The Last Judgment
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Description
Paris can do strange things to a man's mind—like make him agree to an apparently harmless favor of escorting a picture to Rome. It seems routine work, and art dealer Jonathan Argyll gets to meet his girlfriend, Flavia, who works for Rome's Art Theft Squad.
"The Death of Socrates" is a particularly nondescript piece, so Jonathan can sympathize when its recipient refuses to accept delivery. But in an unusual twist, the same man is found dead a few hours later. Surely the painting wasn't that bad? Now caught up in a murder investigation, Jonathan recalls an attempt to steal the artwork while he was at the train station. Could this be the killer? What is so special about this painting? The bodies start piling up and Jonathan must uncover the dark wartime secret at the heart of the mystery—before someone puts him out of the picture for good.
With customary wit and panache, Jonathan and Flavia embark on a breathless chase to capture a killer who has been refining his own particular art for many years.
Also in this Series
Published Reviews
Booklist Review
Jonathan Argyll, British art dealer, and his amour, Flavia de Stefano, a member of Rome's art-theft squad, have decided to marry after happy months of living together. But first, there's business to tend to. On a buying trip to Paris, Jonathan is asked by a colleague to deliver a valuable painting to a client in Rome. He soon discovers that whoever is interested in this picture seems to wind up dead. The trail leads both Jonathan and Flavia from Rome to Paris and back, unearthing in the process a story that began with the French Resistance during World War II and has extended its tendrils to the present day, where familial jealousy, greed over an inheritance, and unrequited love provide the perfect motives for murder. In the odd moment when Jonathan and Flavia aren't detecting, they carry on a delightful courtship that provides nearly as much enjoyment as the surprising plot. A sophisticated, adventurous, and gripping story that is sure to hold wide appeal. --Emily Melton
Publisher's Weekly Review
The latest (mis)adventure of art historian Jonathan Argyll delivers its plot twists at a rapid clip right up to the closing pages, where Jonathan's lover, Flavia di Stefano of Rome''s Art Theft Department, cuts straight to the tale's core of murderous greed. Jonathan agrees to hand-deliver a small, undistinguished painting from a Paris art dealer to Arthur Muller, the buyer in Rome. But in short order, someone tries to steal the painting from Jonathan; Muller is tortured and murdered; a man carrying both Muller's and Jonathan's addresses is also killed; and French authorities demand that Jonathan return the painting, which might be stolen. While Jonathan restores the painting to its rightful owner, who turns out to be a hero from the French Resistance, Flavia discovers that Muller was obsessed with learning about his fatherwhose own wartime death and Resistance involvement were apparently less honorable. Graced with a sharp intellect and terrier-like tenacity, Flavia charges on, even when Jonathan's courage flags and the French powers-that-be are deliberately unhelpful. By giving his sleuths an ample supply of dirty little secrets to unearth and solve, Pears (The Bernini Bust) keeps them and his readers well occupied. (Apr.) (c) Copyright PWxyz, LLC. All rights reserved
Library Journal Review
Jonathan Argyll, British art dealer and sleuth, delivers an obscure 18th-century painting to a Parisian dealer's client in Rome. The client, however, ends up dead. Argyll and his fiancée, Flavia de Stefano, pursue the murderer as well as information about the painting. A solidly enjoyable series. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Book Review
When will Jonathan Argyll learn? This time, the budding international art dealer with a nose for trouble volunteers to deliver a minor French painting to its new owner in Rome, only to find on his arrival that (1) the buyer, Arthur Muller, no longer wants it; (2) by the next day Muller's been tortured and killed; and (3) back in France, the canvas has been reported stolen. Even as Argyll's tracing the painting's ties to the ugly betrayal of a Resistance cell in wartime France, his unofficial fiancée Flavia di Stefano, of Rome's Art Squad, is getting ready, as usual, to save him from his own impetuosity--and from more of the worst judgment boasted by any fictional detective outside the funny pages. Though the flashback to historical intrigue barely 50 years old is something of a novelty for Pears (The Bernini Bust, 1994, etc.), Argyll and Flavia's fourth is as densely plotted as ever.
Reviews from GoodReads
Citations
Pears, I., & Cosham, R. (2009). The Last Judgment (Unabridged). Blackstone Publishing.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Pears, Iain and Ralph Cosham. 2009. The Last Judgment. Blackstone Publishing.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Pears, Iain and Ralph Cosham. The Last Judgment Blackstone Publishing, 2009.
Harvard Citation (style guide)Pears, I. and Cosham, R. (2009). The last judgment. Unabridged Blackstone Publishing.
MLA Citation, 9th Edition (style guide)Pears, Iain, and Ralph Cosham. The Last Judgment Unabridged, Blackstone Publishing, 2009.
Copy Details
Collection | Owned | Available | Number of Holds |
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Libby | 1 | 1 | 0 |