Soundtrack to Change

A history of protest music embodied in 33 songs since the 1930s.

"A powerful, intimate look at the life and music of a beloved folk icon and activist. Folk hero. Songwriter icon. Living legend. Buffy Sainte-Marie is all of these things and more. In this, Sainte-Marie's first and only authorized biography, music critic Andrea Warner draws from more than sixty hours of exclusive interviews to offer a powerful, intimate look at the life of the beloved artist and everything that she has accomplished in her seventy-seven...

With the advent of recording technology, LGBT messages were for the first time brought to the forefront of popular music. Bullock covers the history of recorded music by and for the LGBT community, and shows how those records influenced the evolution of the music we listen to today. He discusses how gay, lesbian, and bisexual performers influenced jazz and blues; examines the almost forgotten Pansy Craze in the years between the two World Wars; chronicles...

A harrowing picture biography of civil-rights activist and Grammy Award-winning South African singer Miriam Makeba. Miriam Makeba, a Grammy Award-winning South African singer, rose to fame in the hearts of her people at the pinnacle of apartheid-a brutal system of segregation similar to American Jim Crow laws. Mama Africa, as they called her, raised her voice to help combat these injustices at jazz clubs in Johannesburg; in exile, at a rally beside...

"The untold story of the woman whose music and afro inspired a generation, whose voice provided a soundtrack for the unfolding civil rights movement of the 1950s and '60s"--

A look at the life of controversial musician, activist, and environmentalist Pete Seeger, and how he used his songs to promote social change. Includes archival footage and interviews with Bob Dylan, Bruce Springsteen, Joan Baez, Arlo Guthrie, and more.

Tells the story of how Billie Holiday and songwriter Abel Meeropol combined their talents to create "Strange Fruit," the iconic protest song that brought attention to lynching and racism in America.

When he emerged from the nightclubs of Greenwich Village, Bob Dylan was often identified as a "protest" singer. As early as 1962, however, Dylan was already protesting the label: "I don't write no protest songs," he told his audience on the night he debuted "Blowin' in the Wind." "Protest" music is largely perceived as an unsubtle art form, a topical brand of songwriting that preaches to the converted. But popular music of all types has long given...