In the morning I'll be gone

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Average Rating
Publisher
Blackstone Publishing
Publication Date
Varies, see individual formats and editions
Language
English

Description

A Catholic cop tracks an IRA master bomber amidst the sectarian violence of the conflict in Northern Ireland in this pulse-pounding thriller from the New York Times bestselling and Edgar Award–winning author Adrian McKinty.

“McKinty’s writing is dark and witty with gritty realism, spot-on dialogue, and fascinating characters.” —Chicago Sun-Times

It's the early 1980s in Belfast. Sean Duffy, a conflicted Catholic cop in the Protestant RUC (Royal Ulster Constabulary), is recruited by MI5 to hunt down Dermot McCann, an IRA master bomber who has made a daring escape from the notorious Maze prison. In the course of his investigations Sean discovers a woman who may hold the key to Dermot's whereabouts; she herself wants justice for her daughter who died in mysterious circumstances in a pub locked from the inside. Sean knows that if he can crack the "locked-room mystery," the bigger mystery of Dermot's whereabouts might be revealed to him as a reward. Meanwhile the clock is ticking down to the Conservative Party conference in Brighton in 1984, where Mrs. Thatcher is due to give a keynote speech …

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Contributors
ISBN
9781094081007
9781094061382
9781482967920

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Also in this Series

  • The cold cold ground: a Detective Sean Duffy novel (Sean Duffy novels Volume 1) Cover
  • I hear the sirens in the street: a Detective Sean Duffy novel (Sean Duffy novels Volume 2) Cover
  • In the morning I'll be gone (Sean Duffy novels Volume 3) Cover
  • Gun street girl: a Detective Sean Duffy novel (Sean Duffy novels Volume 4) Cover
  • Rain Dogs (Sean Duffy novels Volume 5) Cover
  • Police at the station and they don't look friendly (Sean Duffy novels Volume 6) Cover
  • The detective up late (Sean Duffy novels Volume 7) Cover
  • Hang on St. Christopher (Sean Duffy novels Volume 8) Cover

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Author Notes

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Similar Series From Novelist

NoveList provides detailed suggestions for series you might like if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
The Sean Duffy and Peter McGarr mysteries are police procedurals set in Ireland that vividly portray the people, politics, and problems of the country. The complex inspectors are strong-willed men who often use unorthodox methods to solve crimes. -- Merle Jacob
The Inspector Celcius Daly mysteries and the Sean Duffy novels both take place in an unstable Northern Ireland. Starring complex, committed police detectives, these dark tales have a strong sense of place, a gritty atmosphere, and lyrical descriptions. -- Mike Nilsson
In these suspenseful urban police series, the action is just as compelling as the characters that inhabit these intricately plotted series with a strong sense of place and sharp dialogue. Duffy is set in 1980s Ireland; McCoy in 1970s Scotland. -- Andrienne Cruz
The Sean Duffy and Inspector Devlin mysteries are gritty police procedurals set in contemporary Ireland and feature troubled men who deal with the country's complex politics. The violent stories have a strong sense of place and compelling characters. -- Merle Jacob
These series have the appeal factors strong sense of place, atmospheric, and intricately plotted, and they have the theme "urban police"; the genre "police procedurals"; the subjects "detectives" and "police"; and characters that are "well-developed characters."
These series have the appeal factors gritty, strong sense of place, and intricately plotted, and they have the theme "urban police"; the genre "police procedurals"; the subjects "detectives," "murder investigation," and "police"; and characters that are "flawed characters," "complex characters," and "brooding characters."
These series have the appeal factors gritty, strong sense of place, and intricately plotted, and they have the theme "urban police"; the genre "police procedurals"; the subjects "detectives" and "police"; and characters that are "flawed characters" and "complex characters."
These series have the appeal factors dialect-filled, and they have the theme "urban police"; the genre "police procedurals"; the subjects "detectives," "police," and "women murder victims"; and characters that are "flawed characters" and "complex characters."
These series have the appeal factors gritty, violent, and strong sense of place, and they have the themes "urban police" and "wartime crime"; the genre "historical mysteries"; and the subjects "detectives," "murder investigation," and "the troubles, 1968-1998."

Similar Titles From NoveList

NoveList provides detailed suggestions for titles you might like if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
These books have the appeal factors intricately plotted, and they have the theme "urban police"; the genre "police procedurals"; the subjects "detectives," "revenge," and "police"; and characters that are "well-developed characters."
These books have the appeal factors gritty, and they have the theme "urban police"; the subjects "detectives," "police," and "missing persons"; and characters that are "flawed characters," "complex characters," and "introspective characters."
These books have the appeal factors suspenseful, strong sense of place, and intricately plotted, and they have the subjects "revenge," "duffy, sean (fictitious character)," and "the troubles, 1968-1998"; and characters that are "flawed characters" and "complex characters."
NoveList recommends "Harry McCoy novels" for fans of "Sean Duffy novels". Check out the first book in the series.
Dripping with low politics and high drama, these gritty police procedurals play out against a vividly rendered backdrop of Northern Ireland: In the Morning unfolds during the 1980's "time of troubles," while Midnight Choir delivers a hard-boiled portrait of present-day Belfast. -- Kim Burton
These books have the appeal factors gritty, strong sense of place, and intricately plotted, and they have the themes "urban police" and "wartime crime"; the genre "historical mysteries"; the subjects "detectives," "revenge," and "police"; and characters that are "sarcastic characters."
Though the heavens fall - Emery, Anne
These books have the appeal factors strong sense of place, and they have the theme "urban police"; the genre "police procedurals"; and the subjects "detectives," "police," and "duffy, sean (fictitious character)."
These police procedural series installments feature detectives in 1974 Scotland (The April Dead) and 1983 Ireland (In the Morning I'll be Gone) hunting down men who may be linked to a series of bombings. Both are gritty, fast-paced, and atmospheric. -- Andrienne Cruz
These books have the appeal factors suspenseful, gritty, and strong sense of place, and they have the theme "wartime crime"; and the subjects "revenge" and "murder investigation."
These books have the appeal factors gritty, violent, and dialect-filled, and they have the subjects "detectives," "revenge," and "murder investigation"; and characters that are "flawed characters" and "complex characters."
These books have the appeal factors cinematic, richly detailed, and intricately plotted, and they have the themes "urban police" and "large cast of characters"; the genre "police procedurals"; the subjects "detectives," "police," and "secrets"; and characters that are "flawed characters" and "complex characters."
NoveList recommends "Inspector Devlin mysteries" for fans of "Sean Duffy novels". Check out the first book in the series.

Similar Authors From NoveList

NoveList provides detailed suggestions for other authors you might want to read if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
William Boyd and Adrian McKinty are experts on fear, danger, and the unexpected. Their thrillers feature men who are either victims or victimizers; either way, their protagonists find themselves involved in convoluted, life-threatening situations. Boyd's work favors complex characters and intricate plots; McKinty favors violence, grit, and a relentlessly bleak tone. -- Mike Nilsson
Irish authors Adrian McKinty and Brian McGilloway write complex police procedurals set in contemporary Ireland. Their police are strong men who have to deal with the country's complex political and religious problems, often in unorthodox and violent ways. The bleak stories are gritty, fast paced, and suspenseful. -- Merle Jacob
Anthony Quinn and Adrian McKinty write fast-paced novels that are one part police procedural and one part thriller. Often set in gritty Northern Ireland, their work has a strong sense of place, with a matter-of-fact, unsentimental tone to remind us that violence still lurks beneath its outwardly calm surface. -- Mike Nilsson
These authors' works have the subject "kidnapping"; and characters that are "sarcastic characters" and "flawed characters."
These authors' works have the appeal factors gritty, and they have the genres "police procedurals" and "southern fiction"; and the subjects "detectives," "space and time," and "police."
These authors' works have the genre "police procedurals"; and the subjects "detectives," "kidnapping," and "missing persons investigation."
These authors' works have the appeal factors gritty, and they have the genre "science fiction"; the subjects "kidnapping," "space and time," and "teenagers"; and characters that are "flawed characters," "complex characters," and "brooding characters."
These authors' works have the subjects "missing persons investigation," "middle-aged women," and "cold cases (criminal investigation)."
These authors' works have the appeal factors banter-filled, and they have the genre "hardboiled fiction"; the subjects "kidnapping" and "hawk (fictitious character : parker)"; and characters that are "sarcastic characters."
These authors' works have the genres "police procedurals" and "psychological suspense"; and the subjects "detectives," "kidnapping," and "police."
These authors' works have the appeal factors well-crafted dialogue, and they have the subjects "kidnapping," "the troubles, 1968-1998," and "mothers of kidnapping victims."
These authors' works have the subjects "space and time," "missing persons investigation," and "time travel."

Published Reviews

Booklist Review

*Starred Review* After an unfortunate bit of political tangling (I Hear the Sirens in the Street, 2013), Royal Ulster Constabulary detective Sean Duffy has been demoted, and his superiors are primed to cut him from the force. Duffy's fortune shifts when an IRA breakout from the Maze prison destroys a relatively quiet period in Belfast's urban war. Dermot McCann, an IRA leader, explosives expert, and Sean's childhood friend, is among the escapees. So it's only mildly surprising when MI5 approaches Sean, promising to restore his good favor in the RUC if he can find McCann. When Sean tracks down McCann's ex-wife, he shakes loose the glimmer of a lead. Mary Fitzpatrick, McCann's former mother-in-law, pledges to reveal McCann's location if Sean can solve the locked-room mystery surrounding her youngest daughter's death. She's convinced that Lizzie was murdered, but the evidence leans heavily toward an accident and even Sean's sharp wit and nimble reasoning can't keep the case from stalling. This powerful conclusion to the Troubles trilogy is guaranteed to leave readers wondering what particular brand of authorial sadism motivated McKinty to abbreviate this full-sensory tour of 1980s Belfast with only a trilogy. The Troubles' first two novels were exceptionally smart police procedurals, and McKinty applies the same expertise here, contrasting a classic locked-room puzzle with the gritty, violent Belfast backdrop.--Tran, Christine Copyright 2014 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
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Publisher's Weekly Review

The explosive conclusion to McKinty's Troubles trilogy (after 2013's I Hear Sirens in the Street) combines an IRA thriller with a locked-room mystery. By late 1983, Sean Duffy has fallen on hard times. Drummed out of the Royal Ulster Constabulary, he has a chance at redemption when MI5 literally comes knocking at his door. MI5 offers Sean back his rank of detective inspector if he will find an IRA bomb maker, Dermot McCann, who broke out of prison and then trained in a Libyan camp before disappearing. Dermot's ex-mother-in-law, Mary Fitzpatrick, agrees to reveal Dermot's location if Sean will investigate her daughter Lizzie's death, which the previous investigating officers were certain was an accident, because, after all, Lizzie was alone in a locked pub when she died. Though it's the end of the trilogy, readers will hope that this won't be the last they see of Sean Duffy. Agent: Bob Mecoy, Creative Book Services. (Mar.) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
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Library Journal Review

Belfast's DS Sean Duffy must balance his background (Irish Catholic) and his job (he's currently with MI5). Hunting for an IRA bomber requires his immediate attention. Set in the 1980s, this is the concluding volume in a gritty trilogy (after I Hear the Sirens in the Street). (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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Booklist Reviews

*Starred Review* After an unfortunate bit of political tangling (I Hear the Sirens in the Street, 2013), Royal Ulster Constabulary detective Sean Duffy has been demoted, and his superiors are primed to cut him from the force. Duffy's fortune shifts when an IRA breakout from the Maze prison destroys a relatively quiet period in Belfast's urban war. Dermot McCann, an IRA leader, explosives expert, and Sean's childhood friend, is among the escapees. So it's only mildly surprising when MI5 approaches Sean, promising to restore his good favor in the RUC if he can find McCann. When Sean tracks down McCann's ex-wife, he shakes loose the glimmer of a lead. Mary Fitzpatrick, McCann's former mother-in-law, pledges to reveal McCann's location if Sean can solve the locked-room mystery surrounding her youngest daughter's death. She's convinced that Lizzie was murdered, but the evidence leans heavily toward an accident and even Sean's sharp wit and nimble reasoning can't keep the case from stalling. This powerful conclusion to the Troubles trilogy is guaranteed to leave readers wondering what particular brand of authorial sadism motivated McKinty to abbreviate this full-sensory tour of 1980s Belfast with only a trilogy. The Troubles' first two novels were exceptionally smart police procedurals, and McKinty applies the same expertise here, contrasting a classic locked-room puzzle with the gritty, violent Belfast backdrop. Copyright 2014 Booklist Reviews.

Copyright 2014 Booklist Reviews.
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Library Journal Reviews

Belfast's DS Sean Duffy must balance his background (Irish Catholic) and his job (he's currently with MI5). Hunting for an IRA bomber requires his immediate attention. Set in the 1980s, this is the concluding volume in a gritty trilogy (after I Hear the Sirens in the Street).

[Page 60]. (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Powered by Content Cafe

Publishers Weekly Reviews

The explosive conclusion to McKinty's Troubles trilogy (after 2013's I Hear Sirens in the Street) combines an IRA thriller with a locked-room mystery. By late 1983, Sean Duffy has fallen on hard times. Drummed out of the Royal Ulster Constabulary, he has a chance at redemption when MI5 literally comes knocking at his door. MI5 offers Sean back his rank of detective inspector if he will find an IRA bomb maker, Dermot McCann, who broke out of prison and then trained in a Libyan camp before disappearing. Dermot's ex-mother-in-law, Mary Fitzpatrick, agrees to reveal Dermot's location if Sean will investigate her daughter Lizzie's death, which the previous investigating officers were certain was an accident, because, after all, Lizzie was alone in a locked pub when she died. Though it's the end of the trilogy, readers will hope that this won't be the last they see of Sean Duffy. Agent: Bob Mecoy, Creative Book Services. (Mar.)

[Page ]. Copyright 2013 PWxyz LLC

Copyright 2013 PWxyz LLC
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