A thousand splendid suns

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Propelled by the same superb instinct for storytelling that made The Kite Runner a beloved classic, the #1 New York Times bestseller A Thousand Splendid Suns is at once an incredible chronicle of thirty years of Afghan history and a deeply moving story of family, friendship, faith, and the salvation to be found in love. “Just as good, if not better, than Khaled Hosseini’s best-selling first book, The Kite Runner.”—Newsweek Khaled Hosseini returns with a beautiful, riveting, and haunting novel that confirms his place as one of the most important literary writers today.Born a generation apart and with very different ideas about love and family, Mariam and Laila are two women brought jarringly together by war, by loss and by fate. As they endure the ever escalating dangers around them-in their home as well as in the streets of Kabul-they come to form a bond that makes them both sisters and mother-daughter to each other, and that will ultimately alter the course not just of their own lives but of the next generation. With heart-wrenching power and suspense, Hosseini shows how a woman's love for her family can move her to shocking and heroic acts of self-sacrifice, and that in the end it is love, or even the memory of love, that is often the key to survival.A stunning accomplishment, A Thousand Splendid Suns is a haunting, heartbreaking, compelling story of an unforgiving time, an unlikely friendship, and an indestructible love.

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Contributors
Hosseini, Khaled Author
Leoni, Atossa Narrator, narrator., nrt
ISBN
9781594489501
9780743554459
9781429514491
9781428142787
9781594483851
9780743567619
9781101010907

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Similar Titles From NoveList

NoveList provides detailed suggestions for titles you might like if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
These books have the appeal factors haunting, bleak, and lyrical, and they have the subjects "loss," "afghan war, 2001-2021," and "war."
These books have the appeal factors haunting, lyrical, and sweeping, and they have the genres "family sagas" and "literary fiction"; the subjects "loss," "generation gap," and "war"; and include the identity "southwest asian and north african (middle eastern)."
Though A Thousand Splendid Suns offers a broader view, both that novel and Lipstick in Afghanistan share an informative glimpse into life for women in Afghanistan during challenging times. -- Shauna Griffin
Strongly depicted Afghan women are resilient and resourceful in the face of abusive forced marriages in these engrossing novels, which feature pairs of women. In the case of The Pearl that Broke its Shell, they are separated by a century. -- Shauna Griffin
These books have the appeal factors haunting, bleak, and gritty, and they have the genres "book club best bets" and "adult books for young adults"; the subject "war"; and characters that are "authentic characters."
These books have the appeal factors cinematic, and they have the genres "book club best bets" and "adult books for young adults"; and the subjects "loss," "violence against women," and "gender role."
People in these engaging novels try to survive and find loved ones in the midst of war. The gritty Dark centers on a rescue attempt in Syria, while the richly detailed A Thousand spans three decades of strife in Afghanistan. -- Michael Shumate
Although A Thousand Splendid Suns is much grittier and more haunting than Lion Women, both of these character-driven historical novels feature women's lives in societies turning towards religious extremism in Afghanistan (Thousand) and Iran (Lion Women). -- Michael Shumate
These books have the appeal factors haunting, stylistically complex, and sweeping, and they have the genre "family sagas"; the subjects "afghan war, 2001-2021," "intergenerational relations," and "generation gap"; and include the identity "southwest asian and north african (middle eastern)."
These books have the appeal factors haunting, cinematic, and lyrical, and they have the subjects "loss," "muslims," and "families"; and include the identity "muslim."
Although the stories differ, the haunting effect is the same in these novels about women's lives in Afghanistan. Both are disquieting portraits of the subtle dangers inherent to daily life and the horrific result of making a "wrong" choice. -- Jen Baker
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Similar Authors From NoveList

NoveList provides detailed suggestions for other authors you might want to read if you enjoyed this book. Suggestions are based on recommendations from librarians and other contributors.
Readers who appreciate novels with cross-cultural scope and insight into global tensions will enjoy both Khaled Hosseini and Kamila Shamsie. -- Shauna Griffin
Khaled Hosseini and Mohsin Hamid write affecting tales about alienation, class issues, and cultural differences. In a concrete, realistic style, peppered with moments of genuine transcendence, they draw complex characters and conjure distressing situations. Both writers emphasize the value of friendship and love. -- Mike Nilsson
Sudanese-Scottish novelist Leila Aboulela and Afghan-American novelist Khaled Hosseini pen engaging, thought-provoking fiction about contemporary Muslim characters in their native countries and abroad as immigrants or refugees. Hosseini tends toward bleaker tones due to frequent wartime settings in Afghanistan, while Aboulela probes relationships and cultural conflicts, especially for Muslim women. -- Michael Shumate
Books by both of these authors include historical and literary fiction novels that depict the varied experiences of Muslims in Afghanistan as well as other regions of the Arab world. With unsparing prose and heartwrenching scenes, their work doesn't shy away from the often harsh realities of loss and despair. -- Basia Wilson
American-born Nadia Hashimi and Afghan-born Khaled Hosseini write lyrically about the difficulty of life for the average person in Afghanistan. Their deeply felt novels are often coming-of-age tales that illuminate the inequalities between the sexes and the gross injustices visited upon the population by political extremists. -- Mike Nilsson
These authors' works have the appeal factors haunting, and they have the genres "family sagas" and "page to screen"; the subjects "intergenerational relations," "generation gap," and "south asian people"; include the identity "asian"; and characters that are "sympathetic characters" and "authentic characters."
These authors' works have the subjects "afghan war, 2001-2021," "violence against women," and "gender role"; and include the identity "asian."
These authors' works have the appeal factors bleak, and they have the subjects "intergenerational relations," "social classes," and "generation gap"; include the identity "asian"; and characters that are "sympathetic characters" and "authentic characters."
These authors' works have the appeal factors cinematic, and they have the genres "literary fiction" and "psychological fiction"; the subjects "social classes," "south asian people," and "asian people"; include the identity "asian"; and characters that are "sympathetic characters" and "authentic characters."
These authors' works have the appeal factors haunting, bleak, and melancholy, and they have the subjects "intergenerational relations," "social classes," and "household employees."
These authors' works have the appeal factors haunting, bleak, and lyrical, and they have the subjects "south asian people," "asian people," and "southwest asian (middle eastern) people"; and include the identities "muslim," "asian," and "southwest asian and north african (middle eastern)."
These authors' works have the appeal factors haunting and stylistically complex, and they have the subjects "loss," "household employees," and "violence against women"; and include the identity "asian."

Published Reviews

Booklist Review

Hosseini's follow-up to his best-selling debut, The Kite Runner (2003) views the plight of Afghanistan during the last half-century through the eyes of two women. Mariam is the illegitimate daughter of a maid and a businessman, who is given away in marriage at 15 to Rasheed, a man three times her age; their union is not a loving one. Laila is born to educated, liberal parents in Kabul the night the Communists take over Afghanistan. Adored by her father but neglected in favor of her older brothers by her mother, Laila finds her true love early on in Tariq, a thoughtful, chivalrous boy who lost a leg in an explosion. But when tensions between the Communists and the mujahideen make the city unsafe, Tariq and his family flee to Pakistan. A devastating tragedy brings Laila to the house of Rasheed and Mariam, where she is forced to make a horrific choice to secure her future. At the heart of the novel is the bond between Mariam and Laila, two very different women brought together by dire circumstances. Unimaginably tragic, Hosseini's magnificent second novel is a sad and beautiful testament to both Afghani suffering and strength. Readers who lost themselves in The Kite Runner will not want to miss this unforgettable follow-up. --Kristine Huntley Copyright 2007 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
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Publisher's Weekly Review

Atossa Leoni, who is German-born of Afghan ancestry, was clearly chosen because she can pronounce all the Afghan words-a big plus, but it's the only plus in this bad reading. Dropping her voice on the last word of every sentence, her phrasing is regularly rendered ungrammatical by breaks at the wrong points. Her narrow vocal range makes for a dull and often difficult listening experience. Despite the reader, the book holds the listener thanks to Hosseini's riveting story-an in-depth exploration of Afghan society in the three decades of anti-Soviet jihad, civil war and Taliban cruelty. He impels us to empathize with and admire those most victimized by Afghan history and culture-women. Mariam, a 15-year-old bastard whose mother commits suicide, is married off to 40-year-old Rasheed, who abuses her brutally, especially after she has several miscarriages. At 60, Rasheed takes in 14-year-old Laila, whose parents were blown up by stray bombs. He soon turns violent with her. Although Laila is united with her childhood beloved, the potential return of the Taliban always shadows their happiness. Simultaneous release with the Riverhead hardcover (Reviews, Feb. 26). (May) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
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Library Journal Review

Hosseini sees whether he can top The Kite Runner's remarkable recordA103 weeks on the New York Times best sellers listAwith this tale of two very different Afghan women over 30 years. With a national tour. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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Kirkus Book Review

This Afghan-American author follows his debut (The Kite Runner, 2003) with a fine risk-taking novel about two victimized but courageous Afghan women. Mariam is a bastard. Her mother was a housekeeper for a rich businessman in Herat, Afghanistan, until he impregnated and banished her. Mariam's childhood ended abruptly when her mother hanged herself. Her father then married off the 15-year-old to Rasheed, a 40ish shoemaker in Kabul, hundreds of miles away. Rasheed is a deeply conventional man who insists that Mariam wear a burqa, though many women are going uncovered (it's 1974). Mariam lives in fear of him, especially after numerous miscarriages. In 1987, the story switches to a neighbor, nine-year-old Laila, her playmate Tariq and her parents. It's the eighth year of Soviet occupation--bad for the nation, but good for women, who are granted unprecedented freedoms. Kabul's true suffering begins in 1992. The Soviets have gone, and rival warlords are tearing the city apart. Before he leaves for Pakistan, Tariq and Laila make love; soon after, her parents are killed by a rocket. The two storylines merge when Rasheed and Mariam shelter the solitary Laila. Rasheed has his own agenda; the 14-year-old will become his second wife, over Mariam's objections, and give him an heir, but to his disgust Laila has a daughter, Aziza; in time, he'll realize Tariq is the father. The heart of the novel is the gradual bonding between the girl-mother and the much older woman. Rasheed grows increasingly hostile, even frenzied, after an escape by the women is foiled. Relief comes when Laila gives birth to a boy, but it's short-lived. The Taliban are in control; women must stay home; Rasheed loses his business; they have no food; Aziza is sent to an orphanage. The dramatic final section includes a murder and an execution. Despite all the pain and heartbreak, the novel is never depressing; Hosseini barrels through each grim development unflinchingly, seeking illumination. Another artistic triumph, and surefire bestseller, for this fearless writer. Copyright ©Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.
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Booklist Reviews

/*Starred Review*/ Hosseini's follow-up to his best-selling debut, The Kite Runner (2003) views the plight of Afghanistan during the last half-century through the eyes of two women. Mariam is the illegitimate daughter of a maid and a businessman, who is given away in marriage at 15 to Rasheed, a man three times her age; their union is not a loving one. Laila is born to educated, liberal parents in Kabul the night the Communists take over Afghanistan. Adored by her father but neglected in favor of her older brothers by her mother, Laila finds her true love early on in Tariq, a thoughtful, chivalrous boy who lost a leg in an explosion. But when tensions between the Communists and the mujahideen make the city unsafe, Tariq and his family flee to Pakistan. A devastating tragedy brings Laila to the house of Rasheed and Mariam, where she is forced to make a horrific choice to secure her future. At the heart of the novel is the bond between Mariam and Laila, two very different women brought together by dire circumstances. Unimaginably tragic, Hosseini's magnificent second novel is a sad and beautiful testament to both Afghani suffering and strength. Readers who lost themselves in The Kite Runner will not want to miss this unforgettable follow-up. ((Reviewed March 1, 2007)) Copyright 2007 Booklist Reviews.

Copyright 2007 Booklist Reviews.
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Library Journal Reviews

Hosseini sees whether he can top The Kite Runner's remarkable recordÄ103 weeks on the New York Times best sellers listÄwith this tale of two very different Afghan women over 30 years. With a national tour. Copyright 2007 Reed Business Information.

Copyright 2007 Reed Business Information.
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Library Journal Reviews

Raised in poverty by her unwed epileptic mother and married off early by the rich, elegant father who has always kept her at arm's length, Mariam would seem to have little in common with well-educated and comfortably raised young Laila. Yet their lives intertwine dramatically in this affecting new novel from the author of The Kite Runner , who proves that one can write a successful follow-up after debuting with a phenomenal best seller. As Mariam settles in Kabul with her abusive cobbler husband, smart student Laila falls in love with friend Tariq. But she loses her brothers in the resistance to Soviet dominion and her parents in a bombing just as the family prepares to flee the awful violence. Simply to survive, she becomes the second wife of Mariam's husband and is bitterly resented by the older woman until they are able to form the bond that serves as the heart of this novel. Then the Taliban arrive. Hosseini deftly sketches the history of his native land in the late 20th century while also delivering a sensitive and utterly persuasive dual portrait. His writing is simple and unadorned, but his story is heartbreaking. Highly recommended. [See Prepub Alert, LJ 1/07.]—Barbara Hoffert, Library Journal

[Page 58]. Copyright 2007 Reed Business Information.

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Publishers Weekly Reviews

Afghan-American novelist Hosseini follows up his bestselling The Kite Runner with another searing epic of Afghanistan in turmoil. The story covers three decades of anti-Soviet jihad, civil war and Taliban tyranny through the lives of two women. Mariam is the scorned illegitimate daughter of a wealthy businessman, forced at age 15 into marrying the 40-year-old Rasheed, who grows increasingly brutal as she fails to produce a child. Eighteen later, Rasheed takes another wife, 14-year-old Laila, a smart and spirited girl whose only other options, after her parents are killed by rocket fire, are prostitution or starvation. Against a backdrop of unending war, Mariam and Laila become allies in an asymmetrical battle with Rasheed, whose violent misogyny—"There was no cursing, no screaming, no pleading, no surprised yelps, only the systematic business of beating and being beaten"—is endorsed by custom and law. Hosseini gives a forceful but nuanced portrait of a patriarchal despotism where women are agonizingly dependent on fathers, husbands and especially sons, the bearing of male children being their sole path to social status. His tale is a powerful, harrowing depiction of Afghanistan, but also a lyrical evocation of the lives and enduring hopes of its resilient characters. (May)

[Page 52]. Copyright 2007 Reed Business Information.

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