City of shadows: a novel of suspense

Book Cover
Average Rating
Publisher
William Morrow
Publication Date
[2005]
Language
English

Description

A cultured city scarred by war. An eastern émigré with scars and secrets of her own. A young woman who claims to be a Russian grand duchess. A brazen killer, as vicious as he is clever. A detective driven by decency and the desire for justice. A political movement growing in power. . . .

Deeply atmospheric, peopled with rich, complex characters, City of Shadows is an enthralling novel of historical suspense set in Germany in the 1920s and 1930s -- a decadent, turbulent time in which a proud nation scarred by defeat, deprivation, and debauchery will become the fertile breeding ground for the rise of National Socialism.

Berlin, 1922 -- one of this troubled city's growing number of refugees, Esther Solomonova survives by working as secretary to her fellow Russian émigré, "Prince"Nick, a scheming adventurer and cabaret owner. Always on the prowl for a deal, Nick smells money when he hears of a woman in an asylum claiming to be a grand duchess, daughter of the Czar of all the Russias, who escaped the assassination of the rest of her family by the Bolsheviks. Enlisting a highly suspicious Esther, Nick plans to prepare the woman -- known as Anna Anderson -- to claim the Romanov fortune.

But Anna is being hunted. Or so she claims. At first Esther believes Anna's fear to be just in her imagination -- until innocent people around them begin to die. So in a Berlin stricken by hyperinflation, Esther enlists the help of a German police officer -- a dogged inspector named Schmidt -- to try and find out who wants Anna dead -- and why. Yet the deeper she and Schmidt dig, the more they realize that their own lives are at risk.

More Details

ISBN
9780060817268

Discover More

Excerpt

Loading Excerpt...

Similar Titles From NoveList

NoveList provides detailed suggestions for titles you might like if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
These books have the genres "historical mysteries" and "historical thrillers"; and the subjects "nazis," "german history," and "nazism."
These books have the theme "wartime crime"; the genre "historical mysteries"; and the subjects "women murder victims" and "spies."
These books have the genres "historical mysteries" and "historical thrillers"; and the subjects "psychiatric hospitals," "people with mental illnesses," and "postwar life."
These books have the appeal factors suspenseful, and they have the genres "historical mysteries" and "historical thrillers"; and the subjects "conspiracies," "spies," and "attempted assassination."
These books have the genre "historical mysteries"; and the subjects "women murder victims," "nazis," and "german history."
These books have the subjects "postwar life," "spies," and "nazis."
These books have the genre "historical mysteries"; and the subjects "women murder victims," "murder," and "conspiracies."
These books have the appeal factors suspenseful, and they have the theme "locked room novels"; the genre "historical mysteries"; and the subjects "postwar life," "women murder victims," and "murder."
These books have the genre "historical mysteries"; and the subjects "postwar life," "conspiracies," and "spies."
These books have the appeal factors suspenseful, and they have the genres "historical mysteries" and "mysteries"; and the subjects "postwar life," "women murder victims," and "conspiracies."
These books have the subjects "postwar life," "nazis," and "german history."
These books have the appeal factors intricately plotted, and they have the genre "historical mysteries"; and the subjects "women murder victims" and "spies."

Similar Authors From NoveList

NoveList provides detailed suggestions for other authors you might want to read if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
Ariana Franklin and Sara Poole write historical mysteries whose independent heroines are nevertheless the pawns of rulers who would exploit their unusual skills for political or personal gain. Their suspenseful, richly detailed novels blend fact and fiction to portray both history's power brokers and the ordinary people affected by their actions. -- NoveList Contributor
S.J. Parris and Ariana Franklin write historical mysteries set in medieval England. Their colorful sleuths are not English and view the English culture as outsiders. The characters are well developed, as are the rich period details. The stories are fast paced and have a strong sense of place. -- Merle Jacob
Though Ariana Franklin's work is faster-paced and melodramatic, like Bernard Knight she writes meticulously researched and evocatively atmospheric historical mysteries featuring coroners who investigate murders within the complex political and cultural climate of 12th-century England. -- Derek Keyser
P.C. Doherty and Ariana Franklin write compelling historical mysteries that will delight historical fiction fans with their thoroughly researched and evocatively descriptive settings as well as mystery fans with their vibrant characters, chilling crimes, and action-packed, tightly focused plots. -- Derek Keyser
These authors' works have the genre "historical mysteries"; and the subjects "english history," "british history," and "helewise, abbess (fictitious character)."
These authors' works have the genre "historical mysteries"; and the subjects "english history," "civilization, medieval," and "british history."
These authors' works have the genre "historical mysteries"; and the subjects "english history," "british history," and "civilization, medieval."
These authors' works have the genre "historical mysteries"; and the subjects "women physicians," "english history," and "british history."
These authors' works have the genres "historical mysteries" and "mysteries"; the subjects "levendeur, catherine (fictitious character)" and "civilization, medieval"; and characters that are "complex characters."
These authors' works have the genre "historical mysteries"; and the subject "english history."
These authors' works have the genre "historical mysteries"; and the subjects "english history," "civilization, medieval," and "british history."
These authors' works have the genre "historical mysteries"; and the subjects "english history," "witches," and "witchcraft."

Published Reviews

Publisher's Weekly Review

British author Franklin (the pseudonym of a veteran historical fiction writer) makes the most of an original premise in this engrossing thriller that opens in 1922 Berlin. The German government is in crisis, inflation is staggering, anti-Semitism is rife, citizens are starving and Hitler has begun his rise to power. Horribly scarred Esther Solonomova works as a secretary for fake Russian nobleman Prince Nick, the owner of several Berlin nightclubs (think Cabaret) catering to the rich, the foreign and the deviant. Nick finds an inmate in a local asylum who claims to be the Grand Duchess Anastasia, sole survivor of the slaughter of Russia's royal family. Prince Nick renames the inmate Anna Anderson, installs her in an apartment with Esther and sets in motion plans to get his hands on the money and jewels that Anna will claim as the heir to the Russian throne. But a mysterious Nazi is trying to murder Anna, and those near her begin to die. Franklin deftly orchestrates her characters on and off the world's stage, building suspense to a dramatic, surprising finish. (May) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Powered by Syndetics

Library Journal Review

As Berlin struggles under the challenges of a post-World War I world, secretary Esther Solomonova finds herself caught up in her boss's scheme-to authenticate young asylum patient Anna Anderson's claims that she is the Grand Duchess Anastasia and survivor of the Bolshevik massacre of the Romanov family. But as acquaintances of the would-be royal begin turning up dead, Esther is left to wonder if proving her identity is the least of Anna's problems. British author Franklin's novel effectively blends history and suspense with a light touch of romance. The pace effectively mirrors the social and political upheaval that took place in Germany in the 1920s and 1930s, turning up the tension in the plot as the Nazis rise to power. Franklin's characterization is strong and believable-Esther is especially likable. She is plucky and clever, broadening the book's appeal to fans of crime, historical fiction, romance, and women's fiction. Highly recommended for all public libraries. [Readers interested in this period may also want to read Faye Kellerman's Straight into Darkness, which is set in 1929 Munich.-Ed.]-Amy Brozio-Andrews, Albany P.L. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Powered by Syndetics

Kirkus Book Review

Murder mystery meets historical enigma in pre-Nazi Era Berlin. Franklin's historical thriller flows from the crossover point between two populations in flux: the Germans of the Weimar Republic and a surge of Russian migrs--rich whites, poor servants, scarred Jews--fleeing the Bolsheviks. Using extensive research, she evokes the hectic, Cabaret-esque mood of 1920s Berlin and the growing appeal to the Germans of Hitler's brand of aggressive nationalism, in the wake of the hyper-inflation and shame arising from defeat in World War I. Two questions drive the plot: Could one of the Czar's daughters have survived the massacre of the Russian royal family at Ekaterinburg? And who is the hulking murderer slaughtering women in the German capital? Prince Nick Potrovskov, a wheeler-dealer club owner and currency speculator, rescues a frightened, identity-less woman, who might be Anastasia, Princess of all the Russias, from the Berlin insane asylum and resettles her under the name Anna Anderson in an apartment with two companions, Nicky's world-weary Jewish secretary Esther and an ex-Romanov servant-turned-stripper, Natalya. Anna is terrified of a man she claims is stalking her, maybe a Cheka Communist operative. When Esther is attacked, then Natalya killed, Police Inspector Schmidt takes up the case, simultaneously tracing the criminal to Hitler's Brownshirts and falling in love with Esther. The irregularly shaped and paced story wraps up a decade later as Hitler comes to power. If Anna's past and future circumstances remain hung about with question marks, Germany's do not. Franklin, stirring a strange pot of romance, violence, sardonic humor and self-fulfilling prophecy, is most successful with scenes between her wise-cracking lovers. Anna and Esther have an audience with Adolf but the big finale is when the real Romanov steps forward. Entertaining enough when not stating the historically obvious. Copyright ©Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.
Powered by Syndetics

Library Journal Reviews

As Berlin struggles under the challenges of a post-World War I world, secretary Esther Solomonova finds herself caught up in her boss's scheme--to authenticate young asylum patient Anna Anderson's claims that she is the Grand Duchess Anastasia and survivor of the Bolshevik massacre of the Romanov family. But as acquaintances of the would-be royal begin turning up dead, Esther is left to wonder if proving her identity is the least of Anna's problems. British author Franklin's novel effectively blends history and suspense with a light touch of romance. The pace effectively mirrors the social and political upheaval that took place in Germany in the 1920s and 1930s, turning up the tension in the plot as the Nazis rise to power. Franklin's characterization is strong and believable--Esther is especially likable. She is plucky and clever, broadening the book's appeal to fans of crime, historical fiction, romance, and women's fiction. Highly recommended for all public libraries. [Readers interested in this period may also want to read Faye Kellerman's Straight into Darkness , which is set in 1929 Munich.--Ed.]--Amy Brozio-Andrews, Albany P.L.

[Page 78]. Copyright 2006 Reed Business Information.

Copyright 2006 Reed Business Information.
Powered by Content Cafe

Publishers Weekly Reviews

British author Franklin (the pseudonym of a veteran historical fiction writer) makes the most of an original premise in this engrossing thriller that opens in 1922 Berlin. The German government is in crisis, inflation is staggering, anti-Semitism is rife, citizens are starving and Hitler has begun his rise to power. Horribly scarred Esther Solonomova works as a secretary for fake Russian nobleman Prince Nick, the owner of several Berlin nightclubs (think Cabaret ) catering to the rich, the foreign and the deviant. Nick finds an inmate in a local asylum who claims to be the Grand Duchess Anastasia, sole survivor of the slaughter of Russia's royal family. Prince Nick renames the inmate Anna Anderson, installs her in an apartment with Esther and sets in motion plans to get his hands on the money and jewels that Anna will claim as the heir to the Russian throne. But a mysterious Nazi is trying to murder Anna, and those near her begin to die. Franklin deftly orchestrates her characters on and off the world's stage, building suspense to a dramatic, surprising finish. (May)

[Page 45]. Copyright 2006 Reed Business Information.

Copyright 2006 Reed Business Information.
Powered by Content Cafe

Reviews from GoodReads

Loading GoodReads Reviews.

Staff View

Loading Staff View.