The Cider House Rules

Book Cover
Average Rating
Contributors
Irving, John Author
Published
HarperCollins , 2012.
Status
Checked Out

Description

The practices of Dr. Wilbur Larch--obstetrician, orphanage director, ether addict, and abortionist--are hindered, abetted, and continued, in turn, by his favorite orphan, Homer Wells

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Format
Street Date
07/31/2012
Language
English
ISBN
9780062235183

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Both John Irving and T. Coraghessan Boyle are remarkably versatile writers who employ varied settings and take on important issues and social themes including sex, love, and fidelity. Though Boyle's writing sometimes tends more toward the fanciful and fantastic than Irving's, both have richly developed characters and captivating storytelling styles. -- Katherine Johnson
While John Irving and Larry McMurtry seem like an unlikely pairing, readers that admire Irving's ability to draw appealing characters through perfectly crafted dialogue will see similar skills in McMurtry's books. Both are masterful storytellers, who weave humor throughout tragic storylines. Their characters are eccentric yet endearing. -- Victoria Fredrick
Longtime fans of John Irving will also enjoy the fiction of David Wroblewski. Both write sweeping literary novels that also have a more mainstream appeal, featuring sensitive exploration of family dynamics, a generous supply of eccentrics to keep things interesting, and a willingness to approach issues off the beaten path. -- Michael Shumate
John Irving fans will delight in the imaginative, fanciful, compelling storytelling in Charles Dickens's novels. Dickens's writing style is quite different, but the memorable characters, stories, and examination of human foibles, as well as the ability to provoke thought and emotional response, will please Irving's readers. -- Katherine Johnson
John Barth has a strongly postmodernist bent, but John Irving's readers willing to experiment with style will be dazzled by Barth's unique tone and magical storytelling; his literary caliber will appeal to Irving's fans, as will his playful, fanciful sense of fun and adventure. -- Katherine Johnson
Robertson Davies' hallmarks of imaginative, magical storytelling, cerebral but accessible prose, compelling characters, and shrewd insight into social issues will be familiar to John Irving's readers. Though Davies is more psychological, his thought-provoking content will resonate with Irving's fans, as will his settings, especially Canada and academia. -- Katherine Johnson
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Published Reviews

Kirkus Book Review

As in The World According to Garp, a young man is trying to find his way as he grows up amid institutional, individual, familial, and social craziness in upper New England. An orphan whose adoptions never stick, Homer Wells keeps returning to the institution in remote St. Cloud's, Maine, that is presided over by it's elderly founder, ascetic Dr. Wilbur Larch, committed and expert obstetrician and abortionist (as well as ether addict). Dr. Latch's creed is to give people what they want: an orphan or an abortion. He and his aging female staff count on Homer to grow up to succeed Larch in ""the Lord's work"" of providing abortions in this pre-World War II world; but while Homer is an accomplished apprentice, his principles are resolutely pro-life. At 20, he leaves the orphanage to live with a wealthy family of coastal apple-growers, whose son and future daughter-in-law are the Golden Delicious variety and become his closest friends. Homer becomes expert at the business, which involves sorting marketable perfect apples from the bruised ones good only for the cider press. But with the apples comes temptation, leading to problems with the rules of love, a not-quite Jules-et-Jim-like solution, and an ultimate crisis that brings the book to a resounding, but awfully pat, resolution. As with Garp, Irving is not afraid of sentiment--and here knows how to stir the emotions in skillful depictions of parental love, unwanted orphans, Alzheimer-stricken adults, and distraught women desperate for a D&C. Even in scenes of appalling horror, Irving can be very funny--he shows obvious indebtedness to Dickens--but there is a less savory element in the way he presents some of his pathetic characters--especially females--as titillating freaks. And the cranking out of the less-than-gripping plot is made palatable largely by episodic situations involving the more vivid minor characters. Most seriously, despite echoes of the clearly ""significant"" title throughout, it is not at all clear what exactly is the novel's point. Finally, this effort is sometimes moving or amusing, but also irritating and ultimately disappointing. Copyright ©Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.
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Citations

APA Citation, 7th Edition (style guide)

Irving, J. (2012). The Cider House Rules . HarperCollins.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Irving, John. 2012. The Cider House Rules. HarperCollins.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Irving, John. The Cider House Rules HarperCollins, 2012.

Harvard Citation (style guide)

Irving, J. (2012). The cider house rules. HarperCollins.

MLA Citation, 9th Edition (style guide)

Irving, John. The Cider House Rules HarperCollins, 2012.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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