Redhead by the side of the road

Book Cover
Average Rating
Publisher
Varies, see individual formats and editions
Publication Date
2020.
Language
English

Description

LONGLISTED FOR THE BOOKER PRIZE • NEW YORK TIMES BESTSELLER From the beloved Pulitzer Prize–winning author, a sparkling novel about misperception, second chances, and the sometimes elusive power of human connection.Micah Mortimer is a creature of habit. A self-employed tech expert, superintendent of his Baltimore apartment building, cautious to a fault behind the steering wheel, he seems content leading a steady, circumscribed life. But one day his routines are blown apart when his woman friend (he refuses to call anyone in her late thirties a "girlfriend") tells him she's facing eviction, and a teenager shows up at Micah's door claiming to be his son. These surprises, and the ways they throw Micah's meticulously organized life off-kilter, risk changing him forever. An intimate look into the heart and mind of a man who finds those around him just out of reach, and a funny, joyful, deeply compassionate story about seeing the world through new eyes, Redhead by the Side of the Road is a triumph, filled with Anne Tyler's signature wit and gimlet-eyed observation.

More Details

Contributors
Andrews, MacLeod Narrator
Tyler, Anne Author
ISBN
9780525658412
9780593170755

Discover More

Excerpt

Loading Excerpt...

Author Notes

Loading Author Notes...

Similar Titles From NoveList

NoveList provides detailed suggestions for titles you might like if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
These books have the appeal factors moving, character-driven, and first person narratives, and they have the subjects "loneliness," "interpersonal relations," and "adulthood"; and characters that are "flawed characters," "sympathetic characters," and "complex characters."
These books have the appeal factors amusing, and they have the subjects "middle-aged men," "loneliness," and "thirties (age)"; and characters that are "flawed characters" and "complex characters."
These books have the appeal factors moving, melancholy, and spare, and they have the subject "self-discovery"; and characters that are "flawed characters," "introspective characters," and "complex characters."
These books have the appeal factors moving, reflective, and character-driven, and they have the subjects "loneliness," "options, alternatives, choices," and "interpersonal relations."
These books have the appeal factors amusing and funny, and they have the theme "second act"; the subjects "loneliness," "interpersonal relations," and "middle-aged women"; and characters that are "flawed characters" and "complex characters."
These books have the appeal factors amusing and funny, and they have the themes "second act" and "bouncing back"; the genre "relationship fiction"; the subjects "loneliness," "options, alternatives, choices," and "interpersonal relations"; and characters that are "flawed characters" and "sympathetic characters."
These books have the appeal factors moving and multiple perspectives, and they have the themes "second act" and "bouncing back"; the genre "relationship fiction"; and the subjects "loneliness," "self-discovery," and "loss."
These books have the appeal factors moving, amusing, and reflective, and they have the theme "second act"; the genre "relationship fiction"; and the subjects "self-discovery" and "life change events."
These books have the appeal factors moving, and they have the theme "second act"; the genre "relationship fiction"; and the subjects "loneliness" and "interpersonal relations."
These books have the appeal factors thoughtful, and they have the themes "second act" and "confronting mortality"; the genre "relationship fiction"; the subjects "apartment house life," "loneliness," and "interpersonal relations"; and characters that are "sympathetic characters."
These books have the appeal factors moving, amusing, and character-driven, and they have the theme "second act"; the genre "relationship fiction"; the subjects "self-discovery," "life change events," and "loss"; and characters that are "flawed characters."
These books have the appeal factors amusing, and they have the themes "second act" and "ensemble casts"; the genre "relationship fiction"; the subjects "loneliness," "interpersonal relations," and "self-discovery"; and characters that are "flawed characters" and "complex characters."

Similar Authors From NoveList

NoveList provides detailed suggestions for other authors you might want to read if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
Both authors write thought-provoking, intimate, character-centered stories and novels about families, leading readers into a deeper understanding of their own lives. Characters in these books live through family trauma and come to understand themselves better. Edwards and Tyler both often write about two or more families in order to compare and contrast them. -- Becky Spratford
Using the mundane trials and tribulations of everyday people in counterpoint to the miraculous nature of friendship and love, Anne Tyler and Elizabeth Berg both create realistic fiction with a hopeful edge. Elizabeth Berg's works are slightly lighter in tone and theme than those of Anne Tyler. -- Tara Bannon Williamson
Anne Tyler's acknowledged mentor, Eudora Welty, taught her the value of the ordinary. Both authors are accomplished storytellers, and their novels share a rambling, old-fashioned feel, Southern charm, and quirky but somehow familiar characters. -- Katherine Johnson
Anne Tyler is to Baltimore as Anna Quindlen is to New York, creating a mirror reflecting the essence of a place while capturing individual people. Both authors write intimate, women-centered family tales with characters that are equally realistic in their foibles and oft-endearing human shortcomings. -- Shauna Griffin
Anne Tyler fans will appreciate the intriguing people in Pat Conroy's books who frequently find themselves on a journey of self-discovery. Also, in both authors' tales, setting is essential, and Conroy's works will especially appeal to Tyler's readers who appreciate the decidedly Southern flair of her Baltimore-set books. -- Dawn Towery
Though Anne Tyler's writing is down to earth and Ann Patchett's contains hints of magical realism, both authors show deep insight into human nature in their thoughtful, somewhat bittersweet, character-driven novels. Both develop themes defining friendship and family in contemporary America; and how different yet interlinked people respond to significant life events. -- Matthew Ransom
Anne Tyler's and Richard Russo's literary novels share a penchant for quirky characters, settings in small towns or close-knit communities, and the ability to illuminate bigger issues through small details. -- Krista Biggs
In their character-driven domestic fiction, Sarah Pekkanen and Anne Tyler feature relatable, realistic adult protagonists who find their marriages and very lives falling apart through infidelity, unexpected death, and worse. Both are adept at conjuring deadly suburban ennui and the sudden, shocking realizations adults experience when they hit middle age. -- Mike Nilsson
While Amy Bloom's work represents a greater degree of intersectionality than Anne Tyler's both examine the lives of ordinary people through women's perspectives. Using moving, bittersweet, and reflective tones., their absorbing storylines bring to life believable characters in domestic settings. -- Katherine Johnson
Anne Tyler and Mary Lawson pen intimate stories about complicated family dynamics. Their sensitive portrayals are character-driven, reflective, and move at a leisurely pace, however, Tyler's novels tend to be a tad bit lighter than Lawson's more muted, somber reads. -- Catherine Coles
Kaye Gibbons and Anne Tyler, both Southern writers of literary women's lives and relationships stories, will each appeal to the other's readers. They share a fondness for family stories, quirky characters, usually women, and deft descriptions of people and situations. Gibbons's settings, however, are more rural and sometimes historical. -- Katherine Johnson
These Pulitzer Prize-winning novelists write eloquent, character-driven stories of the small scale, everyday dramas of modern life -- homesickness, grief, uncertainty. Their characters are authentic and flawed; their writing style thoughtful and detailed. -- Shauna Griffin

Published Reviews

Booklist Review

If Tyler's large-cast, many-faceted novels, including Clock Dance (2018), are symphonies, this portrait of a man imprisoned by his routines is a concerto. Micah Mortimer emerged from a childhood in a large family and a chaotic household desperate for order and solitude. Now in his forties, he lives in an aggressively neat and clean basement apartment in the Baltimore apartment building in which he serves as super. He is also the Tech Hermit, responding to calls from people needing computer help. He keeps to a strict schedule, which includes some time for his lady friend, Cass, a fourth-grade teacher, but not enough to interfere with his need for privacy. And then, as so often is the case in Tyler's radiantly polished and emotionally intricate tales, someone unexpected and in need appears and disrupts the status quo. Micah's catalyst for panicked self-examination and change is a stranger, Brink, a college freshman inexplicably on the lam. Micah dated Brink's mother long ago, but he's had no contact with her since. What is going on? Tyler's perfectly modulated, instantly enmeshing, heartrending, funny, and redemptive tale sweetly dramatizes the absurdities of flawed perception and the risks of rigidity.HIGH-DEMAND BACKSTORY: Tyler's warmly comedic, quickly read tale, a perfect stress antidote, will delight her fans and provides an excellent first for readers new to this master of subtle and sublime brilliance.--Donna Seaman Copyright 2020 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Powered by Syndetics

Publisher's Weekly Review

A fastidious everyman weathers a spate of relationship stresses in this compassionate, perceptive novel from Tyler (Clock Dance). Micah Mortimer, 43, makes house calls for his Tech Hermit business and moonlights as the superintendent of his Baltimore apartment building, where the residents observe his regimented routine and wonder, through Tyler's gossip-inflected narration, "Does he ever stop to consider his life?" The disruptions begin with a call from his schoolteacher girlfriend, Cassia Slade, who is in a panic because she is facing eviction. Then college freshman Brink Adams shows up on his stoop and claims to be his son. Micah knows it isn't true, because he never slept with Brink's mother, Lorna, an old girlfriend, but he tolerates the languid, starry-eyed kid who claims to look up to him for living a working-class life and who fixated on a photo of Micah kept by Lorna. After Micah tries to put Brink in touch with Lorna, he disappears. When Cassia dumps him for not immediately offering to let her move in, Micah descends into a funk that just might push him to prove himself worthy of her companionship. While Micah's cool indifference occasionally feels like a symptom of Tyler's spare, detached style, his moments of growth bring satisfaction. This quotidian tale of a late bloomer goes down easy. Agent: Jesseca Salky, Salky Literary Management. (Apr.)

(c) Copyright PWxyz, LLC. All rights reserved
Powered by Syndetics

Library Journal Review

A self-employed tech expert and superintendent of his Baltimore apartment building, Micah Mortimer never, ever looks for a change in routine. But when the woman in his life faces eviction and a teenager shows up on his doorstep claiming to be his son, Micah has got to adjust.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Powered by Syndetics

Kirkus Book Review

A man straitjacketed in routine blinks when his emotional blinders are removed in Tyler's characteristically tender and rueful latest (Clock Dance, 2018, etc.).Micah's existence is entirely organized to his liking. Each morning he goes for a run at 7:15; starts his work as a freelance tech consultant around 10; and in the afternoons deals with tasks in the apartment building where he is the live-in super. He's the kind of person, brother-in-law Dave mockingly notes, who has an assigned chore for each day: "vacuuming daydusting day.Your kitchen has a day all its own" (Thursday). Dave's comments are uttered at a hilarious, chaotic family get-together that demonstrates the origins of Micah's persnickety behavior and offers a welcome note of comedy in what is otherwise quite a sad tale. Micah thinks of himself as a good guy with a good life. It's something of a shock when the son of his college girlfriend turns up wondering if Micah might be his father (not possible, it's quickly established), and it's really a shock when his casual agreement to let 18-year-old Brink crash in his apartment for a night leads Micah's "woman friend," Cass, to break up with him. "There I was, on the verge of losing my apartment," she says. "What did you do? Quickly invite the nearest stranger into your spare room." Indignant at first, Micah slowly begins to see the pattern that has kept him warily distant from other people, particularly the girlfriends who were only briefly good enough for him. (They were always the ones who left, once they figured it out.) The title flags a lovely metaphor for Micah's lifelong ability to delude himself about the nature of his relationships. Once he realizes it, agonizing examples of the human connections he has unconsciously avoided are everywhere visible, his loneliness palpable. These chapters are painfully poignantthank goodness Tyler is too warmhearted an artist not to give her sad-sack hero at least the possibility of a happy ending.Suffused with feeling and very moving. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.
Powered by Syndetics

Booklist Reviews

If Tyler's large-cast, many-faceted novels, including Clock Dance (2018), are symphonies, this portrait of a man imprisoned by his routines is a concerto. Micah Mortimer emerged from a childhood in a large family and a chaotic household desperate for order and solitude. Now in his forties, he lives in an aggressively neat and clean basement apartment in the Baltimore apartment building in which he serves as super. He is also the Tech Hermit, responding to calls from people needing computer help. He keeps to a strict schedule, which includes some time for his lady friend, Cass, a fourth-grade teacher, but not enough to interfere with his need for privacy. And then, as so often is the case in Tyler's radiantly polished and emotionally intricate tales, someone unexpected and in need appears and disrupts the status quo. Micah's catalyst for panicked self-examination and change is a stranger, Brink, a college freshman inexplicably on the lam. Micah dated Brink's mother long ago, but he's had no contact with her since. What is going on? Tyler's perfectly modulated, instantly enmeshing, heartrending, funny, and redemptive tale sweetly dramatizes the absurdities of flawed perception and the risks of rigidity.HIGH-DEMAND BACKSTORY: Tyler's warmly comedic, quickly read tale, a perfect stress antidote, will delight her fans and provides an excellent "first" for readers new to this master of subtle and sublime brilliance. Copyright 2020 Booklist Reviews.

Copyright 2020 Booklist Reviews.
Powered by Content Cafe

Library Journal Reviews

A self-employed tech expert and superintendent of his Baltimore apartment building, Micah Mortimer never, ever looks for a change in routine. But when the woman in his life faces eviction and a teenager shows up on his doorstep claiming to be his son, Micah has got to adjust.

Copyright 2019 Library Journal.

Copyright 2019 Library Journal.
Powered by Content Cafe

Publishers Weekly Reviews

A fastidious everyman weathers a spate of relationship stresses in this compassionate, perceptive novel from Tyler (Clock Dance). Micah Mortimer, 43, makes house calls for his Tech Hermit business and moonlights as the superintendent of his Baltimore apartment building, where the residents observe his regimented routine and wonder, through Tyler's gossip-inflected narration, "Does he ever stop to consider his life?" The disruptions begin with a call from his schoolteacher girlfriend, Cassia Slade, who is in a panic because she is facing eviction. Then college freshman Brink Adams shows up on his stoop and claims to be his son. Micah knows it isn't true, because he never slept with Brink's mother, Lorna, an old girlfriend, but he tolerates the languid, starry-eyed kid who claims to look up to him for living a working-class life and who fixated on a photo of Micah kept by Lorna. After Micah tries to put Brink in touch with Lorna, he disappears. When Cassia dumps him for not immediately offering to let her move in, Micah descends into a funk that just might push him to prove himself worthy of her companionship. While Micah's cool indifference occasionally feels like a symptom of Tyler's spare, detached style, his moments of growth bring satisfaction. This quotidian tale of a late bloomer goes down easy. Agent: Jesseca Salky, Salky Literary Management. (Apr.)

Copyright 2020 Publishers Weekly.

Copyright 2020 Publishers Weekly.
Powered by Content Cafe

Reviews from GoodReads

Loading GoodReads Reviews.

Staff View

Loading Staff View.