Someday we will fly

During WWII, teenage Lillia and her circus acrobat family flee Poland for Shanghai, joining a large Jewish refugee community from both Europe and America. DeWoskin, who has lived in China, has done meticulous research, but what stands out is her lyrical, sensitive portrayal of families struggling to survive during wartime, and the heartbreaking uncertainty that comes from families being separated. Although Lillia's father gets Lillia and her developmentally disabled baby sister, Naomi, out of Poland before they end up in concentration camps, father and daughters are separated from mother Alenka. Once safely in Shanghai, they find that nothing is easy: food, jobs, housing, medical treatment, and childcare are scarce or nonexistent, and Jewish refugees find themselves crowded into the ghetto of Hongkou. Eventually Lillia takes a job (without her father's knowledge or permission) as a hostess-dancer at a gentleman's club, bringing in money for food and medicine she also develops a romantic relationship with a Chinese boy. All the while, the family aches for Alenka, not knowing if they will ever see her again. Lillia uses her art (dance and puppetry) to keep herself and her family going in the face of constant challenges. Offering an unusual portrait of what war does to families in general and children in particular, DeWoskin is never didactic as she affirms the human need for art and beauty in hard times.--Debbie Carton Copyright 2010 Booklist

With pathos and a fine eye for historical detail, DeWoskin (Blind) relates the story of Shanghai's Jewish refugees during WWII, when Shanghai was under Japanese occupation. In May 1940, two days before their scheduled escape from Warsaw, 15-year-old Lillia's mother disappears, and Lillia, her father, and her malnourished 18-month-old sister Naomi, must flee Poland without her. Lillia, who has inherited her circus performer parents' agility and love for storytelling, finds solace making puppets from scavenged materials. Realizing that her family's survival depends in part on her, she discovers the lengths she will go to save them from starvation and illness, including selling her hair, pawning her mother's gold ring, and dancing in a club for wealthy Japanese men, all the while wondering if she'll ever see her mother again. Lillia's first-person narrative details occupied Shanghai extensively, from her initial impression of the city as "an electric mob of running, waving, shouting" to the ever-present Japanese soldiers. DeWoskin captures the crushing destruction of war and occupation, the unfathomable resilience communities can muster through cross-cultural friendships and acts of kindness, andthe power of the performing arts to foster hope in times of struggle and desperation. Ages 12-up. Agent: Jill Grinberg, Jill Grinberg Literary Management. (Jan.) © Copyright PWxyz, LLC. All rights reserved.

In 1940, Lillias Jewish family plans to escape the Nazi threat in Warsaw for Shanghai. Her parents are acrobats, and when their circus is raided, Lillia and her father and sister are separated from the girls mother and must make the journey without knowing her fate. Once there, the family lives among other refugees in Japanese-occupied Shanghai, and Lillia attends an international Jewish school. She begins to interact with local people via her friendship with Wei, a boy who works at the school, and later his sister Aili. Lillia (fifteen when the story begins) starts out somewhat naive, and DeWoskin sensitively shows her maturing as she comes to realize the privilege she has over Shanghai-born Wei and Aili, even as a refugee, and the repercussions her actions can have for them. Her growth also involves accepting the role of sole breadwinner when her father and sister fall ill; left without many options, she takes a job dancing and socializing at a club for wealthy Japanese men. Though a climactic revelation seems perhaps too good to be true, the novel is honest about the impossibility of a completely happy ending. Prose thick with description details 1940s Shanghai through the eyes of a first-person narrator trying to make sense of a setting completely new to her. A personal and informative authors note and an extensive list of sources make it evident that this novel highlighting a WWII story rarely told in YA is a well-researched one. shoshana flax March/April 2019 p 79(c) Copyright 2019. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

During World War II, Lillia and her Polish family struggle to make a new home in Shanghai.DeWoskin (Blind, 2014, etc.) explores a rarely depicted topic: the struggles of the Shanghai Jewish refugees. Lillia's parents, Stanislav Circus acrobats, are performing their last show when the event is raided. Her mother is lost in the confusion, and Lillia, her father, and her developmentally disabled baby sister flee Warsaw, traveling by land and sea to China. Part of Lillia rejects what is going on around her, in innocent disbelief at what people are capable of doing to one another, while another part revels in small freedoms, wandering the streets of Shanghai unmonitored, amazed at discovering a Jewish community in this foreign land. There, in a place where she begins to hate the hope she harbors that her mother will find them, Lillia both discovers new strength and plunges into new depths of desperation, driven to do things that would surprise and appall her old self. Though the instances of Chinese romanized text are missing all tonal marks that denote pronunciation and meaning, English translations are given. The vivid characters are flawed and evolve, sometimes according to or despite their circumstances. Particularly fascinating is the juxtaposition of the plight of Jewish refugees with that of the Chinese living in a Japanese-occupied Shanghai.A beautifully nuanced exploration of culture and people. (author's note, sources, map) (Historical fiction. 13-18) Copyright Kirkus Reviews, used with permission.

*Starred Review* During WWII, teenage Lillia and her circus acrobat family flee Poland for Shanghai, joining a large Jewish refugee community from both Europe and America. DeWoskin, who has lived in China, has done meticulous research, but what stands out is her lyrical, sensitive portrayal of families struggling to survive during wartime, and the heartbreaking uncertainty that comes from families being separated. Although Lillia's father gets Lillia and her developmentally disabled baby sister, Naomi, out of Poland before they end up in concentration camps, father and daughters are separated from mother Alenka. Once safely in Shanghai, they find that nothing is easy: food, jobs, housing, medical treatment, and childcare are scarce or nonexistent, and Jewish refugees find themselves crowded into the ghetto of Hongkou. Eventually Lillia takes a job (without her father's knowledge or permission) as a hostess-dancer at a gentleman's club, bringing in money for food and medicine—she also develops a romantic relationship with a Chinese boy. All the while, the family aches for Alenka, not knowing if they will ever see her again. Lillia uses her art (dance and puppetry) to keep herself and her family going in the face of constant challenges. Offering an unusual portrait of what war does to families in general and children in particular, DeWoskin is never didactic as she affirms the human need for art and beauty in hard times. Grades 9-12. Copyright 2019 Booklist Reviews.

With pathos and a fine eye for historical detail, DeWoskin (Blind) relates the story of Shanghai's Jewish refugees during WWII, when Shanghai was under Japanese occupation. In May 1940, two days before their scheduled escape from Warsaw, 15-year-old Lillia's mother disappears, and Lillia, her father, and her malnourished 18-month-old sister Naomi, must flee Poland without her. Lillia, who has inherited her circus performer parents' agility and love for storytelling, finds solace making puppets from scavenged materials. Realizing that her family's survival depends in part on her, she discovers the lengths she will go to save them from starvation and illness, including selling her hair, pawning her mother's gold ring, and dancing in a club for wealthy Japanese men, all the while wondering if she'll ever see her mother again. Lillia's first-person narrative details occupied Shanghai extensively, from her initial impression of the city as "an electric mob of running, waving, shouting" to the ever-present Japanese soldiers. DeWoskin captures the crushing destruction of war and occupation, the unfathomable resilience communities can muster through cross-cultural friendships and acts of kindness, andthe power of the performing arts to foster hope in times of struggle and desperation. Ages 12–up. Agent: Jill Grinberg, Jill Grinberg Literary Management. (Jan.)