Dreamcatcher Movie-Tie In
(Libby/OverDrive eAudiobook)

Jonesy, Henry, Pete, and the Beav have been friends since junior high, especially since the day they rescued Duddits, a Down's syndrome kid their age, from a trio of high-school bullies. They stayed Duddits' fast friends and defenders through high school and have kept up with one another for some 20 years now, gathering for a week of hunting in the Maine woods every fall. They haven't been in touch with Duddits the last several years, however, and don't know he is dying of leukemia. When they go hunting this year, they resolve to see Duddits afterwards. But this year, a big, sick, befuddled man wanders into their camp, saying he has been lost. Before Jonesy and the Beav can figure things out, all hell breaks loose. A blizzard comes on, delaying Henry and Pete's return with food and beer, and the guy gets much sicker and then explodes, releasing a legless, toothy thing that \xc9 . Suffice it to say that this is King's alien-first-contact yarn, and it's a corker--blood, pain, and bodily fluids all over the place, concluding with a long, suspenseful three-party chase. Predictably, given King's sentimentality about friendship, Duddits turns out to be the telepathic key to the bond between the other four protagonists, to heading off the alien invasion, and to saving Jonesy's and Henry's lives. An important secondary character, the maniacal army officer in charge of the military effort to "contain" the aliens, is pretty cartoonish, and King doesn't know intellectuals well enough to make Jonesy credible as the professor of history he is. So consider this second-rate King, but allow that it may be the best alien invasion story since Wells' War of the Worlds. --Ray Olson

In an author's note to this novel, the first he's written since his near-fatal accident, King allows that he wrote the first draft of the book by hand. So much for the theory that it's word-processing alone that leads to logorrhea. Yet despite its excessive length, the novel one of the most complex thematically and structurally in King's vast output dazzles and grips, if fitfully. In its suspenseful depiction of an alien invasion, it superficially harkens back to King's early work (e.g., the 1980 novella "The Mist"), but it also features the psychological penetration, word-magic and ripe imagination of his recent stuff (particularly Bag of Bones). The action shuttles between present and past, following primarily the tribulations of a band of five males four regular guys from Derry, Maine (setting of King's It and Insomnia), and their special friend, Duddits, a Down's child (then man) with telepathic abilities. The first chunk of the text offers a tour de force of terror bound in darkest humor, depicting the arrival at the four guys' remote hunting cabin of a man who's fatally ill because he harbors in his bowels an alien invader. Yet the ferocious needle-toothed "shit-weasel" that escapes from him is only one of three varieties of invader the protagonists, and eventually a black-ops containment force, face: the others are Grays, classic humanoid aliens, and byrus, a parasitical growth that threatens to overtake life on Earth. The presence of the aliens makes humans telepathic, which leads to various inspired plot complications, but also to an occasional, perhaps necessary, vagueness of narration is there anything more difficult to dramatize than mind-to-mind communication? Numerous flashbacks reveal the roots of the connections among the four guys (one of whom is hit by a car and nearly dies), Duddits and even the aliens, while the last part of the book details a race/chase to save the world a chase that goes on and on and that's further marred by the cartoonlike presence of the head of the black ops force, who's as close to a caricature as King has strayed in several novels. The book has flaws, then, and each of them cries "runaway author." Is anyone editing King these days? But, then, who edited, say, Mahler at his most excessive? The genius shines through in any case, in the images and conceits that blind with brilliance, in the magnificent architecture, in the wide swaths of flat-out riveting reading and, most of all, in the wellsprings of emotions King taps as he plumbs the ties that bind his characters and, by extension, all of us to one another. (One-day laydown, Mar. 20) Forecast: As King's first book-length fiction since the accident, this novel originally titled Cancer will generate particular interest commercially and critically. It may be nominated for awards; it certainly will top the charts. Film rights optioned by Castle Rock. (c) Copyright PWxyz, LLC. All rights reserved

Four childhood friends, each laboring under the burden of their own midlife crisis, agree to take their annual hunting trip to the north Maine woods. There they are quickly and violently drawn into the immediate aftermath of an invasive landing by a viral/fungal/parasitic alien race. Though one of the friends has always been slightly telepathic, "infection" by the aliens has the side effect of enhancing mind-reading ability in humans. The story becomes a race to prevent the aliens from conquering Earth by viral contamination of the water supply. On this journey, King demonstrates his prodigious writing skills, character development, and storytelling abilities, while leaving his audience more than slightly bewildered by some of the metaphysical and psychic aspects of the action and conclusion. Jeffrey DeMunn does a great job with an extremely diverse range of characters and some unusual vocal gymnastics. Dreamcatcher is a solid purchase on its literary and audio merits and will be extremely popular. For all fiction collections. Kristen L. Smith, Loras Coll. Lib., Dubuque, IA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

King's first novel since Bag of Bones (1998) builds on the stylistic improvement begun with his splendidly well-written The Green Mile (1996). Dreamcatcher may at first seem a falling off, as the opening pages crank up the plot and four lads in Derry (see It and Insomnia ) exchange vulgarities, but by the halfway point an immense fluff of seeming irrelevancies coalesce into a tight storyline and King has well and truly roped readers for the big ride. The four lads—Gary "Jonesy" Jones, Joe "Beaver" Clarendon, Henry Devlin, and Pete Moore—rescue retarded Douglas "Duddits" Cavell from gross bullying by big Richie Grenadeau. Later, in a communal dream, the four boys and Duddits find Richie beheaded in a ditch, a horror revealed piecemeal over several hundred pages that turns out to be real. The five have literally dreamed Richie dead. This spine-shaking ability comes up against a huge psychic enemy: the invasion of the planet by a thinking fungus that means to take over all species. King hints at a debt to Brian Lumley's great short story "Fruiting Bodies" and tells how the red fungus (called "the Ripley" after Sigourney Weaver's character in Alien ) represents all the ETs we have seen in films by Spielberg, Cameron, and others. Twenty-five years later, Jonesy is a history teacher, Henry a shrink bedeviled by suicide, Pete a car salesman, and Beaver a happy-go-lucky partygoer losing his wife. The men meet for a week of deer hunting up in Maine. What they find is the red fungus, escaped from a crashed UFO destroyed by the Air Force and spreading like superflu in The Stand . Only the seemingly retarded Duddits can summon the Dreamcatcher that draws them together and gives them the force to fight a human villain: Kurtz (yes, that Kurtz), a psychotic military officer killing "grayboy" aliens and all humans infected by the Ripley. Top suspense with a surreal climax you'd have to read twice if the epilogue didn't spell out its layered complexities. First printing of 1,250,000; film rights to Castle Rock; Book-of-the-Month Club, Doubleday Book Club, Literary Guild, Science Fiction Book Club, and Doubleday Large Print Book Club main selection; Quality Paperback Book Club alternate selection

Four childhood friends, each laboring under the burden of their own midlife crisis, agree to take their annual hunting trip to the north Maine woods. There they are quickly and violently drawn into the immediate aftermath of an invasive landing by a viral/fungal/parasitic alien race. Though one of the friends has always been slightly telepathic, "infection" by the aliens has the side effect of enhancing mind-reading ability in humans. The story becomes a race to prevent the aliens from conquering Earth by viral contamination of the water supply. On this journey, King demonstrates his prodigious writing skills, character development, and storytelling abilities, while leaving his audience more than slightly bewildered by some of the metaphysical and psychic aspects of the action and conclusion. Jeffrey DeMunn does a great job with an extremely diverse range of characters and some unusual vocal gymnastics. Dreamcatcher is a solid purchase on its literary and audio merits and will be extremely popular. For all fiction collections. Kristen L. Smith, Loras Coll. Lib., Dubuque, IA Copyright 2001 Cahners Business Information.

If you're ready to commit virtually a whole day of your life to this unabridged version of King's latest blockbuster, this is what you'll get: some of King's best storytelling, beautifully read by DeMunn, an actor of great skill and subtlety who knows that less is more especially when it comes to this book's ample blood, horror and ferocious little aliens. DeMunn quickly and expertly creates four very distinctive characters to fit the quartet of Maine men boyhood chums who gather for their annual deer hunt as their lives seem to crumble around them. One of them, the history professor Jonesy, is recovering from a serious accident an event on which King dwells heavily but which DeMunn downplays as best he can. The Maine accents are perfect: working-class for the Beaver, who does menial work; a slight overtone of aspiration for Pete, the car salesman; slightly more polish for Jonesy, teaching in Boston; and a definite aura of erudition for Henry the psychologist. Even the aliens are distinguishably different testimony to the skills of both writer and reader. Simultaneously released with Simon & Schuster hardcover (Forecasts, Feb. 12). (Apr.) Copyright 2001 Cahners Business Information.