What remains of heaven: a Sebastina St. Cyr mystery

Sebastian St. Cyr is drawn into another criminal investigation when the archbishop of Canterbury and his aunt Henrietta ask him to investigate the murder of the bishop of London, who was found dead in an ancient crypt, along with the body of a man who had been dead for decades. In addition, St. Cyr must remain watchful as a man he served with in the army is seeking revenge. He also learns that Hero Jarvis, who helped him with a previous case, is pregnant from a liaison the two had when they thought they were going to die before being rescued (Where Serpents Sleep, 2008). St. Cyr's investigation leads him to believe that the two murders are linked, and as he searches for the connections, he discovers a secret from his family's past that holds far-reaching implications. This atmospheric and disturbing story includes vivid descriptions and details of early-nineteenth-century London woven into a plot that includes numerous twists before the mysteries are finally solved.--O'Brien, Sue Copyright 2009 Booklist

Long-festering family secrets, treachery and worse threaten Sebastian St. Cyr in Harris's addictive fifth Regency-era mystery starring the dashing soldier-turned-sleuth (after 2008's Where Serpents Sleep). From the start, St. Cyr's mission is sensitive: finding out who killed the bishop of London, a leading candidate for archbishop of Canterbury, in the crypt of the same country church where the mummified body of another murder victim was discovered only hours earlier. It becomes downright dangerous once the charismatic viscount unearths the surprising connection between the men as well as the many powerful enemies with motives for their murder-including his own father. Harris weaves palpable period detail and romantic subplots with such ease that her occasional descriptive laziness, such as repeats of "fiercely blue St. Cyr eyes," grates inordinately. But it shouldn't keep you from being swept up by her seductive antihero at his swashbuckling best. (Nov.) (c) Copyright PWxyz, LLC. All rights reserved

In his fifth outing (after Why Mermaids Sing), former spy Sebastian St. Cyr is asked by the Archbishop of Canterbury to find who killed the Bishop of London, whose body was found in an ancient crypt along with a decades-old unidentified corpse. Along the way he gets a bit of help from Miss Hero Jarvis, meets Benjamin Franklin's embittered son, and learns more about his origins. Verdict Harris combines all of the qualities of a solid Regency in the tradition of Georgette Heyer by pairing two strong characters trying to ignore their mutual attraction while solving a crime together. Anyone who likes Amanda Quick and/or is reading the reissued Heyer novels will love this series. [See Prepub Mystery, LJ 7/09.] (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Who killed the cleric in the crypt? When the 1812 renovations to St. Margaret's, Tanfield Hill, accidentally bash a hole through the sealed entry to its crypt, there are two ghastly surprises. The dead body of Bishop Prescott, staunch abolitionist and leading contender for the soon-to-be-vacated post of Archbishop of Canterbury, lies sprawled across yet another dead body, this one partially mummified with a jeweled, Italianate dagger in its back. Bow Street, recognizing a matter too delicate for its own clumsy hands, calls upon Sebastian St. Cyr, Viscount Devlin (Where Serpents Sleep, 2008, etc.). Within the compass of a few short weeks the aristocratic sleuth is shot at, horsewhipped, attacked with a meat cleaver, half-drowned and forced to kill three men himself. Undeterred, he accepts the responsibilities of fatherhood that have been impending ever since his reckless night with stubborn feminist Hero Jarvis, whose father had good reason to want Prescott dead; uncovers enough illegitimacies to keep the Town atwitter for generations; suspects both his father and Hero's of treason in aid of the colonies; and finds time to visit a prescient nanny-turned-witch who has secrets to impart about his own parentage. The mystery includes a smattering of political and church intrigue among a welter of family ties so intricate that a scorecard might have helped. Copyright Kirkus Reviews, used with permission.

Sebastian St. Cyr is drawn into another criminal investigation when the archbishop of Canterbury and his aunt Henrietta ask him to investigate the murder of the bishop of London, who was found dead in an ancient crypt, along with the body of a man who had been dead for decades. In addition, St. Cyr must remain watchful as a man he served with in the army is seeking revenge. He also learns that Hero Jarvis, who helped him with a previous case, is pregnant from a liaison the two had when they thought they were going to die before being rescued (Where Serpents Sleep, 2008). St. Cyr's investigation leads him to believe that the two murders are linked, and as he searches for the connections, he discovers a secret from his family's past that holds far-reaching implications. This atmospheric and disturbing story includes vivid descriptions and details of early-nineteenth-century London woven into a plot that includes numerous twists before the mysteries are finally solved. Copyright 2009 Booklist Reviews.

Sebastian St. Cyr investigates the violent death of the Archbishop's successor in Harris's fifth Regency-era mystery. The author lives in New Orleans. Copyright 2009 Reed Business Information.

In his fifth outing (after Why Mermaids Sing), former spy Sebastian St. Cyr is asked by the Archbishop of Canterbury to find who killed the Bishop of London, whose body was found in an ancient crypt along with a decades-old unidentified corpse. Along the way he gets a bit of help from Miss Hero Jarvis, meets Benjamin Franklin's embittered son, and learns more about his origins. VERDICT Harris combines all of the qualities of a solid Regency in the tradition of Georgette Heyer by pairing two strong characters trying to ignore their mutual attraction while solving a crime together. Anyone who likes Amanda Quick and/or is reading the reissued Heyer novels will love this series. [See Prepub Mystery, LJ 7/09.]

Long-festering family secrets, treachery and worse threaten Sebastian St. Cyr in Harris's addictive fifth Regency-era mystery starring the dashing soldier-turned-sleuth (after 2008's Where Serpents Sleep). From the start, St. Cyr's mission is sensitive: finding out who killed the bishop of London, a leading candidate for archbishop of Canterbury, in the crypt of the same country church where the mummified body of another murder victim was discovered only hours earlier. It becomes downright dangerous once the charismatic viscount unearths the surprising connection between the men as well as the many powerful enemies with motives for their murder—including his own father. Harris weaves palpable period detail and romantic subplots with such ease that her occasional descriptive laziness, such as repeats of "fiercely blue St. Cyr eyes," grates inordinately. But it shouldn't keep you from being swept up by her seductive antihero at his swashbuckling best. (Nov.)