The concerto

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English
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The concerto offers a kind of unique excitement no other instrumental music can match. Where a symphony enthralls us with its thematic variations and development, a concerto gives us human drama - the exhilaration of a soloist or group of soloists ringing forth against the mass of the orchestra. In 24 musically rich lectures, Professor Greenberg provides a guided tour of the concerto, from its conception as a child of Renaissance ideals, through its maturation in the Classical age, its metamorphosis in the Romantic era, and its radical transformation in the 20th century and beyond. You'll listen to selections from nearly 100 concerti from more than 60 composers - from Gabrieli to Gershwin, from Schumann to Shostakovich. Along with the bedrock of the repertoire - represented by Vivaldi, Bach, Mozart, Beethoven, Mendelssohn, Chopin, Schumann, Liszt, Brahms, Tchaikovsky, Dvorak, Rachmaninoff, Bartok, and many others - you are introduced to superb concerti by a host of less-familiar masters. You'll study in depth some of the greatest and most beloved works of the genre, including Mozart's Concerto for Flute in G Major, K. 313; Haydn's Concerto for Trumpet in E-flat Major; Beethoven's Piano Concerto no. 4 in G Major, op. 58; Chopin's Piano Concerto no. 2 in F Minor, op. 21; Grieg's Piano Concerto in A Minor, op. 16; and Tchaikovsky's Violin Concerto in D Major, op. 35. Finally, you'll look at some notoriously esoteric and difficult 20th-century composers, including Arnold Schonberg and Elliott Carter, learning how their music is much more accessible than it appears.
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ISBN:
9781598031652
9781682764008
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Grouping Information

Grouped Work ID f36c21fc-46db-fc55-f4d7-a29f2ea874b5
Grouping Title concerto
Grouping Author greenberg robert
Grouping Category book
Last Grouping Update 2018-08-06 04:40:45AM
Last Indexed 2018-09-23 04:52:53AM

Solr Details

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author Greenberg, Robert, 1954-
author2-role Teaching Company.
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display_description The concerto offers a kind of unique excitement no other instrumental music can match. Where a symphony enthralls us with its thematic variations and development, a concerto gives us human drama - the exhilaration of a soloist or group of soloists ringing forth against the mass of the orchestra. In 24 musically rich lectures, Professor Greenberg provides a guided tour of the concerto, from its conception as a child of Renaissance ideals, through its maturation in the Classical age, its metamorphosis in the Romantic era, and its radical transformation in the 20th century and beyond. You'll listen to selections from nearly 100 concerti from more than 60 composers - from Gabrieli to Gershwin, from Schumann to Shostakovich. Along with the bedrock of the repertoire - represented by Vivaldi, Bach, Mozart, Beethoven, Mendelssohn, Chopin, Schumann, Liszt, Brahms, Tchaikovsky, Dvorak, Rachmaninoff, Bartok, and many others - you are introduced to superb concerti by a host of less-familiar masters. You'll study in depth some of the greatest and most beloved works of the genre, including Mozart's Concerto for Flute in G Major, K. 313; Haydn's Concerto for Trumpet in E-flat Major; Beethoven's Piano Concerto no. 4 in G Major, op. 58; Chopin's Piano Concerto no. 2 in F Minor, op. 21; Grieg's Piano Concerto in A Minor, op. 16; and Tchaikovsky's Violin Concerto in D Major, op. 35. Finally, you'll look at some notoriously esoteric and difficult 20th-century composers, including Arnold Schonberg and Elliott Carter, learning how their music is much more accessible than it appears.
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series Great courses
series_with_volume Great courses|
subject_facet Concerto, Downloadable audio, Downloadable streaming, MUSIC / Genres & Styles / Classical, Music, Music -- History and criticism
title_display The concerto
title_full The concerto / Robert Greenberg
title_short The concerto