as well as her friend Levina. Katherine is beautiful, flirtatious and compulsive. Mary is less worrisome. Uncomfortable with her tiny stature and physical imperfections, most people ignore her, but Queen Mary sometimes treats her as she would a pet or a doll. When Elizabeth I ascends to the throne, Frances is relieved. She hopes the new queen will be more tolerant toward her family and retreats to her country estate. Levina does her best to fulfill her promise to look after Katherine and Mary at court, as first one sister and then the other follows her heart without Elizabeths approval and pays the price. Told in alternating sections, the siblings describe their lives and the religious upheaval, political intrigue (including an attempt to wed Katherine to the Spanish court following Queen Marys death) and societal attitudes that influence their actions; but its Levinas presence that binds the narrative. For those unfamiliar with this era in British history, the final pages include a brief explanation of the Tudor succession, a cast of characters and suggestions for further reading.Fremantle presents an inventive, finely detailed, if lengthy, story. Copyright Kirkus Reviews, used with permission.

Most historical fiction fans are familiar with the story of Lady Jane Grey, the Tudor pawn who spent nine days on the English throne before being usurped by Mary I, but few know what became of her two sisters, Catherine and Mary, in the tumult of royal succession after Edward VI's death. Fremantle (Queen's Gambit) offers her own interpretation. After Mary Tudor executes Jane, the Grey family falls out of favor, but the sisters' Tudor blood means the monarchy must keep them close. Catherine, impetuous and beautiful, is constantly falling in love regardless of the consequences. Born with a crooked spine, younger sister Mary is treated in turns as a favorite pet or a pariah. Levina Teerlinc, a Bruges-born court artist famous for her miniature portraits, promises herself to watch out for these girls in the dangerous dance of court intrigue. Told from the perspectives of these three women, the novel presents a picture of court life full of secret affairs, treasonous plots, and very real dangers. VERDICT Tudor fiction fans will enjoy Fremantle's fresh take, marked by solid writing and absorbing detail, on a rather well-told tale.—Anna Nelson Karras, Naples Regional Lib., FL