American wits: an anthology of light verse

Book Cover
Average Rating
Publisher
Library of America
Publication Date
[2003]
Language
English

Description

Irreverent, playful, and inventive, the American light verse of the past century offers a brimming feast of urbane pleasures. Bubbling over with engaging parodies, sparkling aphorisms, and wisecracking asides, the poems gathered here display a sure-footed handling of the poet’s art. The foremost practitioners of light verse “took delight not only in what they had to say but in their precise manner of saying it,” writes John Hollander in his introduction. “What makes it mean something is . . . the unique pleasure that poets and readers alike can take in that craft.”The poets in this volume included journalists, playwrights, screenwriters, and also some of the greatest poets of the century. We have Frost, Eliot, Millay, and Cummings, Don Marquis’ free-verse tales of Archy and Mehitabel, Newman Levy’s comic twists on grand opera, Samuel Hoffenstein’s disenchanted parsing of romantic sentiment, Dorothy Parker’s bitter epigrams, Ogden Nash’s brilliantly funny exercises in irregular meter: all are among the highlights from a century’s worth of poetic humor.About the American Poets ProjectElegantly designed in compact editions, printed on acid-free paper, and textually authoritative, the American Poets Project makes available the full range of the American poetic accomplishment, selected and introduced by today’s most discerning poets and critics.

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ISBN
9781931082495

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Booklist Review

Light verse, editor Hollander says, is a phenomenon of a cultural moment that has passed. "The writers gathered here came to literate maturity at a time when the ability to read and write accentual-syllabic verse was part of what it meant to be literate." The rise of free verse in American literature and, more important, literature classes exiled light verse from daily newspapers--in which columnists Franklin P. Adams and Don Marquis (who managed to write light free verse) published it--to specialty micro-magazines. So the youngest poet Hollander samples is 73! That poet, George Starbuck, is as funny, as culturally literate, and as willing to make light of it as any others in the book. (Try to be frivolous about the things that matter and the powers that be today--and it's PC court for you, buster!) The still-glimmering stars of light verse include Dorothy Parker, of course, who breaks your heart as well as your sobriety with her wit and acerbity; the nonpareil Ogden Nash; and Phyllis McGinley. But opera-flouting Norman Levy, love-deflating Samuel Hoffenstein, poetic chestnut-parodying Morris Bishop--these and other now-obscure names demand to be lit anew, to be read. --Ray Olson Copyright 2003 Booklist

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Booklist Reviews

/*Starred Review*/ Light verse, editor Hollander says, is a phenomenon of a cultural moment that has passed. "The writers gathered here came to literate maturity at a time when the ability to read and write accentual-syllabic verse was part of what it meant to be literate." The rise of free verse in American literature and, more important, literature classes exiled light verse from daily newspapers--in which columnists Franklin P. Adams and Don Marquis (who managed to write light free verse) published it--to specialty micro-magazines. So the youngest poet Hollander samples is 73! That poet, George Starbuck, is as funny, as culturally literate, and as willing to make light of it as any others in the book. (Try to be frivolous about the things that matter and the powers that be today--and it's PC court for you, buster!) The still-glimmering stars of light verse include Dorothy Parker, of course, who breaks your heart as well as your sobriety with her wit and acerbity; the nonpareil Ogden Nash; and Phyllis McGinley. But opera-flouting Norman Levy, love-deflating Samuel Hoffenstein, poetic chestnut-parodying Morris Bishop--these and other now-obscure names demand to be lit anew, to be read. ((Reviewed October 15, 2003)) Copyright 2003 Booklist Reviews

Copyright 2003 Booklist Reviews
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