This is my dollhouse

The young, ponytailed narrator has employed plenty of creativity to make her dollhouse. It was once a cardboard box, but with painted bricks, a little box television (with cutouts to change the channel), and a rooftop bowl, er, pool, it's now a comfy home for an eclectic family that includes blond twins and a bear doubling as the dad. The girl's friend Sophie also has a dollhouse, though hers is of plastic perfection, where everything matches, including the family. When the narrator visits, the girls play, but that house makes them devoid of original ideas. Still, when Sophie comes over, the narrator isn't sure her own dollhouse is good enough. The double-page spread of the cardboard house in all its detailed originality puts that to rest. Readers will wish they, too, could start moving these tiny objects around. Potter's signature artwork sometimes feels serious, and that's true of the girls, though everything connected to the dollhouse feels bright, joyful, and fun. Bonus: illustrated instructions for making a dollhouse!--Cooper, Ilene Copyright 2016 Booklist

Potter's narrator has lovingly crafted a cardboard box dollhouse and all its accoutrements, including a "plate of noodles" from a bottle cap and yarn. Her dollhouse family is sweetly eclectic, too: a mouse, bear, two fashion dolls, and rag doll, all sharing a large bed. Her friend Sophie's dollhouse, by contrast, is an "all perfect" prefab residence whose inhabitants who are both literally and figuratively plastic. The girl is both appalled and cowed, but Potter (Tell Me What to Dream About) doesn't interpret this emotional turmoil for readers; they'll quickly glean from Sophie's boring, literal play that the dollhouse has stunted the girl's imagination. Happily, Sophie turns out to be a creative spirit yearning to break free, and the narrator's handcrafted house, which she initially tries to hide from Sophie, is just the ticket. As in her previous books, Potter's characters have enigmatic, mini-adult visages reminiscent of early-18th-century child portraits. The realization that creative, outside-the-box artistry can be more inspiring than anything manufactured makes for a wonderful story, one that may motivate future members of the artisanal economy. Ages 4-8. (May) © Copyright PWxyz, LLC. All rights reserved.

K-Gr 3-"This is my dollhouse. It used to be a cardboard box." As the narrator takes readers on an inspiring tour, her handmade dollhouse will captivate young artists, architects, and miniature enthusiasts. She introduces the eclectic family who lives there and shows how she makes the furniture out of everyday objects. A hole in a small box makes a television with a changeable picture, and cut yarn in a bottle cap makes a plate of noodles. "The rug is a small piece of carpet I cut off the one in my room. (So far, no one has noticed.)" The dolls have a Dixie cup elevator and a bowl for a rooftop pool. Engaging spreads and spot art bring out the dollhouse's whimsy while also providing a few visual how-tos. In stark contrast, the narrator's friend's store-bought dollhouse is "all perfect." At Sophie's, the two girls struggle to find a way to play together as Sophie resists any unusual improvisation around her unalterable dollhouse. The narrator becomes shy about her creative impulses and later her own dollhouse, which she hides when Sophie comes over. Ultimately the handmade dollhouse is discovered, and Sophie becomes caught up in its creation and the imaginative play it engages. The illustrations done in watercolor and ink have a folk-art style that honors the spirit of arts and crafts. Those who want to build their own dollhouse will find illustrated ideas from the book with basic instructions and suggestions under the book's jacket. VERDICT This peek into a handmade miniature world provides an irresistible prompt to create fun and make things out of found objects.-Julie Roach, Cambridge Public Library, MA c Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

An unnamed narrator owns a dollhouse that she built with cardboard, creativity, and whatever she could find around the house. The wallpaper is drawn in marker; a ribbon and feather become a flappers headband; a cup-and-string becomes an elevator, which goes up to the rooftop pool -- a bowl of water. Some of these origin stories make it into the text, but others must be surmised from the illustrations, which is half the fun. Friend Sophie also has a dollhouse, but hers is store-bought, with furniture thats meant to be furniture and plastic people who all look the same. The narrator is embarrassed to let Sophie see her dolls humble abode, but readers and listeners will probably guess which house ultimately proves more interesting and fun to play with. The first- person, present-tense narration captures the voice of an introspective, imaginative child, but its in Potters characteristic ink and watercolor illustrations that the books eclectic spirit shines through. Her wide, big-eyed faces are simple, but there are other details to discover throughout -- items from the endpapers show up repeatedly and serve different purposes. Much like the dollhouse, the book itself invites exploration: check under the dust jacket for tips on building a cardboard dollhouse of your own. shoshana flax(c) Copyright 2016. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Readers will feel right at home with this cozy tribute to imagination. In pitch-perfect, first-person narration, a young girl introduces readers to her beloved dollhouse, made from a cardboard box and decorated with crafted odds and ends. The toy family living there is made up of dolls and stuffed animals, including a mother doll and twin girl dolls, Grandma Mousey, and a stuffed bear Daddy. She delights in making props for them and tucks them in to sleep in one big bed. On a play date, she discovers that her friend Sophie has a pristine, fully accessorized dollhouse with a matching doll family. (All the human characters, both girls and dolls, are white.) Sophie rejects ideas for crafting decorations or adding characters to their pretend play, so once the family is settled into four tidy beds, the bored girls go outside to play. When Sophie comes to play at her house, the narrator is nervous that her friend will look down on her homemade dollhouse, so she hides itbut Sophie discovers it and is enchanted. The girls make many things to embellish the house and delight in pretend play. The childlike voice in Potter's text is matched by her downright charming watercolor-and-ink illustrations, which invite close inspection and might inspire readers in their own dollhouse craftparticularly if they can access the inside of the jacket, which provides dollhouse-making instructions. A dollhouse for everyone. (Picture book. 4-8) Copyright Kirkus Reviews, used with permission.

The young, ponytailed narrator has employed plenty of creativity to make her dollhouse. It was once a cardboard box, but with painted bricks, a little box television (with cutouts to change the channel), and a rooftop bowl, er, pool, it's now a comfy home for an eclectic family that includes blond twins and a bear doubling as the dad. The girl's friend Sophie also has a dollhouse, though hers is of plastic perfection, where "everything matches," including the family. When the narrator visits, the girls play, but that house makes them devoid of original ideas. Still, when Sophie comes over, the narrator isn't sure her own dollhouse is good enough. The double-page spread of the cardboard house in all its detailed originality puts that to rest. Readers will wish they, too, could start moving these tiny objects around. Potter's signature artwork sometimes feels serious, and that's true of the girls, though everything connected to the dollhouse feels bright, joyful, and fun. Bonus: illustrated instructions for making a dollhouse! Copyright 2014 Booklist Reviews.

Potter's narrator has lovingly crafted a cardboard box dollhouse and all its accoutrements, including a "plate of noodles" from a bottle cap and yarn. Her dollhouse family is sweetly eclectic, too: a mouse, bear, two fashion dolls, and rag doll, all sharing a large bed. Her friend Sophie's dollhouse, by contrast, is an "all perfect" prefab residence whose inhabitants who are both literally and figuratively plastic. The girl is both appalled and cowed, but Potter (Tell Me What to Dream About) doesn't interpret this emotional turmoil for readers; they'll quickly glean from Sophie's boring, literal play that the dollhouse has stunted the girl's imagination. Happily, Sophie turns out to be a creative spirit yearning to break free, and the narrator's handcrafted house, which she initially tries to hide from Sophie, is just the ticket. As in her previous books, Potter's characters have enigmatic, mini-adult visages reminiscent of early-18th-century child portraits. The realization that creative, outside-the-box artistry can be more inspiring than anything manufactured makes for a wonderful story, one that may motivate future members of the artisanal economy. Ages 4–8. (May)

K-Gr 3—"This is my dollhouse. It used to be a cardboard box." As the narrator takes readers on an inspiring tour, her handmade dollhouse will captivate young artists, architects, and miniature enthusiasts. She introduces the eclectic family who lives there and shows how she makes the furniture out of everyday objects. A hole in a small box makes a television with a changeable picture, and cut yarn in a bottle cap makes a plate of noodles. "The rug is a small piece of carpet I cut off the one in my room. (So far, no one has noticed.)" The dolls have a Dixie cup elevator and a bowl for a rooftop pool. Engaging spreads and spot art bring out the dollhouse's whimsy while also providing a few visual how-tos. In stark contrast, the narrator's friend's store-bought dollhouse is "all perfect." At Sophie's, the two girls struggle to find a way to play together as Sophie resists any unusual improvisation around her unalterable dollhouse. The narrator becomes shy about her creative impulses and later her own dollhouse, which she hides when Sophie comes over. Ultimately the handmade dollhouse is discovered, and Sophie becomes caught up in its creation and the imaginative play it engages. The illustrations done in watercolor and ink have a folk-art style that honors the spirit of arts and crafts. Those who want to build their own dollhouse will find illustrated ideas from the book with basic instructions and suggestions under the book's jacket. VERDICT This peek into a handmade miniature world provides an irresistible prompt to create fun and make things out of found objects.—Julie Roach, Cambridge Public Library, MA